Lynette Russell Lynette Russell i(A66879 works by)
Gender: Female
Heritage: Aboriginal
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Works By

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1 Activism before Mabo : A View from the Southeast Lynette Russell , Rachel Standfield , 2021 single work criticism
— Appears in: Mabo’s Cultural Legacy : History, Literature, Film and Cultural Practice in Contemporary Australia 2021;
1 Settler Colonial Studies: Eliminating the Native and Creating the Nation Lynette Russell , 2020 single work essay
— Appears in: Postcolonial Studies , vol. 23 no. 1 2020; (p. 153-159)
1 Living in the Indigenous Space Lynette Russell , 2019 single work column
— Appears in: Australian Book Review , August no. 413 2019; (p. 5)
'Living, working, and being in the Indigenous space, there are times when it feels as though nothing changes. Indeed, on occasion, it can feel as though things are in fact regressing. When The Hon. Ken Wyatt AM, MP was announced as the new Minister for Indigenous Australians, after the re-election of the Morrison government, numerous family members, friends, and colleagues expressed dismay that this appeared to represent a dilution of the role, which had been, to that point, the Minister of Indigenous Affairs. In recent weeks I have come to see that having an Aboriginal man as Minister for Indigenous Australians is indeed a step forward.' (Introduction)
1 2 y separately published work icon Australia's First Naturalists : Indigenous Peoples’ Contribution to Early Zoology Penny Olsen , Lynette Russell , Canberra : National Library of Australia , 2019 16643147 2019 multi chapter work criticism biography

'Would Blaxland, Wentworth and Lawson have ever crossed the Blue Mountains without the help of the local Aboriginal people? The invaluable role of local guides in this event is rarely recognised. As silent partners, Aboriginal Australians gave Europeans their first views of iconic animals, such as the Koala and Superb Lyrebird, and helped to unravel the mystery of the egg-laying mammals: the Echidna and Platypus. Well into the twentieth century, Indigenous people were routinely engaged by collectors, illustrators and others with an interest in Australia's animals. Yet this participation, if admitted at all, was generally ƯƯbarely acknowledged. However, when documented, it was clearly significant. Penny Olsen and Lynette Russell have gathered together Aboriginal peoples' contributions to demonstrate the crucial role they played in early Australian zoology. The writings of the early European naturalists clearly describe the valuable knowledge of the Indigenous people of the habits of Australia's bizarre (to a European) fauna. Australia's First Naturalists is invaluable for those wanting to learn more about our original inhabitants' contribution to the collection, recognition and classification of Australia's unique fauna. It heightens our appreciation of the previously unrecognised complex knowledge of Indigenous societies.'  (Publication summary)

1 Affect in the Archive : Trauma, Grief, Delight and Texts. Some Personal Reflections Lynette Russell , 2018 single work autobiography
— Appears in: Archives and Manuscripts , vol. 46 no. 2 2018; (p. 200-207)

'Historians, as users of archives, often discuss the thrill and emotion of their ‘discoveries’. We can form romantic attachments or be repulsed across the decades. Archives containing the physical remains of the past can transport us, we can move beyond the here and now. Before the Museum of Melbourne digitised Alfred Howitt’s correspondence, I once opened a letter written to him on classic nineteenth-century blued paper. As I pulled the missive from its envelope, I could smell tobacco smoke. I was immediately in the room with him. Recently, after completing an article on the topic of frontier violence, my co-author and I both described a feeling of stress and trauma that came from reading colonial records of ‘skirmishes’ and ‘dispersals’. In this paper, I want to reflect on the experience of Affect in the archive.'  (Introduction)

1 Patrick Wolfe (1949–2016) Lynette Russell , 2017 single work obituary (for Patrick Wolfe )
— Appears in: Australian Historical Studies , vol. 48 no. 1 2017; (p. 115-116)

