Scrammy 'And single work   short story  
Issue Details: First known date: 1902... 1902 Scrammy 'And
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Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Bush Studies Barbara Baynton , London : Duckworth , 1902 Z820571 1902 selected work short story (taught in 12 units)

    'Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness.

    'Economic of style, influenced by the great nineteenth-century Russian novelists, Barbara Baynton’s short-story collection presents the Australian bush as dangerous and isolating for the women who inhabit it.' (Publication summary : Text Classics)

         London : Duckworth , 1902     pg. 44-78
  • Appears in:
    y separately published work icon Cobbers Barbara Baynton , London : Duckworth , 1917 Z820761 1917 selected work short story London : Duckworth , 1917 pg. 71-115
  • Appears in:
    y separately published work icon Australian Short Stories Henrietta Drake-Brockman , Walter Murdoch , London : Oxford University Press , 1951 Z449816 1951 anthology short story London : Oxford University Press , 1951 pg. 36-58
  • Appears in:
    y separately published work icon Bush Studies Barbara Baynton , London : Duckworth , 1902 Z820571 1902 selected work short story (taught in 12 units)

    'Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness.

    'Economic of style, influenced by the great nineteenth-century Russian novelists, Barbara Baynton’s short-story collection presents the Australian bush as dangerous and isolating for the women who inhabit it.' (Publication summary : Text Classics)

         Sydney : Angus and Robertson , 1965     pg. 72-92
  • Appears in:
    y separately published work icon Australian Stories of Horror and Suspense from the Early Days Gordon Neil Stewart (editor), Sydney : Australasian Book Society , 1978 Z381037 1978 anthology short story Sydney : Australasian Book Society , 1978 pg. 252-267
  • Appears in:
    y separately published work icon Barbara Baynton Barbara Baynton , Sally Krimmer (editor), Alan Lawson (editor), St Lucia : University of Queensland Press , 1980 Z181654 1980 selected work novel poetry short story criticism correspondence biography St Lucia : University of Queensland Press , 1980 pg. 27-45
  • Appears in:
    y separately published work icon Bush Studies Barbara Baynton , London : Duckworth , 1902 Z820571 1902 selected work short story (taught in 12 units)

    'Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness.

    'Economic of style, influenced by the great nineteenth-century Russian novelists, Barbara Baynton’s short-story collection presents the Australian bush as dangerous and isolating for the women who inhabit it.' (Publication summary : Text Classics)

         Sydney : University of Sydney Library, Scholarly Electronic Text and Image Service , 1997
Alternative title: Stummelhand
Language: German
VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()

Works about this Work

The Sheep’s Face : Figuration, Empathy, Ethics Michael Farrell , 2016 single work criticism
— Appears in: JASAL , vol. 16 no. 1 2016; 'The word ‘species’ is etymologically related to looking. Although its primary biological definition is that of beings that can interbreed,species can refer to things of like kind: thisrelates to the term’s Latin derivation, specere, meaning to look. Describing how things look and conveying this appearance to others (whether in writing, or in relaying a memory) typically involves the use of metaphor. This article reads a number of Australian texts in terms of interspecies relations between humans and sheep, and considers the use of metaphor—and metonymy—and the place of ethics in this relation, with a particular emphasis on the face of both human and sheep: how sheep and humans look, in both senses of the word.' (Author's introduction)
Fear and Loathing in the Australian Bush : Gothic Landscapes in Bush Studies and Picnic at Hanging Rock Kathleen Steele , 2010 single work criticism
— Appears in: Colloquy : Text Theory Critique , December no. 20 2010; This work is an 'analysis of two texts in which the representations of landscape have been overlooked in favour of feminist or classical readings: Barbara Baynton‟s Bush Studies and Joan Lindsay‟s Picnic at Hanging Rock. If "landscape'. (Author's introduction)
Structure against Place, Fate and Cruelty : Deplorable State of Bush Women from the Works of Barbara Baynton P. Bhubaneswari , 2008 single work criticism
— Appears in: Women's Writing in English : India and Australia 2008; (p. 149-156)
The Uncanny in Barbara Bayton's "Scrammy 'And" and Christina Stead's "The Triskelion" William Lane , 2008 single work criticism
— Appears in: Southerly , vol. 68 no. 2 2008; (p. 144-152) Lane examines how 'the uncanny is a powerful literary tool, revealing "what was meant to remain secret and hidden"'.
What Kind of Truth? : Fiction from the 1890s David Kerr , 1993 single work criticism
— Appears in: Australian Literature Today 1993; (p. 40-51)
A Note On Barbara Baynton Peter Cowan , 1949 single work review
— Appears in: Arts Quarterly , Summer 1949; (p. 8-13)
— Review of The Chosen Vessel Barbara Baynton , 1896 single work short story ; Bush Studies Barbara Baynton , 1902 selected work short story ; Squeaker's Mate Barbara Baynton , 1902 single work short story ; Scrammy 'And Barbara Baynton , 1902 single work short story ; Billy Skywonkie Barbara Baynton , 1902 single work short story ; Bush Church Barbara Baynton , 1902 single work short story ; Human Toll Barbara Baynton , 1907 single work novel Discusses Barbara Baynton's 'bare objectivity' and 'treatment of subject matter' which, in Peter Cowan's view, 'tends to exclude the writer's personality'.
The Uncanny in Barbara Bayton's "Scrammy 'And" and Christina Stead's "The Triskelion" William Lane , 2008 single work criticism
— Appears in: Southerly , vol. 68 no. 2 2008; (p. 144-152) Lane examines how 'the uncanny is a powerful literary tool, revealing "what was meant to remain secret and hidden"'.
Structure against Place, Fate and Cruelty : Deplorable State of Bush Women from the Works of Barbara Baynton P. Bhubaneswari , 2008 single work criticism
— Appears in: Women's Writing in English : India and Australia 2008; (p. 149-156)
Fear and Loathing in the Australian Bush : Gothic Landscapes in Bush Studies and Picnic at Hanging Rock Kathleen Steele , 2010 single work criticism
— Appears in: Colloquy : Text Theory Critique , December no. 20 2010; This work is an 'analysis of two texts in which the representations of landscape have been overlooked in favour of feminist or classical readings: Barbara Baynton‟s Bush Studies and Joan Lindsay‟s Picnic at Hanging Rock. If "landscape'. (Author's introduction)
Inside the Deserted Hut : The Representation of Motherhood in Bush Mythology Sue Rowley , 1989 single work criticism
— Appears in: Westerly , December vol. 34 no. 4 1989; (p. 76-95) Rowley argues that the idea of motherhood expressed in the texts of bush mythology is ambivalent and unresolved. The presentation of domestic space has a pronounced influence on the idea of motherhood constructed in the stories under discussion. But, the representation of motherhood in bush mythology has been excluded "from the myths by which Australians have sought to construct an identity".
The Teeth Father Naked at Last : The Short Stories of Barbara Baynton Thea Astley , 1979 single work criticism
— Appears in: Three Australian Writers : Essays On Bruce Dawe, Barbara Baynton and Patrick White 1979; (p. 12-22)
VIEW ALL WORKS ABOUT (8)
Last amended 12 Nov 2010 16:50:13
Subjects:
  • Bush,
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