Micaela Sahhar Micaela Sahhar i(A87308 works by)
Gender: Female
Heritage: Palestinian
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Works By

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1 We, Small Heroes Micaela Sahhar , 2024 single work autobiography
— Appears in: Meanjin Online 2024;
1 An Idiosyncratic Archive : Overland 169 & the Wolstonecroft Years Micaela Sahhar , 2023 single work essay
— Appears in: Overland , Spring no. 252 2023; (p. 14-24) 'The stumps under our floor are teeming and though not the cause it is nevertheless a cause for alarm, the weight o thousands of books we have partially shelved but also stacked in piles of varying consonance impossible to discard. Yet despite this number, it is the handful of books. missing through loans or misfortune, that haunt me. Though not uncommon for me particularly this hinges on an inheritance of familial experience, and I am predisposed to regard that which is missing as a great and gaping hole in which one aught never discern a silver lining, but rather a direct and literal loss, since our lives have been lived as much in the absence of things as in the presence of what has come to replace them.' (Introduction) 
 
1 Easter Cakes : An Iconography of Resilience Micaela Sahhar , 2022 single work autobiography
— Appears in: Griffith Review , no. 78 2022; (p. 127-130) 'I START WRITING a poem when Ellen is still alive, and it is the first thing I write that I am proud of. It starts with a title (it is part of a sequence) or maybe a number, and then: I was afraid of Easter / stuffed with walnuts and dates / moulded then sugared / (why mould if you’re sugaring?). I forget the next part of the verse, which concludes: moulding and sugaring and Eastering Arabic cakes. Even approaching ninety and losing her sight, Ellen, my grandmother, would make hundreds of the cakes I am writing about, called ma’amoul (and I have subsequently learnt we really did Easter those cakes, cakes also made for Muslim festivals such as Eid and Jewish festivals such as Purim).' (Introduction)
1 Nonfiction Poetry : Reportage Kent MacCarter , Micaela Sahhar , 2022 single work essay
— Appears in: Rabbit , no. 34 2022;
1 On Kinds of Aunts, Dorothy Porter’s Barbaroi and the Head of a Gorgon Micaela Sahhar , 2022 single work essay
— Appears in: Cordite Poetry Review , 1 June no. 105 2022;

'It is a prejudice that I think we can already see in Herodotus that there is something prized but also irredeemable about a Gorgon’s head, and in particular Medusa’s mortal one, and it treads a narrow bridge between arrestingly beautiful (illustrations of which coalesce around neo-spiritual work) and grotesque (a few of these, but classically, Caravaggio). And though I recognise that the preceding references are already unwieldy it would be impossible not to mention, (in passing), the utility of the sublime which I think helps to bridge the slippages between gorgeous (I see now, close to Gorgon) and terrible, which are adjectives used (at times interchangeably) to convey the Medusa.'  (Introduction)
1 The Assassins Micaela Sahhar , 2020 single work poetry
— Appears in: Arena Quarterly , no. 2 2020; (p. 72)
1 Welcome to the Nakba : Notes from the Epicentre of an Apocalypse Micaela Sahhar , 2020 single work essay
— Appears in: Overland , Autumn no. 238 2020; (p. 23-26) 'People post shots of the compromised view from their windows and balconies, visibility updates, rain water tank statuses: water like sweet sticky soft drinks left out on a hot summer's day. I do not rejoice in these recent months of bushfires. But I am pleased that their traces have arrived in our capitals. I am pleased they have pressed their reality into the lives of people who have put their trust in the capacity of systems. The systems are working just fine, but we have to believe the evidence, and recognise they are not working for us.' (Introduction)
1 Jenin i "Not weighing up evidence but studying character", Micaela Sahhar , 2017 single work poetry
— Appears in: Arena Magazine , April no. 147 2017; (p. 54)
1 Drafts for a Digital Age i "In the gusty inferences of silence I make", Micaela Sahhar , 2016 single work poetry
— Appears in: Southerly , August vol. 76 no. 1 2016; (p. 14-15)
1 8 Asa Street, Greek Colony i "Now I am here, beneath the centenarian wires", Micaela Sahhar , 2013 single work poetry
— Appears in: Southerly , vol. 73 no. 2 2013; (p. 181)
1 Hearing in Colour i "We can see the reflection of our", Micaela Sahhar , 2012 single work poetry
— Appears in: The Saturday Age , 24 November 2012; (p. 32)
1 Shrinking i "Policing over the possible, Dagan, I", Micaela Sahhar , 2010 single work poetry
— Appears in: The Age , 5 June 2010; (p. 27)
1 Slips i "Eugene, to turn over and over", Micaela Sahhar , 2008 single work poetry
— Appears in: The Age , 13 September 2008; (p. 29)
1 Mine-Fields i "When Grandpa went to sleep, curled up", Micaela Sahhar , 2005 single work poetry
— Appears in: The Age , 26 February 2005; (p. 5)
1 Williamstown Micaela Sahhar , 2004 single work short story
— Appears in: Southerly , vol. 64 no. 2 2004; (p. 111-117)
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