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form yBeyond BedlamNightscareVadim Jean,
Rob Walker,
( dir. Vadim Jean)United Kingdom (UK):Metrodome Films,199486774871994single work film/TV science fiction horror
Chemical experiments on the mind of a serial killer go horribly wrong, leaving the doctor behind the experiments and a police detective trapped inside the killer's demented dreamscape.
Publication Details of Only Known VersionEarliest 2 Known Versions of
The Australian Horror Novel Since 1950James Doig,
2012single work criticism — Appears in:
Sold by the Millions : Australia's Bestsellers2012;(p. 112-127)According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
The Australian Horror Novel Since 1950James Doig,
2012single work criticism — Appears in:
Sold by the Millions : Australia's Bestsellers2012;(p. 112-127)According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)