Cirrus@Austlit

'Intrepid investigative journalist Scout Davis has given herself a holiday, but when Hermione Longfellow floats towards her in the supermarket, wanting to engage her services, she stops to listen.

'Most people in Byron Bay are aware of the eccentric Anemone sisters. Always dressed in black, they rarely leave their home nestled in the hills - but Scout is sure that the drinking of chicken blood is just idle gossip. When Hermione asks Scout to track down sister Nemony's AWOL husband, believed to have died at sea thirty years ago, but recently popped up again on the Great Barrier Reef, Scout, checking there is no eye of newt in Hermione's shopping trolley, jumps at the chance.

'Another source of intrigue falls close to home when Scout's sister Harper despairs over her husband's odd behaviour. And if that weren't enough, Scout's journalist boyfriend is finally coming home from Afghanistan. Trouble is, Scout thinks she may be falling in love with irresistible local cop Rafe - who coincidentally is also Toby's best friend... Delightfully witty and addictively fast-paced, this is the second hilarious outing for unforgettable sleuth Scout Davis. Perfect for fans of Janet Evanovich and Alexander McCall Smith, this is storytelling at its laugh-out-loud best." (Publisher's blurb)

'When a secretive American cult moves to the Gold Coast, freelance journalist Scout Davis's investigative antennae start quivering. She sets out to expose the cult's lunatic beliefs and bizarre practices, but when she learns the identity of a recent recruit, her quest becomes personal. And dangerous.

'The cult isn't the only case on Scout's agenda. Someone is cutting up girls' underwear at an exclusive school and Scout agrees to look into it. And the sinister secret behind the vandalism is not nice. Not at all.

'But Scout has her secrets too. In the dead of night she sneaks out with an underground group of yarn bombers to decorate the locality with artworks. The next mission ticks all the right boxes - it's risky, difficult and extremely silly. However, not everyone is amused, and Scout has a sneaking suspicion that the local police sergeant, Rafe Kelly, is hot on her tail.

'Mad Men, Bad Girls and the Guerilla Knitters Institute is frequently hilarious, always surprising, and delivered with a strong cast of charmingly eccentric characters.' (From the publisher's website.)

'Rocks in the Belly tells the story of an eight-year-old boy and the adult he becomes. When he is young his mother fosters boys, despite the jealous turmoil it arouses in her son: jealousy that reaches unmanageable proportions when she fosters Robert, a child she can't help bonding with. As the connection between them grows, the son's envy triggers an event that profoundly changes everyone. Especially Robert.

'At twenty-eight, still haunted by his childhood, the son returns to face his mother, who is now chronically ill. He hasn't forgiven her for what happened to Robert, and yet she isn't the same domineering woman anymore. Now she's the dependent one and he the dominant force - a power he can't help but abuse.

'Written in two startlingly original voices, Rocks in the Belly is about the effortless destruction we wreak on one another in the simple pursuit of our own happiness, and a reminder that we never leave our childhood behind. A fast-paced, powerful, yet often beautiful and funny novel.' (From the publisher's website.)

'Isserley is a female driver who picks up hitchhikers with big muscles. She, herself, is tiny, peering child-like over the steering wheel. Scarred and awkward, yet strangely erotic and threatening, she hears passengers reveal who might miss them if they should disappear.' (Publication summary)

'Written in mental hospitals, in jail, and while its author was functioning in the community, this book is an intense, intimate portrait of the inner life of a schizophrenic. As soon as Burke finished this autobiographical "novel" in 1985, he took a massive overdose of drugs and ended a life that been plagued by paranoid schizophrenia for more than a decade.' (Publisher)

'Through the crumbling ruins of the once splendid Xanadu, Miss Hare wanders, half-mad. In the wilderness she stumbles upon an Aboriginal artist and a Jewish refugee. They place themselves in the care of a local washerwoman. In a world of pervasive evil, all four have been independently damaged and discarded. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.'

Source: Publisher's blurb (Vintage ed.).

'Set in nineteenth-century Australia, Voss is the story of the secret passion between an explorer and a naïve young woman. Although they have met only a few times, Voss and Laura are joined by overwhelming, obsessive feelings for each other. Voss sets out to cross the continent. As hardships, mutiny and betrayal whittle away his power to endure and to lead, his attachment to Laura gradually increases. Laura, waiting in Sydney, moves through the months of separation as if they were a dream and Voss the only reality.

'From the careful delineation of Victorian society to the sensitive rendering of hidden love to the stark narrative of adventure in the Australian desert, Patrick White's novel is a work of extraordinary power and virtuosity.'

Source: Random House Books (Sighted 21/09/2012)

'Stan Parker, with only a horse and a dog for company journeys to a remote patch of land he has inherited in the Australian hills. Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.' (Publication summary)

'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.

'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'

Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.