Cirrus@Austlit

'May Gibbs’s gumnut stories are central to the development of an Australian national imaginary. By connecting the natural ‘bush’ environment to settler-colonial social issues and scenes, Gibbs’s imagery and narrative reimagined the bush as a ‘home’ for colonizers, essentially ‘indigenising’ them in the image of white gumnut babies. The most comprehensive and influential interpretations of Gibbs’s work emphasize its currency to contemporaneous life and cultural trends, and its deft negotiation of sexuality, through the figures of the voluptuous gumnut babies and scrawny bad Banksia Men, who are covered with hair and ‘lips.’ A less prevalent but no less convincing interpretation underscores the dimension of race within Gibbs’s work: the whiteness of the stories’ heroes, and the blackness, even Aboriginality, of their nemeses, the wicked Banksia men. Through the concept of the fetish, this article interprets the banksia as an object produced in an intercultural space, and reproducing (in Gibbs’s stories) a set of racial anxieties about the Other in terms of sex and sexuality. How does race come to be parsed as sex? And what does the confluence of these anxieties reveal about settler representations of Aboriginality and the colonial mindset?' (Publication abstract)

'When I tell people I’m an environmental psychologist, they often assume that means I am a “tree hugger” and they are not entirely wrong. But it really means I spend a lot of time thinking and finding out about people’s relationships with the natural world, trees included.' (Introduction)

'Creating Cuddlepie tells the of the life of May Gibbs, from her early childhood in England through to her journey to a new home in Australia, and her many creative achievements along the way that culminated in the creation of the gumnut babies: Cuddlepot, Snugglepie and a host of other enchanting bush characters. It describes her early days as a young artist, achieving acclaim in particular for her botanical artwork, and her ventures into pictorial journalism, political cartoons, fashion, and feminist causes. With the advent of World War I, she created postcards and other illustrated ephemera that would bring great comfort to the troops at war with their messages of heartfelt support and greetings from home. Her earliest visions for the famous gumnut babies came to her in a dream and would be cherished by generations of children and adults to come. More than 100 years since the birth of Snugglepot and Cuddlepie, May Gibbs remains one of the greatest Australian illustrators and story-tellers of all time.'  (Publication summary)