Sharyn Pearce Sharyn Pearce i(A5277 works by)
Gender: Female
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Works By

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1 Going for Grunge : Revisiting Andrew McGahan's 1988 and 'Kill the Old' Sharyn Pearce , 2016 single work criticism
— Appears in: Queensland Review , June vol. 23 no. 1 2016; (p. 72-83)

'Andrew McGahan's novel 1988 and short story ‘Kill the Old’ are re-evaluated in terms of their responses to the political and cultural needs of mid-1990s Queensland. These neglected and undervalued grunge works question the official celebrations connected with Australia's Bicentenary, especially Expo ’88, and interrogate predominantly white and masculinist notions of Australian identity. In so doing, they contribute to a less insular and ‘fuller version’ of Queensland literature.'  (Publication abstract)

1 The Business of Myth-making : Mary Poppins, P.L. Travers and the Disney Effect Sharyn Pearce , 2015 single work criticism
— Appears in: Queensland Review , June vol. 22 no. 1 2015; (p. 62-74)
'In just one of the many extraordinary moments during the spectacular Opening Ceremony of the 2012 London Olympic Games, thirty Mary Poppinses floated into the stadium on their umbrellas to battle a 40 foot-long inflatable Lord Voldemort. This multi-million pound extravaganza was telecast to a global audience of over one billion people, highlighting in an extremely effective manner the grandeur and eccentricities of the host nation, and featuring uniquely British icons such as Mr Bean, James Bond, The Beatles and Harry Potter, as well as those quintessential icons of Englishness, the Royal Family, double-decker red buses and the National Health Service.' (Publication abstract)
1 Lawson, Louisa (1848-1920) Sharyn Pearce , 2014 single work companion entry
— Appears in: A Companion to the Australian Media : L 2014; (p. 239-240)
1 Constructing a 'New Girl' : Gender and National Identity in Anne of Green Gables and Seven Little Australians Sharyn Pearce , 2009 single work criticism
— Appears in: 100 Years of Anne with an 'e': The Centennial Study of Anne of Green Gables 2009; (p. 229-245)
1 'Does My Bomb Look Big in This?' : Representing Muslim Girls in Recent Australian Cultural Texts Sharyn Pearce , 2006 single work criticism
— Appears in: Papers : Explorations into Children's Literature , December vol. 16 no. 2 2006; (p. 58-63)

Pearce looks closely at two recent Australian texts and the specific portrayal of Muslim-Australian girls. She utilizes a postcolonial approach to compare the ways in which the film Marking Time and the novel Does My Head Look Big in This? engage in the racialized politics of Muslim identity.

In terms of the struggle for agency and identity, Pearce argues that Marking Time conforms to an Orientalist paradigm, whereby Muslim identity is represented as mysterious and exotic, providing the site for the white, western male hero's 'rite of passage' (p.59). In contrast, Does My Head Look Big in This? challenges negative stereotypes and notions of 'tolerance' which permeate western representations of Muslim identities and culture, by re-articulating a politics of difference and indicating possibilites for the inscription and articulation of cultural hybridity and multiple subjectivities.

1 y separately published work icon Seriously Playful : Genre, Performance & Text Sharyn Pearce (editor), Kerry Mallan (editor), Flaxton : Post Pressed , 2004 Z1380602 2004 multi chapter work criticism Seriously Playful is a collection of essays reflecting the interdiscursive nature of children's literary criticism. Originally presented as papers at the 5th Australasian Children's Literature Association for Research Conference (Brisbane, 2001), the essays draw upon a range of critical theories, including theories of performativity and performance; linguistics; gender studies; literary studies; semiotics and art criticism; postcolonial theory; queer theory and film aesthetics. The contributors interpret the theme through a remarkable performance across a diversity of children's texts and genres: poem, song, novel, picture book, computer games, and film. Using sub-sections Words and Pictures; Gender and Race; Space and Time; Fun and Games, the end result is a seriously playful approach to textual analysis which is both stimulating and entertaining.
1 Untitled Sharyn Pearce , 2004 single work review
— Appears in: Australian Literary Studies , May vol. 21 no. 3 2004; (p. 401-402)

