y separately published work icon Southerly periodical issue   peer reviewed assertion
Issue Details: First known date: 1985... vol. 45 no. 3 September 1985 of Southerly est. 1939 Southerly
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Contents

* Contents derived from the , 1985 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Trespassers or Guests?, Marion Halligan , single work short story (p. 247-257)
Disaffection (or When We Fuck it's Gratuitous Sex)i"I have this vision of us on the Breton coast", Christopher Kelen , single work poetry (p. 258-259)
The Moving World and the Watching Worldi"The whole valley knows the sawmill's secret", Christopher Kelen , single work poetry (p. 259)
An Interview with Jack Hibberd, Geoffrey Sirmai (interviewer), single work interview (p. 260-265)
Character and Ideology in Christina Stead's `House of All Nations', Bruce Holmes , single work criticism (p. 266-279)
The Bell Jar Effect, Peter Lugg , single work poetry (p. 279)
At Parramattai"At Parramatta, cradle of the culture of Australia,", Michael Sharkey , single work poetry (p. 280-281)
1988i"They`re going to fill Sydney Harbour with Namatjiras.", Graham Rowlands , single work poetry satire (p. 281-282)
Youngblood, Peter Morey , single work (p. 283-292)
Jack's Mate, Marion Downer , single work (p. 293-294)
Evening News, Peter Lugg , single work poetry (p. 294)
Newer Voices : 2 : Kate Grenville, Gina Mercer , single work (p. 295-300)
Love's Donei"she laughed at mustn't and did her want,", Laurie Brady , single work poetry (p. 301)
Porridge, Penelope Nelson , single work short story (p. 302-306)
Veteran Traveller, Robert Gordon Hay , single work (p. 307)
Robert Adamson and the Persistence of Mallarme, Michael Sharkey (interviewer), single work interview
'The following conversation with Robert Adamson took place at Nigel Robert's house in Rozelle in Sydney, on 11 June 1984: Debra Adamson was also present, and the talk occurred shortly before those involved attended the San Quentin production of Beckett's Waiting for Godot (referred to in the interview) at the Wentworth Theatre.' (Introduction)
 (p. 308-320)
Sweet Poet, Gwen Kelly , single work (p. 320)
Smoke, Max Sollitt , single work (p. 321-328)
Suburban Dream, Anthony London , single work (p. 329)
The Late Poems of James McAuley, Noel Macainsh , single work (p. 330-342)
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