Debra Dudek Debra Dudek i(A88218 works by)
Gender: Female
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Works By

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1 ‘I Want an Orgasm but Not Just Any Orgasm’ : How To Please A Woman Shifts the Way We Depict the Sexuality of Older Women Debra Dudek , Elizabeth Reid Boyd , Madalena Grobbelaar , 2022 single work column
— Appears in: The Conversation , 25 May 2022;
1 Seeing the Human Face : Refugee and Asylum Seeker Narratives and an Ethics of Care in Recent Australian Picture Books Debra Dudek , 2018 single work criticism
— Appears in: Children's Literature Association Quarterly , Winter vol. 43 no. 4 2018; (p. 363-376)

'In this article, I survey eight Australian picture books that seek to redress a seeming absence of care in Australian politics in relation to refugees and asylum seekers: My Two Blankets (2014), Suri's Wall (2015), Ride, Ricardo, Ride! (2015), Mate and Me (2015), Teacup (2015), Flight (2015), Out (2016), and I'm Australian Too (2017). These books depict a healthy community founded upon an ethics of care, and/or a depleted community when care is absent. Although none of these books invokes structural change, all of them demonstrate how relational well-being forms a foundation for civic virtue.'

1 Disturbing Thoughts : Representations of Compassion in Two Picture Books Entitled The Island Debra Dudek , 2011 single work criticism
— Appears in: Jeunesse : Young People, Texts, Culture , Winter vol. 3 no. 2 2011; (p. 11-29)

'The title of my paper and the quotation by Martha Nussbaum from which it draws both invoke the double meaning of the word disturbing. In my title, disturbing functions simultaneously as an adjective that modifies the noun thoughts and as a verb that signifies a dismantling of those thoughts. The epigraph comes from Nussbaum's discussion of compassion, which serves as the core theoretical concept that informs this essay. In an Australian context, discussions of compassion arguably circulate most overtly and publicly in relation to the Australian federal government's position on asylum seekers. Over the past ten years, no issue has divided public opinion in Australia as much as the debate concerning the treatment of asylum seekers in Australia. Two picture books entitled The Island, one written and illustrated by Armin Greder and the other written by John Heffernan and illustrated by Peter Sheehan, engage with national issues concerning the arrival of immigrants, refugees, and asylum seekers while also functioning as allegories for any situation in which a community mistreats an outsider.'  (Introduction)

1 Return of the Hacker as Hero : Fictions and Realities of Teenage Technological Experts Debra Dudek , Nicola Johnson , 2011 single work criticism
— Appears in: Children's Literature in Education , September vol. 42 no. 3 2011; (p. 184-195)

'When critics consider young people’s practices within cyberspace, the focus is often on negative aspects, namely cyber-bullying, obsessive behaviour, and the lack of a balanced life. Such analyses, however, may miss the agency and empowerment young people experience not only to make decisions but to have some degree of control over their lives through their engagement with and use of technology, which often includes sharing it with others in cyberspace. This was a finding of research conducted by Nicola Johnson, which also informs the two novels considered in this article, Cory Doctorow’s Little Brother and Brian Falkner’s Brainjack. The article draws on Pierre Bourdieu’s theory of acts of resistance (Acts of Resistance: Against the New Myths of our Time, 1998) to demonstrate how these fictional representations of hacker heroes make a direct address to their readers to use their technological expertise to achieve social justice. Rather than hacking primarily to “see if they can do it,” the protagonists of these novels acknowledge the moral ambiguity of hacking and encourage its responsible use.'

