y separately published work icon The Tivington Nott single work   novel  
Issue Details: First known date: 1989... 1989 The Tivington Nott
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Notes

  • Dedication: For my mother and in loving memory of my father.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • London,
      c
      England,
      c
      c
      United Kingdom (UK),
      c
      Western Europe, Europe,      :       Robert Hale ,       1989 .
      Extent: 174p.
      ISBN: 0709035489
    • Ringwood, Ringwood - Croydon - Kilsyth area, Melbourne - East, Melbourne, Victoria,: Penguin , 1993 .
      Alternative title: The Tivington Nott : a story
      Extent: 154p.
      ISBN: 0140230904
    • Crows Nest, North Sydney - Lane Cove area, Sydney Northern Suburbs, Sydney, New South Wales,: Allen and Unwin , 2005 .
      Extent: 160p.
      ISBN: 1741147786
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Related Works

The Tivington Nott Alex Miller , 1998 extract novel (The Tivington Nott)
— Appears in: The Penguin Book of the Horse 1998; (p. 169-181)
VIEW ALL RELATED WORKS (1)

Works about this Work

Representing ‘the Other’ in the Fiction of Alex Miller Elizabeth Webby , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 114-124) 'Alex Miller began publishing his novels in 1988 at the end of a period of intense debate in literary circles about the ethics of representation, a debate informed by feminism, multiculturalism and postcolonialism. Put crudely, the debate was about whether white, male writers from first-world countries, the dominant literary players up to this point, should continue to have open slather in writing about their others, i.e. those who were not white or male, now that these others were at last finding their voices and writing back.

In Australia, the debate was particularly focused on the question of white writers' representation of Aboriginals. Indeed, in 1979 I was told, after giving a conference paper on colonial poems about Aboriginals, that I was lucky there were no Aboriginals in the audience. But in feminist circles male appropriation of female voices was also a major issue. Although a total ban on representations of others would clearly have meant the end of fiction as we know it, these debates did draw attention to the stereotyped representations of women, Aboriginals, Chinese and other 'others' found in much earlier Australian writing.

