'Kullark has been described as a 'documentary on the history of Aboriginals in WA.' The action begins with a version of the first contact between Europeans and the Noongar peoples, culminating in the death of Yagan in 1833, and covers the forcible separation of families and communities, and removal to reserves, and the ongoing discrimination against Indigenous people.' (Source: cited from AusStage website)
Play with music.
First produced at the Titan Theatre, Perth, by the National Theatre Company, 21 February 1979.
Cast: Dawn Blay, Ernie Dingo, Michael T Fuller, Lynette Narkle, Richard Tulloch and Richard Williams.
Director: Andrew Ross.
'This article considers some of the reasons why Irish-Australian literature has not been a significant trajectory within Australian literary studies and what it might offer if it were. Since the colonial era, Irish difference has been both recalcitrant and assimilable but, in the wake of Federation in 1901, Australian literature was concerned with the production of a national tradition and Irishness served to differentiate Australianness from Britishness. This article is concerned, then, with retrieving Irish difference. It extends my longstanding interest in Indigenous Australian literatures by analysing the representation of Irish Australians in Indigenous Australian writing, particularly moments of solidarity between the Irish and Indigenous Australians. After looking briefly at representations of colonial relations between the Irish and Aboriginal Australians in Jack Davis’ 1979 play Kullark and Eric Willmot’s historical novel Pemulwuy (1989), this article offers a reading of a minor scene in Alexis Wright’s Miles Franklin Literary Award-winning novel Carpentaria, published in 2006, as a way of exploring such representations in the contemporary era. This article is not trying to generate a new category for the field of Australian literary studies. Rather, it follows a seam within the Australian literary tradition that imagines generative forms of allegiance that may complicate existing conceptions of the Australian literary field.'
Source: Abstract.
'The post-war Australian literature offers multitude in terms of ethnicity. The talk of Aborigines, the stories of the whites, the psychological state of a migrant mind, the idea of home, the civilization and savagery, superiority and inferiority, rationality and sensuality, these all share the pages of Australian literature…' (75)
