y separately published work icon East Wind, West Wind single work   autobiography  
Issue Details: First known date: 1992... 1992 East Wind, West Wind
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

This account of the life of the author portrays both the uncertainty of life under a totalitarian government and the difficulties of exercising individual rights when under official scrutiny, even in a non-authoritarain society such as Australia.

Notes

  • Sound recording available

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Ringwood, Ringwood - Croydon - Kilsyth area, Melbourne - East, Melbourne, Victoria,: Penguin , 1992 .
      Extent: xiv, 268pp.
      ISBN: 014015986X (pbk.)
VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()

Works about this Work

Of Dragons and Devils : Chinese-Australian Life Stories Wenche Ommundsen , 2002 single work criticism
— Appears in: JASAL , vol. 1 no. 2002; (p. 67-80) The author explores the hybridity of the 'the collaborative life story and its close relative, testimonial writing' which occupies a position between ''literature and various modes of factual writing ... and between private and public, or political, discourse.' She sees it as a genre 'frequently troubled by generic, ethical and political dilemmas, especially in the case of cross-cultural collaboration' (p.66) However, her reading of Chinese-Australian texts demonstates that 'the cultural negotiation embodied by the cross-cultural life story offers a unique opportunity to observe the production of autobiographical "truth" in the interplay between generic expectation and textual variation.' (p.78)
From 'Hello Freedom' to 'Fuck You Australia' : Recent Chinese-Australian Writing Wenche Ommundsen , 2002 single work criticism
— Appears in: Departures : How Australia Reinvents Itself 2002; (p. 61-69; notes 286-287) Explores 'moments of departure and arrival' as recreated in literary texts by writers who recently came to Australia from China. Gives a descriptive overview of a number of relevant texts.
Slipping the Net : Fang Xiangshu and Trevor Hay's Stories of Modern China Wenche Ommundsen , 2001 single work criticism
— Appears in: Otherland , no. 7 2001; (p. 169-181)
Birds of Passage? The New Generation of Chinese-Australian Writers Wenche Ommundsen , 2000 single work criticism
— Appears in: Alter/Asians : Asian-Australian Identities in Art, Media and Popular Culture 2000; (p. 89-106; Notes: 283-284) Examines the works of the post-"Tiananmen Square" generation of Chinese-Australian writers and some of their preoccupations and attitudes, and their impact on Australian literature and culture.
'Historical Drifters': Self-Representations of Chinese Late-Comers in Australia Yuanfang Shen , 2000 single work criticism
— Appears in: Journal of Australian Studies , no. 65 2000; (p. 136-144) Dragon Seed in the Antipodes : Chinese-Australian Autobiographies 2001; (p. 90-107)
Untitled Hal Colebatch , 1993 single work review
— Appears in: Fremantle Arts Review , June/July vol. 8 no. 6 1993; (p. 15-16)
— Review of East Wind, West Wind Xiangshu Fang , Trevor Hay , 1992 single work autobiography
What Price Freedom? Enrique Martinez , 1993 single work review
— Appears in: The CRNLE Reviews Journal , no. 2 1993; (p. 99-104)
— Review of East Wind, West Wind Xiangshu Fang , Trevor Hay , 1992 single work autobiography
Of Dragons and Devils : Chinese-Australian Life Stories Wenche Ommundsen , 2002 single work criticism
— Appears in: JASAL , vol. 1 no. 2002; (p. 67-80) The author explores the hybridity of the 'the collaborative life story and its close relative, testimonial writing' which occupies a position between ''literature and various modes of factual writing ... and between private and public, or political, discourse.' She sees it as a genre 'frequently troubled by generic, ethical and political dilemmas, especially in the case of cross-cultural collaboration' (p.66) However, her reading of Chinese-Australian texts demonstates that 'the cultural negotiation embodied by the cross-cultural life story offers a unique opportunity to observe the production of autobiographical "truth" in the interplay between generic expectation and textual variation.' (p.78)
'Historical Drifters': Self-Representations of Chinese Late-Comers in Australia Yuanfang Shen , 2000 single work criticism
— Appears in: Journal of Australian Studies , no. 65 2000; (p. 136-144) Dragon Seed in the Antipodes : Chinese-Australian Autobiographies 2001; (p. 90-107)
Birds of Passage? The New Generation of Chinese-Australian Writers Wenche Ommundsen , 2000 single work criticism
— Appears in: Alter/Asians : Asian-Australian Identities in Art, Media and Popular Culture 2000; (p. 89-106; Notes: 283-284) Examines the works of the post-"Tiananmen Square" generation of Chinese-Australian writers and some of their preoccupations and attitudes, and their impact on Australian literature and culture.
Slipping the Net : Fang Xiangshu and Trevor Hay's Stories of Modern China Wenche Ommundsen , 2001 single work criticism
— Appears in: Otherland , no. 7 2001; (p. 169-181)
From 'Hello Freedom' to 'Fuck You Australia' : Recent Chinese-Australian Writing Wenche Ommundsen , 2002 single work criticism
— Appears in: Departures : How Australia Reinvents Itself 2002; (p. 61-69; notes 286-287) Explores 'moments of departure and arrival' as recreated in literary texts by writers who recently came to Australia from China. Gives a descriptive overview of a number of relevant texts.
VIEW ALL WORKS ABOUT (7)
Last amended 4 May 2006 16:00:51
Subjects:
  • c
    China,
    c
    East Asia, South and East Asia, Asia,
  • 1949-1999
Newspapers:
    Powered by Trove
    X