Cirrus@Austlit

This 'anthology of Australian poetry of the 1960s, was edited, with an introduction, by Rodney Hall and Thomas W. Shapcott. The keynote of these ‘new impulses’ was ‘a suspicion of idealism, and an inbred awareness of the consequences of totalitarian beliefs’. Authoritarianism in religion and politics was eschewed, as was the concept of national and international aggression. Major established poets such as Kenneth Slessor, Judith Wright and A. D. Hope are not represented because the editors felt that their poetry of the decade added little to their already defined stances. Their contemporaries, however, Gwen Harwood and Francis Webb, are given considerable space because they are important influences on younger poets.' (Source : The Oxford Companion to Australian Literature, online edition)

'Gwen Harwood (1920-1995) is one of the best loved Australian poets of the twentieth century - and a fierce prankster, who published poems under half-a-dozen names and identities. By turns poignant, sensuous and mischievous, passionately musical, her poetry is marked by sure intelligence and a quicksilver, anti-authoritarian wit.

'This new selection of her poetry from 1943 to her death makes the full range of the work accessible for the first time to poetry-lovers in the northern hemisphere. With an introduction by the leading Harwood critic Gregory Kratzmann and the Australian poet Chris Wallace-Crabbe, who corresponded with Harwood, the selection includes hitherto little-known work along with poems which have become part of the central canon of Australian poetry.' (From the publisher's website.)