Ranjini Rebera Ranjini Rebera i(A67147 works by) (a.k.a. Ranjini Wickramaratne-Rebera)
Born: Established: 1938 ;
Gender: Female
Arrived in Australia: 14 Jan 1976
Heritage: Sri Lankan
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Works By

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1 Celebrating Power i "In dusty streets", Ranjini Rebera , 2008 single work poetry
— Appears in: Celebrations! : Sinhalese and Sri Lankan Women in Canberra : Testimonies and Memories 2008; (p. 246)
1 She Will Return i "The TV floods my living room with the horror of the tsunami.", Ranjini Rebera , 2008 single work poetry
— Appears in: Celebrations! : Sinhalese and Sri Lankan Women in Canberra : Testimonies and Memories 2008; (p. 182)
1 A Tapestry of Experiences Ranjini Rebera , 2008 single work autobiography
— Appears in: Celebrations! : Sinhalese and Sri Lankan Women in Canberra : Testimonies and Memories 2008; (p. 25-33)
1 Celebrating Diversity i "Two cultures held in tension", Ranjini Rebera , 1999 single work poetry
— Appears in: Celebrations : Fifty Years of Sri-Lanka-Australia Interactions 1999; (p. 334)
1 Kitchentable Community i "Coffee-steam embracing", Ranjini Rebera , 1999 single work poetry
— Appears in: Celebrations : Fifty Years of Sri-Lanka-Australia Interactions 1999; (p. 333-334) Celebrations! : Sinhalese and Sri Lankan Women in Canberra : Testimonies and Memories 2008; (p. 274)
1 Telling Our Stories Ranjini Rebera , 1991 single work criticism
— Appears in: Remembering the Future : Australian Women's Stories, Dreams & Visions for the Twenty-First Century 1991; (p. 3-4) The text explains that the collection evolved from preparations for participation of women in the World Council of Churches Assembly, held in Canberra in February 1991.
1 5 y separately published work icon Remembering the Future : Australian Women's Stories, Dreams & Visions for the Twenty-First Century Ranjini Rebera (editor), Michaela Richards (editor), Melbourne : D. Lovell Pub , 1991 Z1540963 1991 anthology autobiography prose poetry

'Through autobiography, prayer, poetry and fiction, over forty women reflect on their past and offer a vision for a more positive, affirmative future. Many are religiously inspired pieces and the collection is introduced by Dorothy McMahon of the Uniting Church, Sydney.' (Publication summary)
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