1 Saying Yes with an Outreached Hand : Homelessness and Hospitality in Canadian and Australian Literature for Young People Debra Dudek , 2010 single work criticism
— Appears in: Australasian Canadian Studies , vol. 28 no. 1 2010; (p. 17-31)
Between 2003 and 2008, more than fifteen books for children and young adults were published in Australia and at least thirteen in Canada that represent either literally or metaphorically the experiences of people whose family homes are no longer places of safety. In each of the texts analyzed in this essay - Shattered (2006) and Sketches (2007) by Eric Walters and The Island (2005) by John Heffernan - homelessness is represented not as the absence of a physical structure in which to live but as a an absence of belonging, an absence of hospitality. As the characters travel through their pathways of homelessness, they develop interdependent relationships with people, creatures, and/or structures personified as an outreached hand, a symbol and act of hospitality. In each of these books, endings are uncertain in order to offer readers not a closed, stable future, but a version of belonging that includes multiple possibilties. [Author's abstract]
1 Opening the Body : Reading 'Ten Canoes' with Critical Intimacy Kim Clothier , Debra Dudek , 2009 single work criticism
— Appears in: Kunapipi , vol. 31 no. 2 2009; (p. 82-93)
'This article analyses the Australian film Ten Canoes (2006), which was co-directed by non-Indigenous director Rolf de Heer and Indigenous director Peter Djigirr. The essay forgrounds the relationship between the 'I' of the Indigenous narrator and the 'you' of a mainstream non-Indigenous audience that must read the English subtitles while viewing the visual text, which brings the viewing experience closer to that of engaging with a long poem. The narrator encourages an affective response from the viewer by inviting the viewer/reader to 'see' the story and therefore to 'know' it. This combination of corporeal and mental engagement with the text brings the reading strategy close to what Gayatri Spivak calls 'critical intimacy', a strategy that we argue is an appropriate - and indeed ethical - way for non-Indigenous (and perhaps non-Yolgnu) viewers to respond to this film, which is the first Indigenous language film to be produced in Australia.' [Authors' abstract]
1 Building Cultural Citizenship : Multiculturalism and Children's Literature Wenche Ommundsen , Debra Dudek , 2007 single work criticism
— Appears in: Papers : Explorations into Children's Literature , December vol. 17 no. 2 2007; (p. 3-6)
1 Embodying a Racialised Multiculturalism : Strategic Essentialism and Lived Hybridities in Hoa Pham's No One Like Me Debra Dudek , 2007 single work criticism
— Appears in: Papers : Explorations into Children's Literature , December vol. 17 no. 2 2007; (p. 43-49)
Debra Dudek is interested in the intersection of multiculturalism, cultural citizenship and children's literature and in this article looks at the 'tension between representing an acceptance of cultural difference...and representing all people within one culture as the same' (43). She locates her analysis within the field of Asian-Australian studies through a discussion of Hoa Pham's No One Like Me (1998), the story of a young Vietnamese girl who lives in Australia with her family, arguing that the text 'simultaneously highlights and deconstructs gender and the Asian family as homogenous categories' (43). Framing the analysis with a discussion of the Howard Government's approach to cultural diversity and its viewpoint that 'immigrants from Asia threaten the notion of a unified Australia', Dudek draws attention to the 'turbulent past and uncertain future' of multiculturalism which, she argues, relies on 'concepts of sameness and difference' that fundamentally support and maintain policies of assimilation (43-44). Dudek posits that No One Like Me negotiates the question of 'how to recognize and accept race and gender strategically as essential categories of difference without homogenising them' (45) in a way which destabilizes 'neat and static categories of otherness' and 'opens up the possibility of multiple subject positions [and] complex lived hybridities' (48).
1 The Bedazzling Strangeness Debra Dudek , 2007 single work review
— Appears in: Overland , Winter no. 187 2007; (p. 92)

— Review of The Arrival Shaun Tan , 2006 single work graphic novel
1 Dogboys and Lost Things, or, Anchoring a Floating Signifier : Race and Critical Multiculturalism Debra Dudek , 2006 single work criticism
— Appears in: Ariel , October vol. 37 no. 4 2006; (p. 1-20) Australian Made : A Multicultural Reader 2010; (p. 97-118)
'In her 2004 book on multiculturalism, Haunted Nations: The Colonial Dimensions of Multiculturalisms, Sneja Gunew persistently refers to the term multiculturalism as a floating signifier. (1) While this notion of a floating signifier is helpful because it acknowledges different ways in which multiculturalism functions in specific contexts, it may be unhelpful when it floats so much as to lose any signification. While I identify myself as a postmodernist and, therefore, regularly resist universalist terminology, I find myself in a peculiar position of wanting to put limits on the term multiculturalism. (2) If multiculturalism can mean anything, then why is it important to analyze children's literature through the lens of multiculturalism, I wonder.' - Author's abstract
1 Under the Wire : Detainee Activism in Australian Children's Literature Debra Dudek , 2006 single work criticism
— Appears in: Papers : Explorations into Children's Literature , December vol. 16 no. 2 2006; (p. 17-22)