'In February 2016 we lost one of the most unique intellectuals the country has ever created. Patrick Wolfe was a historian, anthropologist, astute observer, political and environmental activist, and author, and not necessarily in that order. He was also a brilliant friend, a kindly mentor and superb host, an elegant raconteur and unsurpassed conversationalist (both humorous and serious). He was an unselfconscious dancer and above all an adventurous traveller. I knew Patrick for over twenty-five years, first encountering him as my doctoral supervisor, a role he excelled in, and then he morphed into supporter, referee and above all friend and confidant. While Patrick was remarkable as a man, as a scholar he was a constant source of inspiration. Politically engaged and meaningfully potent, Patrick’s legacy is not to be understated.'  (Introduction)

1 Darwin, a City on the Edge Lynette Russell , 2016 single work essay
— Appears in: Postcolonial Studies , vol. 19 no. 1 2016; (p. 97-99)
'Darwin is the final book in the popular NewSouth cities series; previous authors have tended to be creative writers, which for the most part really suits the series' style. While Tess Lea writes with deep personal local knowledge and an enthusiastic fervour and creativity, the book might have enjoyed novelists' flair and insight. Other books in the series are, as intended, true literary non-fiction. Paul Daley's Canberra illustrates the National Capital's utter constructed otherness, its importance and its paradoxical disconnections from the pots. Matthew Condon's offering on Brisbane depicts a metropolis that palpably transforms on the page, shifting from country town to big city with all the pretensions of sophistication and modernity. The production standards for these books are extremely high and quite rightly they have been lauded and applauded for the richness, diversity and simple yam spinning. These are quintessentially Australian books geographically fixed but nationally transformative. Seen together in its entirety this is the series that I would recommend to travellers, and others curious about the land down under and her odd two legged creatures.' (Introduction)
1 Illicit Love by Ann McGrath and Skin Deep by Liz Conor: behind Black and White Cliches Lynette Russell , 2016 single work review
— Appears in: Brisbane Times , 30 September 2016;

— Review of Skin Deep : Settler Impressions of Aboriginal Women Liz Conor , 2016 multi chapter work criticism
'... Complementary to McGrath's work and almost reading as a counter to it, Liz Conor's Skin Deep examines the preoccupations of European-Australians in their encounters with Aboriginal women. While negative images of Aboriginal people generally were common in the 19th century, Aboriginal women in particular were subjected to quite hideous representations. ...'
2 1 y separately published work icon Roving Mariners: Australian Aboriginal Whalers and Sealers in the Southern Oceans, 1790-1870 Lynette Russell , Albany : State University of New York Press , 2012 6889623 2012 single work non-fiction

'For most Australian Aboriginal people, the impact of colonialism was blunt—dispossession, dislocation, disease, murder, and missionization. Yet there is another story of Australian history that has remained untold, a story of enterprise and entrepreneurship, of Aboriginal people seizing the opportunity to profit from life at sea as whalers and sealers. In some cases participation was voluntary; in others it was more invidious and involved kidnapping and trade in women. In many cases, the individuals maintained and exercised a degree of personal autonomy and agency within their new circumstances. This book explores some of their lives and adventures by analyzing archival records of maritime industry, captains’ logs, ships’ records, and the journals of the sailors themselves, among other artifacts. Much of what is known about this period comes from the writings of Herman Melville, and in this book Melville’s whaling novels act as a prism through which relations aboard ships are understood. Drawing on both history and literature, Roving Mariners provides a comprehensive history of Australian Aboriginal whaling and sealing.' (Source: Amazon website)

