Cirrus@Austlit

'In an exhilarating start to the film, a brave Aboriginal boy (Reid) is engaged in a battle with police, fighting with all his might. Eventually subdued, he is sent off to a remote monastery – and home to orphaned boys – run by Sister Eileen (Blanchett). The kindly nun has a calming effect on the new boy, and he also forms connections with Sister Mum (Mailman) and George (Blair) who manages the farmlands. An attempt at bullying the new boy falls flat, and he soon becomes an established, unique presence at the monastery. But he possesses unusual powers, and as Sister Eileen’s religious zeal intensifies, things begin to unravel. '

Source: Sydney Film Festival. 

'Following two Indigenous Australian hunters to battle the last colony of vampires in the South-Australian desert.' (Production summary)

Series one:

'Detective Jay Swan (Aaron Pedersen) is assigned to investigate the mysterious disappearance of two young farm hands on an outback cattle station. One is a local Indigenous footy hero, and the other a backpacker. Working with local cop Emma James (Judy Davis), Jay’s investigation uncovers a past injustice that threatens the fabric of the whole community.'

Source: Screen Australia (https://www.screenaustralia.gov.au/sa/media-centre/news/2017/07-12-mystery-road-series). (Sighted: 13/07/2017)

Series two:

'A headless corpse is found floating by the shore in a remote outback town. As if this weren’t mysterious enough, Detective Swan and his colleague Fran have to contend with protests against the excavation of an Indigenous site. And then another body turns up.'

Source: Berlinale program (Sighted: 13/02/2020)

'We Don’t Need a Map is a feature length documentary about Australia’s complex relationship to the Southern Cross. It is the most famous constellation in the southern hemisphere and ever since colonisation it’s been claimed, appropriated and hotly-contested for ownership by a radical range of Australian groups. But for Aboriginal people the meaning of this heavenly body is deeply spiritual, and just about completely unknown. Warwick Thornton, one of Australia’s leading film-makers, tackles this fiery subject head on in a bold, provocative and poetic essay-film. Produced by Barefoot Films.' (Production summary)

'Sweet Country is set in 1929 in the outback of the Northern Territory. It is the story of a young boy called Philomac, who witnesses Sam, an Aboriginal stockman, kill station owner Harry Marsh in self defence. Sam and his pregnant wife Lizzie go on the run and a posse pursues them across the outback. The posse cannot catch Sam, as he is a clever man and an expert bushman. Eventually for the health of his pregnant wife, Sam gives himself up. A trial is held in town and when the truth comes out in the courtroom about Sam's actions, he is acquitted. Justice has been served. Philomac and Sam set off on their journey home, but soon after leaving town, a shot rings out and Justice is crushed…' (Publication summary)

'After flunking their exams and finishing high school, disillusioned best friends Lenny and Biggie flee up the coast in an old Kombi to escape the drudgery of the local meatworks. Their bonds of mateship are tested when a female hitchhiker and free spliff are brought into the equation.'

Source: The Turning website (http://www.theturningmovie.com.au/#!/big_world/)

'Samson and Delilah tells the story of two Aboriginal teenagers in a remote community. They live in a sparse environment but one that absorbs all manner of cultural influences, where dot painting and country music exist side by side. Samson gets through his days by sniffing, while Delilah is the caregiver for her nana before taking a moment for herself to listen to Latino music. Their journey ranges across many of the most urgent issues concerning Indigenous people in Australia, homelessness, poverty, domestic violence and substance abuse, but it does so with tenderness, dignity, and even humour.'

Source: Adelaide Film Festival website, www.adelaidefilmfestival.org/ Sighted: 23/02/2009

'Tnorala is the Aboriginal name for Gosse's Bluff, a dramatic meteorite impact crater set in a vast plain 175km west of Alice Springs. This significant dreaming site for Western Arrernte people is steeped in mystery and tragedy. The story of its creation and the events that occurred there are narrated to the camera by Aunty Mavis Malbunka, one of the traditional story-tellers for the place. Legend says that while stars danced in the Milky Way, a child fell to earth and was lost to its parents, the morning and evening stars, who still search for their baby to this day. Today, ancestors of Tnorala's traditional owners are remembered and honoured by their descendants and visitors that are drawn to this stunning and eerie landscape.' (Source: Ronin Films website www.roninfilms.com.au)

'Nana's granddaughter thinks Nana's pretty special. She loves her Nana because she helps the old people, she's a good painter and other people love her too. Nana's got everyone under control.'

Source: Screen Australia. (Sighted: 9/4/2014)