Stephanie Bunbury Stephanie Bunbury i(A4519 works by)
Gender: Female
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Works By

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1 MIFF 68 1/2 Wanders the World, Offering a Digital Feast in Lockdown Stephanie Bunbury , 2020 single work column
— Appears in: The Age , 17 July 2020; Melbourne International Film Festival offers a cut-down, online-only program after the 2020 festival is cancelled due to the COVID-19 pandemic.
1 Indigenous Series Shines at Surreal Berlinale Stephanie Bunbury , 2016 single work column
— Appears in: The Age , 24 February 2016; (p. 47)
1 Boys in the Trees Director Nicholas Verso Was 'willing to Die for This Film' Stephanie Bunbury , 2016 single work column
— Appears in: Brisbane Times , 14 October 2016; 'When he was at school in Melbourne, film director Nicholas Verso was almost expelled for being a goth. "I blackened everything," he says. "Lashes, eyebrows: it was a big commitment." ...'
1 Pre-screen Dreams Stephanie Bunbury , 2016 single work review
— Appears in: The Sydney Morning Herald , 15-16 October 2016; (p. 20)
— Review of Boys in the Trees Nicholas Verso , 2016 single work film/TV
1 Mel Gibson's Hacksaw Ridge Premieres at the Venice Film Festival Stephanie Bunbury , 2016 single work review
— Appears in: Brisbane Times , 5 September 2016;
— Review of Hacksaw Ridge Andrew Knight , Gregory Crosby , Robert Schenkkan , Randall Wallace , 2016 single work film/TV 'The world premiere of Australian-American film Hacksaw Ridge has earned positive reviews for its much-maligned director Mel Gibson at the Venice Film Festival.'
1 Booker Still down to British Taste Stephanie Bunbury , 2014 single work column
— Appears in: The Canberra Times , 11 October 2014; (p. 19)
1 Reading between the Lines Stephanie Bunbury , 2014 single work column
— Appears in: The Sydney Morning Herald , 11-12 October 2014; (p. 30-31) 'The Man Booker Prize will be presented in London on Tuesday. Stephanie Bunbury looks at the contenders – including Australian Richard Flanagan – and the impact of its new open-doors policy.'
1 Filmmaker Thornton Finds Himself Surrounded by Gods Stephanie Bunbury , 2014 single work column
— Appears in: The Sydney Morning Herald , 2 September 2014; (p. 18)
1 The Fame Monster Stephanie Bunbury , 2014 single work column
— Appears in: The Sydney Morning Herald , 2 August 2014; (p. 28-29) 'The world according to Nick Cave might be a little bizarre, but it's not all doom and gloom, as Stephanie Bunbury discovers.
1 From Jail to Cannes : Film Director Rolf de Heer Talks about the Movie That Helped Save David Gulpilil Stephanie Bunbury , 2014 single work column
— Appears in: The Sydney Morning Herald , 24 May 2014; The Age , 24 May 2014; The Canberra Times , 24 May 2014;
1 Australia Remains the Perfect Place to Make Films About the End of the World Stephanie Bunbury , 2014 single work column
— Appears in: The Age , 21 May 2014; The Sydney Morning Herald , 21 May 2014;
1 The Rover: David Michod's 'Brutal' Revenge Tale Earns Positive Reception at Cannes Stephanie Bunbury , 2014 single work column
— Appears in: The Age , no. 19 May 2014; The Sydney Morning Herald , 19 May 2014; The Canberra Times , 19 May 2014;
1 Queen of the Desert Stephanie Bunbury , 2014 single work review
— Appears in: The Sydney Morning Herald , 1-2 March 2014; (p. 8-9) The Canberra Times , 1 March 2014; (p. 20)
— Review of Tracks Robyn Davidson , 1980 single work autobiography 'A woman's trek across Australia inspired the world, but it took 40 years for the story to make it to the screen.'
1 Mates go in to Bat for Each Other Stephanie Bunbury , 2013 single work review
— Appears in: The Sydney Morning Herald , 1 March 2013; (p. 9)
— Review of Save Your Legs Brendan Cowell , 2013 single work film/TV
1 Mystery Lives on a Lonely Lake Stephanie Bunbury , 2013 single work column
— Appears in: The Age , 14 February 2013; (p. 14)
1 Shooting for First-Class Style Stephanie Bunbury , 2013 single work column
— Appears in: The Age , 25 May 2013; (p. 24) ' "Gatsby? What Gatsby?" asks Daisy Buchanan when she hears mention of the millionaire living across the bay in an architectural pile even more imposing than her own. Baz Luhrmann lifts this line straight from F. Scott Fitzgerald's novel for his film of The Great Gatsby. Every movie version of Gatsby uses it, in fact, but every Daisy already knows the answer to her own question, because Gatsby is not a real name. A poor farm boy called James Gatz made Gatsby up in a moment when he wanted to make himself sound like a rich, distinguished WASP. There is only one Gatsby.'
1 Greats Paint The Cannes Carpet Red Despite Rain Stephanie Bunbury , 2013 single work column
— Appears in: The Sydney Morning Herald , 17 May 2013; (p. 11)
1 Cannes Rolls out (Soggy) Red Carpet for Gatsby Stephanie Bunbury , 2013 single work column
— Appears in: The Age , 17 May 2013; (p. 12)
1 Baying for Blood in Bootlegger Backblocks Stephanie Bunbury , 2012 single work column
— Appears in: The Saturday Age , 6 October 2012; (p. 20)
1 Acting in Defiance of Belief Stephanie Bunbury , 2012 single work review
— Appears in: The Sydney Morning Herald , 7 September 2012; (p. 8)
— Review of Lore Cate Shortland , Robin Mukherjee , 2012 single work film/TV
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