Cynthia Troup Cynthia Troup i(A89654 works by)
Gender: Female
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Works By

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1 OUTtakes Nine to Thirty-eight Cynthia Troup , 2023 single work prose
— Appears in: Meanjin , Winter vol. 82 no. 2 2023;
1 The Line Our Thread Cynthia Troup , 2018 single work prose
— Appears in: Grieve : Stories and Poems about Love and Loss : Volume 6 2018;
1 Lost Aunt i "Black of course simplifies—no choice,", Cynthia Troup , 2018 single work poetry
— Appears in: Southerly , vol. 78 no. 2 2018; (p. 137)
1 From 'Fragments for Her History of the Father' Cynthia Troup , 2018 single work autobiography
— Appears in: Southerly , vol. 78 no. 2 2018; (p. 12-16)
'What is the difference between a duck? One of its legs is both the same ... or, one of its feet is both the same. Either way, this nonsense riddle he teaches us when I am too young to understand.'  (Publication abstract)
1 y separately published work icon Undercoat : A Parafoxical Tale Cynthia Troup , 2017 13573507 2017 single work drama

'Inspired by Nicolai Gogol’s story The Overcoat, and Teolinda Gersão’s story The Red Fox Fur Coat. In Gersão’s fable, a ‘humble bank clerk’ pays for a gorgeous fur coat in instalments, and finds herself transforming. Wearing the coat at last, she drives away from the city, and makes her first leap as a wild animal ‘into the depths of the forest’.

'But what happens to this creature if her first, joyous leap is thwarted?

'A supernatural tale of encounter with the Australian wilderness, in which the remnant wilderness ‘answers back’ as a provocative chorus of three red foxes.

'Undercoat celebrates the splendid versatility of the earth’s most widespread wild carnivore — and the shape-shifting powers of language at large.'

Source: La Mama.

1 Stranger i "Stranger", Cynthia Troup , 2013 single work poetry
— Appears in: Inscribe , Summer no. 7 2013; (p. 6)
1 1 Dwelling Structure : In Opera in 8 Time Use Episodes Cynthia Troup , Madeleine Flynn (composer), Tim Humphrey (composer), 2011 single work musical theatre opera

'In the public domain, "dwelling structure" is a phrase used by the Australian Bureau of Statistics and other government agencies in connection with population and housing. It refers to "the physical structure of the individual dwelling ... as represented by a code".

"Dwelling Structure : An Opera in 8 Time Use Episodes" draws this involuted, impersonal language into co-incidence with fragments from the history of 157 Westbourne Grove in Northcote, Victoria. Composers Madeleine Flynn and Tim Humphrey live and work at this address, behind the compact, white-painted façade of the Rechabite Hall, which was built in 1901. Together with artist Neil Thomas and writer Cynthia Troup, they have created a chamber opera in which the building itself—their family home— hauntingly takes the roles of lead vocalist, chorus, and orchestra. Abstractions of statistical reasoning are transformed into an aural architecture for the play of sensory attention and imagination. Perceptive listening yields intuitions about the building as a cosmos of worlds both human and natural: the worlds of its builders, past tenants, neighbours and present inhabitants; people and events who come to memory within its walls.

Located diagonally opposite the Northcote Town Hall on Ruckers Hill, and on the west corner of Eastment Street, the Northcote Rechabite Hall is a building of some historical repute, part of the long history of the temperance movement in Melbourne, and one of few remaining Rechabite halls in Victoria. Now perhaps best known for the charm of its tiny stage and proscenium arch, it was for many years a vibrant community meeting place, leased at times as a classroom, a gymnasium, and for church services.

Within the International Order of Rechabites, a separate "branch" is often called a "tent", since in the Hebrew bible, the clan descended from Rechab is associated with a nomadic lifestyle as well as abstinence from wine. In the early years of the twentieth century, the "Star of Northcote Tent 217" organised weekly temperance meetings in the Westbourne Grove hall, on Saturday nights. However, these premises must have been steadily outgrown. At the tent's centenary celebrations in 1976, its membership of 870 was described as 'the largest of any Tent anywhere in the world', and at one time members numbered 1,000. Tent meetings and rituals always opened with the formal singing of an "ode"; records of the social activities and celebrations organised by the Northcote Tent indicate that these included much singing and musical entertainment. "Dwelling Structure : An Opera in 8 Time Use Episodes" is illuminated by oddments from this communal past, which are woven into the spell of its enveloping counterpoint. Source: www.chambermadeopera.com/ (Sighted 24/05/2011).

1 1 Care Instructions Cynthia Troup , 2008 single work drama Who remembers the thirteenth godmother from Sleeping Beauty: the uninvited guest by whose curse the princess fell asleep for a hundred years? Now she washes, waiting for her chance to 'make another better wish'. Aphids website, www.aphids.net (sighted: 06/07/2009)
1 8 y separately published work icon Australians in Italy : Contemporary Lives and Impressions Bill Kent (editor), Ros Pesman (editor), Cynthia Troup (editor), Clayton : Monash University Press , 2008 Z1527664 2008 anthology prose

'Long before the advent of modern tourism, Australians travelled to live in Italy, or undertook extensive visits there. Indeed they continue to do so in increasing numbers, as women and men find Italian partners; as business people with European interests settle there; as retirees in their thousands seek "the good life" that Italy - in Ros Pesman's words, this "culturally endowed place of rebirth" - seems to promise.

'While many are familiar with celebrated expatriates such as Germaine Greer, Jeffrey Smart, Peter Robb and David Malouf, hundreds of other artists, writers, musicians and intellectuals have made and continue to make a notable contribution to the cultural and intellectual lives of both countries. Whilst Australian Studies flourishes in Italian universities, Australian academics write distinguished accounts of Italian history covering various eras. Despite this sustained activity, the scholarly and cultural engagement of Australians with Italy is not a well known story.

'This collection seeks to map the past and present of the Australian love affair with Italy, and yields rich insights into its causes, motivations and transformations. Contributors include former Australian Ambassador to Italy Rory Steele, poet Peter Porter, contemporary artists Euan Heng and Jo-Anne Duggan, as well as distinguished academics and young scholars. Amongst the diverse range of articles and vignettes are chapters by Ian Britain on Donald Friend's Italian years, Loretta Baldassar exploring the phenomenon of reverse migration, and novelist Lisa Clifford reflecting on her family ties with Italy.

'Australians in Italy will appeal to scholars and students of migration and multiculturalism, Australian Studies, Italian Studies, and tourism and travel. It will also delight those interested in Italy and all things Italian - people of Italo-Australian backgrounds, armchair and actual travellers, sojourners in Italy, and the general reader.' (Publisher's blurb)

1 'Space to See Things' : An Interview with Lally Katz Cynthia Troup (interviewer), 2006 single work interview
— Appears in: Antipodes , June vol. 20 no. 1 2006; (p. 84-87)
1 And When They Were Good Cynthia Troup , 2004 single work drama
— Appears in: A Quarreling Pair : A Triptych of Small Puppet Plays 2004;
1 5 y separately published work icon A Quarreling Pair : A Triptych of Small Puppet Plays Jane Bowles , Cynthia Troup , Lally Katz , s.l. : Aphids , 2004 Z1202591 2004 selected work drama Three playlets. The plays by Katz and Troup were inspired by Bowles's 'A Quarreling Pair'.
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