y separately published work icon Don Juan single work   drama   humour   - One act
Adaptation of Dom Juan ou le Festin de pierre Moliere , 1665 single work drama
Issue Details: First known date: 1983... 1983 Don Juan
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AbstractHistoryArchive Description

A translation and adaptation of Moliere's Don Juan, by Australian playwright Nick Enright.

Publication Details of Only Known VersionEarliest 2 Known Versions of

      1983 .
      Extent: 50 leavesp.
      (Manuscript) assertion
      Note/s:
      • Typescript(photocopy)
      • Marked 'Draft #2'.

      Holdings

      Held at: University of Queensland University of Queensland Library Fryer Library
      Local Id: H2175
    • Paddington, Kings Cross area, Inner Sydney, Sydney, New South Wales,: Currency Press ; State Theatre Company of South Australia , 1984 .
      Extent: 44p.
      ISBN: 0868190942
      Series: Current Theatre Series Currency Press (publisher), 1983- series - publisher 'Current Theatre Series consists of Australian plays published with the program inserted and sold during theatre seasons. The aim of the series is to promote and encourage new dramatic writing and make it accessible to theatregoers and the public. The text is presented at the first day of rehearsal and does not contain changes which the author may choose to make after the play has commenced its present season - these will be incorporated into any new edition published by Currency.' Currency Press.
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Works about this Work

y separately published work icon Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia Margaret Hamilton , Amsterdam New York (City) : Rodopi , 2011 Z1793538 2011 single work criticism 'Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s. It is the first book to discuss work by The Sydney Front (1986 - 1993) and Open City (1987 - ), and engages contemporary cultural and aesthetic theory to analyse performances by these artists, as well as theatre productions by Jenny Kemp and others. These performance practitioners are considered as part of an international paradigm attesting to forms of theatre that no longer operate according to the established principles of drama. This book also highlights the complexity of Indigenous theatre through its analysis of the Mudrooroo-Müller project staged in 1996.' Source: www.rodopi.nl/ (Sighted 25/07/2011).
The Importance of Being Nick Enright Julie Rose , 1993 single work review
— Appears in: Voices , Spring vol. 3 no. 3 1993; (p. 108-112)
— Review of Daylight Saving Nick Enright , 1989 single work drama ; Don Juan Nick Enright , Nick Enright (translator), 1983 single work drama ; St James Infirmary Nick Enright , 1993 single work drama ; Carnival of the Animals : Verse to Accompany the Grand Zoological Fantasia of Camille Saint-Saens Nick Enright , 1990 selected work poetry
The Importance of Being Nick Enright Julie Rose , 1993 single work review
— Appears in: Voices , Spring vol. 3 no. 3 1993; (p. 108-112)
— Review of Daylight Saving Nick Enright , 1989 single work drama ; Don Juan Nick Enright , Nick Enright (translator), 1983 single work drama ; St James Infirmary Nick Enright , 1993 single work drama ; Carnival of the Animals : Verse to Accompany the Grand Zoological Fantasia of Camille Saint-Saens Nick Enright , 1990 selected work poetry
y separately published work icon Transfigured Stages : Major Practitioners and Theatre Aesthetics in Australia Margaret Hamilton , Amsterdam New York (City) : Rodopi , 2011 Z1793538 2011 single work criticism 'Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia captures the excitement of a key period in the emergence of postdramatic theatre in Australia in the 1980s and 1990s. It is the first book to discuss work by The Sydney Front (1986 - 1993) and Open City (1987 - ), and engages contemporary cultural and aesthetic theory to analyse performances by these artists, as well as theatre productions by Jenny Kemp and others. These performance practitioners are considered as part of an international paradigm attesting to forms of theatre that no longer operate according to the established principles of drama. This book also highlights the complexity of Indigenous theatre through its analysis of the Mudrooroo-Müller project staged in 1996.' Source: www.rodopi.nl/ (Sighted 25/07/2011).
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