1 Learning from Each Other : Language, Authority, and Authenticity in Kate Grenville's The Lieutenant Lynette Russell , 2010 single work criticism
— Appears in: Lighting Dark Places : Essays on Kate Grenville 2010; (p. 199-210)
'Lynette Russell, in her essay agrees the 'Grenville's novels can be regarded as part of a process of wider reconciliation. Russell's own lack of Aboriginal language and attempts to learn it have led her to identity strongly with the characters in The Lieutenant and, in her essay on the novel, she argues for a reading that explores the role of language in mediating the friendship between black and white Australia. For, she suggests, the stories from the past which novelists like Grenville have uncovered that deal with both that deal with both positive and negative engagements between settler and Indigenous peoples are 'stories that belong to both" groups, the telling and retelling of which "ought to be seen as an exercise in reconciliation."' ( Kossew, 'Introduction', xx)
1 Washed in on the Tide i "Why not escape to somewhere decent?", Lynette Russell , 2007 single work poetry
— Appears in: LiNQ , November-December no. 34 2007; (p. 38-39)
1 None so Blind i "A green snake in the toilet", Lynette Russell , 2007 single work poetry
— Appears in: LiNQ , November-December no. 34 2007; (p. 38)
1 'Whiteness' and 'Aboriginality' in Canada and Australia Lynette Russell , Margery Fee , 2007 single work criticism
— Appears in: Feminist Theory , August vol. 8 no. 2 2007; (p. 187-208)
'We ... begin our conversation with each other and with you by examining our personal relationship to the idea of whiteness in order to reveal some of its complexity in Canada and Australia. 'Whiteness' as an abstraction has proved useful in moving the invisible norm to visibility, but we show who an awareness of 'whiteness' in two locations can be recuperated to re-privilege the already privileged. Aboriginal speakers and writers that theorized 'whiteness', in many cases from outside the academy, in the process 'hybridizing' traditional genres. For many of them, Aboriginality, like whiteness, is a construct that often stands in the way of thinking clearly about where to go next in the fight against racism' (187).
1 y separately published work icon Boundary Writing : An Exploration of Race, Culture, and Gender Binaries in Contemporary Australia Lynette Russell (editor), Honolulu : University of Hawaii Press , 2006 Z1288881 2006 anthology criticism
1 y separately published work icon In Disappointment She Addresses the Sea i "She stands upon the shore as evening's tide", Lynette Russell , 2004 (Manuscript version)x401808 Z1206780 2004 single work poetry
1 Rediscovering 'Other' Black Australians Lynette Russell , 2002 single work review
— Appears in: Australian Women's Book Review , vol. 14 no. 2 2002;

— Review of Faith : Faith Bandler, Gentle Activist Marilyn Lake , 2002 single work biography
1 A Beginning Lynette Russell , 2002 single work review
— Appears in: Australian Book Review , June-July no. 242 2002; (p. 54-55)

— Review of Telling Stories : Indigenous History and Memory in Australia and New Zealand 2001 anthology criticism
1 9 y separately published work icon A Little Bird Told Me : Family Secrets, Necessary Lies Lynette Russell , Crows Nest : Allen and Unwin , 2002 Z954891 2002 single work biography

'This is a true story about lots of little secrets and one big one. It's the spare and painful tale of the author's family and the hidden strands she found underweaving its history - a story embedded in the ancestry of many white Australians. What was it that Lynette's grandmother could not tell her? Why did she cover her face in pale make-up? Who was her own mother, Emily, the "Polynesian princess"? And what happened when Emily "was taken away from us for some time"? In "A Little Bird Told Me", Lynette Russell finds out the answers to these questions, unearthing secrets kept by her family for generations. In doing this, she learns who she really is - and comes to know the importance of belonging. The memoir aims to take readers beyond the legacy of madness and the tenacity of identity, to reveal the defenses and denials we all sometimes need to survive.' (Source: Amazon website)

1 Untitled Lynette Russell , 2001- single work review
— Appears in: Women's Writing , vol. 8 no. 3 (p. 479-481)

— Review of The Intimate Empire : Reading Women's Autobiography Gillian Whitlock , 2000 single work criticism
1 2 y separately published work icon Constructions of Colonialism : Perspectives on Eliza Fraser's Shipwreck Ian J. McNiven (editor), Kay Schaffer (editor), Lynette Russell (editor), London New York (City) : Leicester University Press , 1998 Z1448962 1998 anthology criticism 'One of the most famous shipwreck sagas of the 19th century took place on the tropical coast of north-east Australia. In 1836 the Stirling Castle was wrecked off the Queensland coast and many of the crew, together with the captain's wife, Eliza Fraser, were marooned on Fraser Island. Early sensationalized accounts represent Mrs Fraser as an innocent white victim of colonialism and her Aboriginal captors as barbarous savages. These ""first contact"" narratives of the white woman and her Aboriginal ""captors"" impacted significantly on England and the politics of Empire at an early stage.' 

 (Publication summary)

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