Cirrus@Austlit

'There's a madman dog beside me, and the hounds of memory ahead of us. It's love and beasts and wild mistakes, and regret, but never to change things...

'What happens when the Zusaks open their family home to three big, wild, pound-hardened dogs - Reuben, a wolf at your door with a hacksaw; Archer, blond, beautiful, deadly; and the rancorously smiling Frosty, who walks like a rolling thunderstorm?

'The answer can only be chaos: there are street fights, park fights, public shamings, property trashing, bodily injuries, stomach pumping, purest comedy, shocking tragedy, and carnage that needs to be seen to be believed ... not to mention the odd police visit at some ungodly hour of the morning.

'There is a reckoning of shortcomings and failure, a strengthening of will, but most important of all, an explosion of love - and the joy and recognition of family.

'From one of the world's great storytellers comes a tender, motley and exquisitely written memoir about the human need for both connection and disorder; but it's also a love letter to the animals who bring hilarity and beauty - but also the visceral truth of the natural world - straight to our doors and into our lives, and change us forever.' (Publication summary)

'An unforgettable and sweeping family saga from Markus Zusak, the storyteller who gave us the extraordinary bestseller The Book Thief.

'Bridge of Clay is about a boy who is caught in the current - of destroying everything he has, to become all he needs to be. He's a boy in search of greatness, as a cure for memory and tragedy. He builds a bridge to save his family, but also to save himself. It's an attempt to transcend humanness, to make a single, glorious moment:

'A miracle and nothing less.'

Source: Publisher's blurb.

'It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger and her younger brother are being taken by their mother to live with a foster family outside Munich. Liesel's father was taken away on the breath of a single, unfamiliar word - Kommunist - and Liesel sees the fear of a similar fate in her mother's eyes. On the journey, Death visits the young boy, and notices Liesel. It will be the first of many near encounters. By her brother's graveside, Liesel's life is changed when she picks up a single object, partially hidden in the snow. It is The Gravedigger's Handbook, left there by accident, and it is her first act of book thievery. So begins a love affair with books and words, as Liesel, with the help of her accordion-playing foster father, learns to read. Soon she is stealing books from Nazi book-burnings, the mayor's wife's library, wherever there are books to be found. But these are dangerous times. When Liesel's foster family hides a Jewish fist-fighter in their basement, Liesel's world is both opened up, and closed down.'

[Source: Libraries Australia. Sighted 30/10/08]