y separately published work icon Atlanta single work   drama   - One act
Issue Details: First known date: 1990... 1990 Atlanta
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Notes

  • Dedication: Dedicated to Ewa Czajor.
  • Epigraph: 'None has the right to speak for the dead, / No one has the power to make them speak...' (One Generation After by Elic Wiesel).

Production Details

  • First produced by the Playbox Theatre Co., Beckett Theatre, CUB Malthouse, South Melbourne, 3 August 1990. Directed by Kerry Dwyer.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Paddington, Kings Cross area, Inner Sydney, Sydney, New South Wales,: Melbourne, Victoria,: Currency Press ; Playbox Theatre , 1990 .
      Extent: 56p.
      Description: illus., ports
      ISBN: 0868192732
      Series: Current Theatre Series Currency Press (publisher), 1983- series - publisher 'Current Theatre Series consists of Australian plays published with the program inserted and sold during theatre seasons. The aim of the series is to promote and encourage new dramatic writing and make it accessible to theatregoers and the public. The text is presented at the first day of rehearsal and does not contain changes which the author may choose to make after the play has commenced its present season - these will be incorporated into any new edition published by Currency.' Currency Press.

Works about this Work

Modern Dolls, Global Spin: Joanna Murray-Smith Rachel Fensham , Denise Varney , 2005 single work criticism
— Appears in: The Dolls' Revolution : Australian Theatre and Cultural Imagination 2005; (p. 109-156)
'This chapter positions Murray-Smith and her fascination with the modulations between language, truth and reality as a global playwright of modern drama...' (p.114)
Demanding First Play by Reflex Ann Nugent , 1991 single work review
— Appears in: The Canberra Times , 5 November 1991; (p. 14)

— Review of Atlanta Joanna Murray-Smith , 1990 single work drama
A Fuzzy Realisation Alison Croggon , 1990 single work review
— Appears in: The Bulletin , 28 August vol. 112 no. 5733 1990; (p. 133-134)

— Review of Atlanta Joanna Murray-Smith , 1990 single work drama
A Play Caught in its Own Shallows Leonard Radic , 1990 single work review
— Appears in: The Age , 7 August 1990; (p. 14)

— Review of Atlanta Joanna Murray-Smith , 1990 single work drama
Energetic - But Irritating Peter Craven , 1990 single work review
— Appears in: The Australian , 6 August 1990; (p. 9)

— Review of Atlanta Joanna Murray-Smith , 1990 single work drama
Energetic - But Irritating Peter Craven , 1990 single work review
— Appears in: The Australian , 6 August 1990; (p. 9)

— Review of Atlanta Joanna Murray-Smith , 1990 single work drama
A Play Caught in its Own Shallows Leonard Radic , 1990 single work review
— Appears in: The Age , 7 August 1990; (p. 14)

— Review of Atlanta Joanna Murray-Smith , 1990 single work drama
A Fuzzy Realisation Alison Croggon , 1990 single work review
— Appears in: The Bulletin , 28 August vol. 112 no. 5733 1990; (p. 133-134)

— Review of Atlanta Joanna Murray-Smith , 1990 single work drama
Demanding First Play by Reflex Ann Nugent , 1991 single work review
— Appears in: The Canberra Times , 5 November 1991; (p. 14)

— Review of Atlanta Joanna Murray-Smith , 1990 single work drama
Modern Dolls, Global Spin: Joanna Murray-Smith Rachel Fensham , Denise Varney , 2005 single work criticism
— Appears in: The Dolls' Revolution : Australian Theatre and Cultural Imagination 2005; (p. 109-156)
'This chapter positions Murray-Smith and her fascination with the modulations between language, truth and reality as a global playwright of modern drama...' (p.114)
An Encore for Women Playwrights Jane Cafarella , 1990 single work criticism
— Appears in: The Age , 1 August 1990; (p. 16)
Last amended 22 Dec 2015 12:52:53
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