y separately published work icon The History of Kodadad and His Brothers ; Or, The Disguised Prince single work   musical theatre   humour  
Issue Details: First known date: 1866... 1866 The History of Kodadad and His Brothers ; Or, The Disguised Prince
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AbstractHistoryArchive Description

Loosely falling between the genres of musical comedy, extravaganza and burlesque, Kodadad is described in the 1886 published text as having been 'freely translated from the Arabian Nights' entertainments, embellished in every possible way and done into extremely free and easy verse'. The story concerns the son of the Sultan of Diabekir, heir to an Arabian Nights-style kingdom, who is banished to New South Wales as a squatter in order to acquire colonial experience. His incompetence as a farmer sees him treated as a 'new chum' by the locals, and he struggles to endure the hardships of both the work and the environment. Just as he's decided that he can't take any more, the prince receives word that his father has repented the severity of sending him to such a primitive part of the world and calls him home. Upon his return to the court, Kodadad quickly forgets all about his experiences, except in a moment of nostalgia when he tries to convince Lula, a Persian princess, to immigrate with him back to Australia. Lula refuses, however, because she's heard about the Australian insects.

The songs mostly comprised airs from the operas Faust, Lucrezia Borgia, and Lucia di Lammermoor and from popular songs of the day, with the lyrics rewritten. They included 'The Sultan's Polka' (chorus), 'The Cachuca' ( trio), 'Good-bye, Sweetheart, Good-bye', 'Soldier's Chorus' (from Faust), 'My Own, My Guiding Star' (duet), 'Pen and Ink Polka' (duet and chorus), 'Ama Tua Madre' (from Lucrezia Borgia), 'Lily Lye' (ballad), 'The Stockman's Grave' (duet), and the 'Great Eastern Polka' (chorus).

Notes

  • Although written and published in Brisbane in 1866, Kodadad was not performed until the following year, when the Nathan Juvenile Troupe (who had been performing in Brisbane at the time the play was published) presented it at the Prince of Wales Theatre in Auckland. It was then toured through the major New Zealand centres.

Production Details

  • 1867: Prince of Wales Theatre, Auckland (NZ), 1 May.

    • Manager/Director James Small.
    • Troupe Nathan Juvenille Troupe.

    1870: Royal Victoria Theatre, Sydney; 26 March - 1 April.

    • Scenic Art Alfred Clint and Andrew Torning.
    • Cast incl. Cast incl. George Sims (Sultan of Diabekir), Sam Poole (The Vizier), Tom Leopold (Bamer), Kate Corcoran (Kodadad, alia Falladdin), Mr Hasker (Hokanna), Mr Milner (Gobbleall), Miss Morgan (Zadi), Mrs Dillon (Zoyn), Mr Stewart (Hokah), Miss Dixon (Agib), Kate Ryder Lula (George Leopold (Pirouze). Other characters incl. princes, courtiers, attendants, "and the usual amount of tag-rag and bobtail.

    .

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

y separately published work icon Australia on the Popular Stage 1829-1929 Margaret Williams , Melbourne : Oxford University Press , 1983 Z922827 1983 selected work
y separately published work icon Australia on the Popular Stage 1829-1929 Margaret Williams , Melbourne : Oxford University Press , 1983 Z922827 1983 selected work

PeriodicalNewspaper Details

Note:
This entry has been sourced from research undertaken by Dr Clay Djubal into Australian-written popular music theatre (ca. 1850-1930). See also the Australian Variety Theatre Archive
Last amended 7 Oct 2014 11:55:32
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