Cirrus@Austlit

'When Grace runs away from home, she and her family have no idea that life as they know it is gone for good.' (Production summary)

'Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on earth. JAPANESE STORY is a journey of change and discovery for its two lead characters.'

Source: Screen Australia.

'In one day successful city lawyer, Laura Gibson's world falls apart. Suddenly she realises she no longer knows her husband, her children, or where her all-consuming career is going. On a whim, Laura grabs at a position as magistrate in the small coastal town of Pearl Bay and with two bewildered kids in tow sets off to change their lives forever.'

Source: Australian Television Information Archive. (Sighted: 18/9/2012)

A comedy of accidents, life, death, the universe, and a bad corner on the road to Nhill, the story begins with three cars filled with women bowlers on their way home to the Victorian town of Pyramid Hill (population 550) after a tournament. When one of the cars and its four occupants don't return, the town embarks on a chaotic course of action to try to solve the mystery. Meanwhile, the four missing women bowlers, whose car has rolled on the deserted road, are coping fairly well--that is, until the local men and emergency services start trying to help.

'Three women meet for lunch at Piccolo Mondo. On the menu is marriage, infidelity, friendship and betrayal.'

Source: NFSA (Sighted: 20/5/2014)

A documentary-style portrait of an 'ordinary' woman, the film seeks to raise questions about the relationship between truth, perception, and identity. In paying homage to the small moment, the snapshot, the ordinary, the film develops images of memory and mortality.

An anthology series of children's stories, mixing live-action episodes with animation, clay animation, and puppetry. The stories, aimed specifically at the under 10s, are drawn from a variety of sources, including children's books, fairy tales, myths, and original ideas. Some of the episodes have involved, for example, Snow White as a punk bikie and the seven dwarves as a motorcycle gang; a pet stegosaurus; a boy with wheels instead of toes; and Trevor the glider-plane-catching cat.

According to Patricia Edgar,

Thirty separate self-contained dramas of differing lengths were to be packaged into half-hour episodes. The project was designed to showcase new, creative talent in the television industry. Competitions were run at the Australian Film and Television School and Swinburne Institute of Technology for the best concepts suitable for inclusion in the Kaboodle package, with prizes of $1000 awarded. The Foundation sought promising but inexperienced writers, would-be producers, directors and even accountants who wanted to earn their first credit to enable them to find a future in the industry.

Source: Patricia Edgar, Bloodbath: A Memoir of Australian Television, Melbourne: Melbourne UP, 2006, pp.175-76.

Kaboodle was produced in two series, the first of which included some live-action segements, but the second of which was entirely animated.

For a full list of episodes, see Film Details.

Episode listing for Kaboodle series two courtesy of the Australian Children's Television Foundation.