y separately published work icon Southern Review periodical issue   peer reviewed assertion
Issue Details: First known date: 1992... vol. 25 no. 1 March 1992 of Southern Review est. 1963 Southern Review
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Contents

* Contents derived from the , 1992 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Millionsi"Green and cream, trams", Alan Urquhart , single work poetry (p. 39-40)
Herei"I stay here", Graham Rowlands , single work poetry (p. 40)
Glenelgi"The carpark is crammed", Jules Leigh Koch , single work poetry (p. 41)
Limboi"You try to make yourself smaller,", Jeri Kroll , single work poetry (p. 42-43)
Blue Angeli"Down on the farm", Andrew Leggett , single work poetry (p. 44)
The Sound of Bellsi"The opposite of you", David McCooey , single work poetry (p. 44)
Amor, "De Mentiritas" ("Make-Believe" Love)i"Hey, imagine that I fall in love with you", Alma Aldrette , single work poetry (p. 45)
El Immigrante (The Immigrant)i"He sought the sun and flavour", Alma Aldrette , single work poetry (p. 45)
Ichneumon Waspi""Le rouge et le noir-"", Diane Fahey , single work poetry (p. 46)
Hazel Next Doori"Hazel next door irons", Donna McSkimming , single work poetry (p. 47)
he- Night-We i"the night we swallowed", Donna McSkimming , single work poetry (p. 48)
Home Video, Jeri Kroll , single work short story (p. 61-67)
Why Do All These Women Have Moustaches? : Gender, Boundary and Frontier in "Such is Life" and "Monsieur Caloche", Susan K. Martin , single work criticism
Martin examines the relationship between the geographical boundaries and the boundaries of the body that enable Tom Collins to make sense of the world. Martin argues that the male-like females threaten the boundaries and simple binary divisions by which Tom Collins navigates the world. Any male/female partnerships such as Tom and Jim or the two Alfs do not create neat binary structures, but form ambiguous cross-gender doubling. This ambiguity indicates the permeability of supposed gender boundaries, leading Martin to argue that if women are read as a metaphor for land in Such is Life, the land suffers the same ambiguity.
 (p. 68-77)
The Self-Made Man : Narrative and National Character in Post-War Australia, Lindsay Barrett , single work criticism (p. 78-106)
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