Cirrus@Austlit

'It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger and her younger brother are being taken by their mother to live with a foster family outside Munich. Liesel's father was taken away on the breath of a single, unfamiliar word - Kommunist - and Liesel sees the fear of a similar fate in her mother's eyes. On the journey, Death visits the young boy, and notices Liesel. It will be the first of many near encounters. By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordion-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found. But these are dangerous times. When Liesel's foster family hides a Jewish fist-fighter in their basement, Liesel's world is both opened up, and closed down.'

[Source: Libraries Australia. Sighted 30/10/08]

To write this non-fiction work about life in the former East Germany, Anna Funder interviewed former Stasi officers and the people they surveilled. Described in the National Library of Australia record as 'A book of travel, history and biography that reads like a documentary novel,' Stasiland takes 'a deliberately subjective and "literary" approach' to its material with an 'emphasis on a sympathetic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

'Anna Funder's utterly compelling first novel All That I Am is about the heroic and largely tragic fate of a small group of left-wing German activists who opposed the rise of Hitler. It centres on two real people: the playwright Ernst Toller (famously eulogized by his friend W H Auden), and one of his associates, Ruth Koplowitz. Ruth was also a friend of Toller, and came to live in Sydney after WW2, where Anna got to know her well in later life. Their lives were tied together by the charismatic, passionate Dora - All That I Am vividly, passionately and irresistibly brings back to life their struggles, their hopes, their fears and their fates.'

Source: Penguin News, 6 October 2010
Sighted: 11/10/2010

'The pseudonymous Hearn's second thrilling installment of her Tales of the Otori trilogy (after 2002's Across the Nightingale Floor) is once again set in a magic-haunted version of medieval Japan where no one wields unchallenged authority and no one is safe. The swirl of treacherous, shifting clan alliances threatens to overwhelm young lovers and aristocrats Takeo and Kaede. Separated throughout most of the action, the two must develop their talents while trying to maintain their integrity. Takeo possesses superhuman gifts such as the ability to become invisible, project a double image of himself and hear distant conversations; however, he must discipline his skills and control his impetuous temper. He also must work out his relationship with the Tribe, a treacherous secret organization of spies and assassins that saved his life but that may have murdered his father. Kaede, meanwhile, has to escape the powerless role of a woman if she is to protect herself and her family domain from predatory neighbors'.

Source: bookseller's website.

'New York Times bestselling author Colleen McCullough re-creates an extraordinary epoch before the mighty Republic belonged to Julius Caesar—when Rome's noblewomen were his greatest conquest.

'His victories were legend—in battle and bedchamber alike. Love was a political weapon he wielded cunningly and ruthlessly in his private war against enemies in the forum. Genius, general, patrician, Gaius Julius Caesar was history. His wives bought him influence. He sacrificed his beloved daughter on the altar of ambition. He burned for the cold-hearted mistress he could never dare trust. Caesar's women all knew—and feared—his power. He adored them, used them, destroyed them on his irresistible rise to prominence. And one of them would seal his fate.' (Publication summary)

'With incomparable storytelling skill, New York Times bestselling author Colleen McCullough brings Rome alive in all her majesty—and illuminates the world of those favored by the gods at birth.

'In a time of cataclysmic upheaval, a bold new generation of Romans vied for greatness amid the disintegrating remnants of their beloved Republic. They were the chosen...and the cursed—blessed with wealth and privilege yet burdened by the dictates of destiny in a savage struggle for power that would leave countless numbers crushed and destroyed. But there was one who would tower above them all—a brilliant and beautiful boy whose ambition was unparalleled, whose love was legend, and whose glory was Rome's: a boy they would one day call "Caesar."' (Publication summary)

'Rome, 97 BC:

'Gaius Marius is triumphant. Under his command, Rome has conquered the Western world, weathered invasion and crushed its enemies. There is just one prize left to him: an unprecedented seventh consulship.

'But the greatest prize demands the highest price. Marius, now aging and ailing, is pitted against a new generation of assassins, power-seekers, and Senate intriguers. There are many who would like to see him fail, not least Lucius Cornelius Sulla, once his closest ally, now his most dangerous rival.

'Sulla and Marius' contest can only be won through treachery and blood. As a deadly enmity engulfs both men and plunges them towards madness, Rome must fight its own battle for survival.'

Source : publisher's blurb

After twenty years of peacefully running one of the Empire’s settlements, a magistrate takes pity on an enemy barbarian who has been tortured. He enters into an awkward intimate relationship with her, and then is himself imprisoned as an enemy of the state.

Waiting for the Barbarians is a disturbing political fable about oppression, the fraught desire for reparation, and about living with a troubled conscience under an unjust regime.'

Source: Publisher's blurb.

'This revelatory story of the most tragic, cruel, brave and misguided episode in Australia's history – the 'saving' of a unique race, the Tasmanian Aborigines – is seen through the eyes of an obsessive young present-day narrator. Breathtaking and visionary in its scope, The Savage Crows breaks new fictional ground in its affecting portrayal of the collision of worlds, generations and mythologies. From suburban apathy and cynicism blossoms a wild, foolhardy and beautiful hinterland of time and space.'

Source: Publisher's blurb (Penguin 2001 ed.)

'A collection of stories based on traditional Aboriginal stories belonging to the Yolngu people of Arnhem Land, NT, Australia.' (Source: goodreads website)

'Scarcely out of print since the early 1870s, For the Term of His Natural Life has provided successive generations with a vivid account of a brutal phase of colonial life. The main focus of this great convict novel is the complex interaction between those in power and those who suffer, made meaningful because of its hero's struggle against his wrongful imprisonment. Elements of romance, incidents of family life and passages of scenic description both relieve and give emphasis to the tragedy that forms its heart.' (Publication summary : Penguin Books 2009)