Debra Dudek critiques two novels by Morris Gleitzman, Girl Underground (2004) and Boy Overboard (2002), analysing the representation of ethical relationships between detainees and Australian citizens. In relation to children's multicultural fictions and non-fictions, Dudek suggests that in terms of cultural citizenship, Australia needs to move from 'an ethics of compassion to an ethics of responsibility' in order to understand tolerance as 'a way of respecting absolute differences' (20-21).

Dudek explains how an ethics of responsibility requires the citizens of Australia to actively participate in the dismantling of mandatory detention as an enactment of justice that works towards realizing the meaning of a 'fulfilling social life' (20-21). For Dudek (and others) this begins with the recognition of difference rather than its effacement.

1 Of Murmels and Snigs : Detention-Centre Narratives in Australian Literature for Children and Young Adults Debra Dudek , 2006 single work review
— Appears in: Overland , Summer no. 185 2006; (p. 38-42)

— Review of From Nothing to Zero : Letters from Refugees in Australia's Detention Centres Janet Austin , 2003 anthology correspondence ; Walk in My Shoes Alwyn Evans , 2004 single work novel ; Dark Dreams : Australian Refugee Stories 2004 anthology autobiography biography essay poetry ; Alyzon Whitestarr Isobelle Carmody , 2006 single work novel ; No Place Like Home : Australian Stories by Young Writers Aged 8-21 Years 2005 anthology biography short story autobiography essay ; Number 8 Anna Fienberg , 2006 single work novel ; Boy Overboard Morris Gleitzman , 2002 single work children's fiction ; Girl Underground Morris Gleitzman , 2004 single work children's fiction ; Soraya the Storyteller Rosanne Hawke , 2004 single work children's fiction ; Ali the Bold Heart Jane Jolly , 2006 single work picture book ; Another Country 2004 anthology poetry autobiography prose diary correspondence ; Refugees David Miller , 2003 single work picture book ; The Slightly Bruised Glory of Cedar B. Hartley (Who Can't Help Flying High and Falling in Deep) Martine Murray , 2005 single work children's fiction ; Dancing the Boom-Cha-Cha Boogie Narelle Oliver , 2005 single work picture book ; Dreaming Australia Steve Tolbert , 2004 single work novel
1 Desiring Perception : Finding Utopian Impulses in Shaun Tan's The Lost Thing Debra Dudek , 2005 single work criticism
— Appears in: Papers : Explorations into Children's Literature , December vol. 15 no. 2 2005; (p. 58-66)
In this paper, Dudek argues that uptopian impulses can be found within The Lost Thing via the characters of the child, the artist, and the hybrid custodian, all of whom act as figures of resistance and hope in a dystopian world ruled by rigid and repetitive empirical discourses.
1 'Blood Gashed and Running Like Rain' : A Diasporic Poetics in Dionne Brand's In Another Place, Not Here and Simone Lazaroo's The Australian Fiance Debra Dudek , 2005 single work criticism
— Appears in: Australasian Canadian Studies , vol. 23 no. 2 2005; (p. 39-54)
Comparative discussion of works by Lazaroo and Canadian author Dionne Brand.
1 Anamorphisms Debra Dudek , 2005 single work prose
— Appears in: Hecate , vol. 31 no. 2 2005; (p. 138-140)
1 Stumbling Towards Tentative Triumphs Debra Dudek , 2005 single work review
— Appears in: Overland , Autumn no. 178 2005; (p. 82-83)

— Review of Toccata & Rain : A Novel Philip Salom , 2004 single work novel ; Rhubarb Craig Silvey , 2004 single work novel
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