— Review of Reading Race : Aboriginality in Australian Children's Literature Clare Bradford , 2001 single work criticism
1 1 Messages From the Inside? Multiculturalism in Contemporary Children's Literature Sharyn Pearce , 2003 single work criticism
— Appears in: Lion and the Unicorn , April vol. 27 no. 2 2003; (p. 235-250) Fact and Fiction : Readings in Australian Literature 2008; (p. 252-268)
In this article Pearce contends that multiculturalism has been a part of Australia's official discourse for almost thirty years (at time of writing). She claims that the progress of multiculturalism can be traced through books for children and young adults. To support this argument Pearce refers to an article and a chapter by John Stephens on multiculturalism to frame her paper. Initially, Pearce outlines the two main stages of multiculturalism in children's texts identified by Stephens. The first stage contains texts written by authors from the dominant Anglo-Celtic majority and feature focalisers and narrators from that same group. The second stage sees a shift to include characters and narrators from ethnic minority groups which provide an 'insider perspective' but such texts are still usually mediated through Anglo-Celtic authors. Pearce then proposes a third stage in which texts use 'authentic' voices created by authors from minority backgrounds. Rather than focus on aspects of 'difference' the characters' cultural heritage is incidental, rather than pivotal, to their developing subjectivities. The third stage includes texts in which, according to Pearce, ethnicity is not the marker of cultural difference, but an accepted part of Australian life.
1 'Secret Men's Business' : New Millennium Advice for Australian Boys Sharyn Pearce , 2001 single work criticism
— Appears in: Mosaic , June vol. 34 no. 2 2001; (p. 49-64)
This essay offers a feminist critique of theories of the mythopoetic men's movement involved in the current debate about "boys in crisis." The essay argues that texts such as Secret Men's Business, by Australian author John Marsden, hinder rather than help boys and gender relations.
1 Today's Boys : New Millennium Guides to Masculinity and Sexuality Sharyn Pearce , 2001 single work criticism
— Appears in: CREArTA : Journal of the Centre for Research and Education in the Arts. , Southern Winter vol. 2 no. 1 2001; (p. 61-70)
1 Marsden and Masculinity : A Gender Analysis of Dear Miffy Sharyn Pearce , 2001 single work criticism
— Appears in: Papers : Explorations into Children's Literature , April vol. 11 no. 1 2001; (p. 32-37)
Pearce critiques John Marsden's novel Dear Miffy (1997) as a narrative that reinforces the polarisation of the sexes in a post-feminist climate and at a time when masculinity is seen to be in crisis. Further, she argues Marsden's representations of fathers (and mothers) supports the notion that the revitalisation of manhoood is 'essential for healing the wounded nature of modern masculinity' and that the narrative is fundamentally about 'father hunger' (p.34). The protagonist of the novel fits Bob Connell's description of 'protest masculinity' as he struggles with his masculinity, relationships and socio-economic circumstances. Pearce points out that rigid class demarcations in the text not only underlie stereotyped representations of 'the have and have-nots' but link class with the 'traditional notion that manhood is an achievment not a given and that it must be earned, won and fought for through various trials and ritualized suffering' (pp.33-34).
1 Portrait of a Nation? Children's Literature and National Identity Sharyn Pearce , 2000 single work criticism
— Appears in: New Directions in Australian Studies : Papers of the Inaugural Conference of The Asian Association for the Study of Australia (ASAA), "Creative Configurations", Kerala, India (1997) 2000; (p. 95-112)
1 The Blue Feather Bernard McKenna , Sharyn Pearce , 1999 single work criticism biography
— Appears in: Strange Journeys : The Works of Gary Crew 1999; (p. 201-230)
1 The Lost Diamonds of Killiecrankie Bernard McKenna , Sharyn Pearce , 1999 single work criticism
— Appears in: Strange Journeys : The Works of Gary Crew 1999; (p. 182-200)
1 Inventing Anthony West Bernard McKenna , Sharyn Pearce , 1999 single work criticism
— Appears in: Strange Journeys : The Works of Gary Crew 1999; (p. 161-181)
1 Angel's Gate Bernard McKenna , Sharyn Pearce , 1999 single work criticism
— Appears in: Strange Journeys : The Works of Gary Crew 1999; (p. 128-160)
1 No Such Country-- A Book of Antipodean Hours Bernard McKenna , Sharyn Pearce , 1999 single work criticism
— Appears in: Strange Journeys : The Works of Gary Crew 1999; (p. 96-127)
1 Strange Objects Bernard McKenna , Sharyn Pearce , 1999 single work criticism
— Appears in: Strange Journeys : The Works of Gary Crew 1999; (p. 52-95)
1 The Inner Circle and The House of Tomorrow Bernard McKenna , Sharyn Pearce , 1999 single work criticism
— Appears in: Strange Journeys : The Works of Gary Crew 1999; (p. 21-51)
1 Strange Journeys : The Works of Gary Crew : Introduction Bernard McKenna , Sharyn Pearce , 1999 single work criticism
— Appears in: Strange Journeys : The Works of Gary Crew 1999; (p. 1-20)
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