'Paradoxically, Australian nationalist accounts have tended to slight the earliest Australian literature by white settlers from the nineteenth century. This chapter surveys the literary history of this period, examining writers such as Oliné Keese, Ada Cambridge, Henry Kingsley, Rosa Praed, and Catherine Helen Spence. Drawing connections between these writers and the transnational Anglophone literary world centering on Great Britain and the United States, this chapter takes a comparative perspective that at once acknowledges the peripheral standing of these Australian texts and argues for their relevance to the history of the novel in English.' (Publication abstract)
'This article inverts the title of Hayden White's 1974 essay 'The Historical Text as Literary Artifact' by exploring literary texts as historical artifacts. It uses three novels published by Australian women writers in the mid-nineteenth century - Catherine Helen Spence's Clara Morison (1854), Caroline Louisa Atkinson's Gertrude the Emigrant (1857), and Mary Theresa Vidal's 'Bengala, or Some Time Ago' (1860) - 'as historical sources to explore the emotional culture of colonial Australia in regard to romantic love. Following Sarah Pinto, this article takes the romantic couple as the centre of its analysis, and asks four key questions of the novels in the corpus: What kind of people fall in love? Who do they fall in love with? What kind of love do they fall in? And how do their lives and their loves interact with the colonial Australian landscape? It finds that romantic love in these novels is dependent on romanticised similarity and shared sensibility rather than eroticised otherness. It argues that while this might not necessarily be uniquely nationally distinctive, the Australian chronotopic context means that this narrative would have strong and specific resonances with a female colonial audience.' (Publication abstract)
'The genteel society Vidal depicts is composed primarily of former tradesmen and shabby gentry from England who have managed to increase their fortunes in Australia and aspire to gentility, along with the convict or former convict servants who work for them and serve as signs of that gentility. A key aspect of Trollope's Harry Heathcote is that, as we have seen, it includes the reconciliation of a genteel squatter with a free-selector, albeit an exceptionally gentlemanly one. The squatter novels may well have contributed to this process of presenting white Australians, especially their leaders, as positive and capable figures in the English imagination. It is thus reasonable to argue that squatter novels such as Trollope's Harry Heathcote and Vidal's Bengala were part of the cultural work of creating a united Australian gentry that in turn provided both political and moral leadership for white Australians generally.'
Source: Abstract.
