'On a rainy day on his family's outback sheep station, Tom Henderson went rummaging through the VCR collection and found a film that would change his life.'
'The lavender painted bus named “Priscilla” continues to pick up new fans while never going out of favour with its legion of original devotees, 30 years after its release.'
'Some years ago a pleasant British crime procedural was named The Last Detective. The title was shorthand for, ‘If we needed someone to solve this crime you would be the Last Detective we would send.’ The Last Detective, of course, was always the first to solve it.
'Two recent news stories recalled the series. Both concerned the film The Adventures of Priscilla, Queen of the Desert. At a time when the news is awash with economic stress, rising inequality, wars and rumours of war, and multiple threats to democracy, the last stories I would have thought pertinent were that of the recovery of the bus used in the movie, and the project to remake the film involving its original cast.' (Introduction)
'A concept of visibility frames much scholarship and public writing on LGBTQ+ representation in film and television, and underpins diversity reporting and inclusivity measurement. Although visibility is often depicted as a social good, there is a growing critical interest in asking if there are different kinds of visibility, and how these might be differentially valued. This paper reports insights gained from interviews with Australian stakeholders involved in the production of screen entertainment with LGBTQ+ content. The study found that stakeholders are motivated by to create texts that make LGBTQ+ stories and characters visible. The range of approaches to visibility was, however, nuanced and diverse: some understood any LGBTQ+ representation as valuable, while others discussed visibility in contexts of character depth, anti-stereotyping, and visibility tempered by concepts of human dignity. Although visibility is perceived diversely, it remains a significant lens by which creative artists involved in LGBTQ+ texts understand their work.' (Publication abstract)