When I first read Alex Miller, soon after The Ancestor Game was published in 1992, I was struck by the unusual empathy shown here for his female characters and their predicaments, as well as by his insightful depictions of people from other cultures. These have continued to be hallmarks of his fiction, with representations of 'otherness' also extending to animals, especially in The Tivington Nott and Landscape of Farewell. My paper, however, will have as its focus The Ancestor Game, Conditions of Faith and Lovesong.' (Author's abstract)
Alex Miller : Migrant Writer Ingeborg van Teeseling , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 66-77) 'Alex Miller, a two-time winner of the Miles Franklin Literary Award, as written ten novels, all of them featuring protagonists who are outsiders, often in more ways than one. In most, if not all of them, Miller's narrators grapple with personal and societal questions of alienation. Miller's books offer sophisticated literary investigations into issues relating to the 'ownership' of place and landscape, the impossibility of an uncomplicated identity after migration, the role of history, and the nature of belonging and home. Critical reviews of his work have, over time, acknowledged this presence of migrant themes, but the connection between the migrancy of the writer and the content of his work has hardly ever been noted clearly. In fact, the Oxford Literary History of Australia categorises Miller, a little mystifyingly, as a 'non-migrant Australian writer' (Lever, 325). My argument here is that this is not just factually false, but that reading Miller's work as unproblematically Australian takes the sting out of what he is trying to say, and not just about the migrant experience but about Australia as well.' (Author's introduction 66)
'My Memory has a Mind of Its Own' : Watching the Climbers on the Mountain and The Tivington Nott Peter Pierce , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 55-65) 'Not long ago, Alex Miller remarked at a literary event (my witness is a bookseller from Launceston) that 'My memory has a mind of its own'. What might this mean? Perhaps a memory that is truant, given to reinvention, but also set free. Another implication might concern the double insecurity of memory: the tenuousness of our hold on what we can recollect from the past, and the uncertain hold that memory gives us on our present. In any event, that remark by Miller began and then informs this discussion of the first two novels that he wrote, works that draw closely on some salient events of his youth. They are Watching the Climbers on the Mountain (1988) and The Tivington Nott (1989)...' (From author's introduction 55)
Alex Miller and Leo Tolstoy : Australian Storytelling in a European Tradition Brenda Walker , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 42-54) 'Alex Miller may be Australia's greatest living writer. I certainly believe this to be the case. I base my view on the depth and range of his narrative preoccupations. He writes about love but his lovers often come from very different cultural backgrounds, and this illuminates what is foundational in love while respecting diversity in the most intimate of human connections. He writes with scrupulousness about the human complications of invasion, massacre and armed conflict. The American novelist Philip Roth writes that art is concerned with nuance, and politics cannot afford nuance (I Married a Communist, 223). Nuance is the most welcome and apparent characteristic of Miller understanding of the politics of territorial dispossession. He writes, also, about art and literature as cultural forces and as imperatives within the lives of individuals. In all his fiction, he is both a great writer and a great thinker. This chapter offers a much more brief appreciation of his work and thought then I would wish, more brief than it deserves. In it, I plan to consider Alex Miller and Tolstoy: both great writers, both great thinkers, especially on matters of love and war.' (Author's introduction 42)
The Mask of Fiction : A Memoir Alex Miller , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 29-41) 'I've been asked for a memoir for this occasion yet I am uncomfortable writing directly about myself. I prefer the mask of fiction. In this preference it is self-deception I fear most, for who but the self-deceived would claim to be able to write with moral detachment about themselves? I am also cautious of the fate of WB Yeats, the poet, of whom Richard Ellmann wrote, 'The autobiographical muse enticed him only to betray him, abandoning him to ultimate perplexity as to the meaning of his experiences' (Yeats, 2). Memoir does not offer us a sure means for contacting the deeper dualities of the self. For his journey to the heart of darkness, fiction is a more certain, if more oblique , way.' (Author's introduction)
Skillful Tale of a Young Man's Blooding Peter Pierce , 1989 single work review
— Appears in: The Herald , 19 May. 1989; (p. 15)
— Review of The Tivington Nott Alex Miller , 1989 single work novel
The Tivington Nott Jennifer Mary Dabbs , 1989 single work review
— Appears in: Australian Book Review , August no. 113 1989; (p. 47)
— Review of The Tivington Nott Alex Miller , 1989 single work novel
The Solitariness of Alex Miller Peter Pierce , 2004 single work criticism
— Appears in: Australian Literary Studies , May vol. 21 no. 3 2004; (p. 299-311) The article presents an overview of Alex Miller's literary career and development as a writer and examines his six novels published to date.
y separately published work icon Literary Migrations : White, English-Speaking Migrant Writers in Australia Ingeborg van Teeseling , Wollongong : 2011 Z1860612 2011 single work thesis 'In this thesis, I am arguing that [a] false core/periphery binary has made a particular group of migrants ,-those who are white and have migrated from English-speaking countries - invisible - invisible as migrants, that is. For the writers within this group, this leads to a critical blindness in relation to their work and place within Australian national literature. As a critic, however, I look at the work of Ruth Park, Alex Miller and John Mateer and see it is profoundly influenced by their migrant experience. More often than not they write about themes that are typical of migrant writing: alienation, identity, belonging, home, being in-between cultures, history. For a more appropriate, complete appreciation of their work, this thesis argues that it is imperative to go back to the beginning and return the 'default setting' of migrant to its literal meaning.' [From the author's abstract]
Disestablished Worlds : An Introduction to the Novels of Alex Miller Robert Dixon , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 1-28)
The Mask of Fiction : A Memoir Alex Miller , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 29-41) 'I've been asked for a memoir for this occasion yet I am uncomfortable writing directly about myself. I prefer the mask of fiction. In this preference it is self-deception I fear most, for who but the self-deceived would claim to be able to write with moral detachment about themselves? I am also cautious of the fate of WB Yeats, the poet, of whom Richard Ellmann wrote, 'The autobiographical muse enticed him only to betray him, abandoning him to ultimate perplexity as to the meaning of his experiences' (Yeats, 2). Memoir does not offer us a sure means for contacting the deeper dualities of the self. For his journey to the heart of darkness, fiction is a more certain, if more oblique , way.' (Author's introduction)
Alex Miller and Leo Tolstoy : Australian Storytelling in a European Tradition Brenda Walker , 2012 single work criticism
— Appears in: The Novels of Alex Miller : An Introduction 2012; (p. 42-54) 'Alex Miller may be Australia's greatest living writer. I certainly believe this to be the case. I base my view on the depth and range of his narrative preoccupations. He writes about love but his lovers often come from very different cultural backgrounds, and this illuminates what is foundational in love while respecting diversity in the most intimate of human connections. He writes with scrupulousness about the human complications of invasion, massacre and armed conflict. The American novelist Philip Roth writes that art is concerned with nuance, and politics cannot afford nuance (I Married a Communist, 223). Nuance is the most welcome and apparent characteristic of Miller understanding of the politics of territorial dispossession. He writes, also, about art and literature as cultural forces and as imperatives within the lives of individuals. In all his fiction, he is both a great writer and a great thinker. This chapter offers a much more brief appreciation of his work and thought then I would wish, more brief than it deserves. In it, I plan to consider Alex Miller and Tolstoy: both great writers, both great thinkers, especially on matters of love and war.' (Author's introduction 42)
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Last amended 11 Jul 2006 09:10:12
Subjects:
  • c
    England,
    c
    c
    United Kingdom (UK),
    c
    Western Europe, Europe,
Settings:
  • Somerset,
    c
    England,
    c
    c
    United Kingdom (UK),
    c
    Western Europe, Europe,
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