'One of the key functions of literature and film is to represent and evoke emotion. Unlike conventional narrative approaches common to novels and films that rely on narrative action and dialogue to evoke emotion, picture books offer a different affect through minimal dialogue or description, aesthetics, and stylistic inventiveness. The concept of non-place offers an additional means for exploring how places and spaces in picture books embody some of the characteristics that Augé describes. Writers for young people often promote emotional engagement with characters and place by orienting their readers in both real and imaginary spaces, creating geographies of emotion.'
In this essay Heiss demonstrates that stories, poetry, songs, plays and memoirs are 'living' evidence of truths otherwise untold or appropriated (Source: Introduction)
'This essay explores how some recent Aboriginal and Torres Strait Islander authored titles have used local languages and personal histories - including complex stories which deal with the Stolen Generations - to engage and educate young Australian readers, while providing much needed inspiration to nurture Indigenous audiences.' (Source: Heiss, Anita, Aboriginal Literature for Children: More Than Just Pretty Pictures, 2015)
'This essay explores how some recent Aboriginal and Torres Strait Islander authored titles have used local languages and personal histories - including complex stories which deal with the Stolen Generations - to engage and educate young Australian readers, while providing much needed inspiration to nurture Indigenous audiences.' (Source: Heiss, Anita, Aboriginal Literature for Children: More Than Just Pretty Pictures, 2015)
In this essay Heiss demonstrates that stories, poetry, songs, plays and memoirs are 'living' evidence of truths otherwise untold or appropriated (Source: Introduction)
'One of the key functions of literature and film is to represent and evoke emotion. Unlike conventional narrative approaches common to novels and films that rely on narrative action and dialogue to evoke emotion, picture books offer a different affect through minimal dialogue or description, aesthetics, and stylistic inventiveness. The concept of non-place offers an additional means for exploring how places and spaces in picture books embody some of the characteristics that Augé describes. Writers for young people often promote emotional engagement with characters and place by orienting their readers in both real and imaginary spaces, creating geographies of emotion.'