Introduction by
Douglas Stewart (q.v.) xi-xviii. 'However that may be, there can be no question of the permanent Australian interest of
Fair Girls and Gray Horses, both for its historical value as an outstanding specimen of the bush-ballad period and for its own intriinsic qualities of song and balladry...Ogilvie who stands just a little slighter than Paterson and Lawson in the leading triumvirate of Australian balladists, has a distinctive and original voice through and beyond all influences.' xi, xiv.