Cirrus@Austlit

'Nicholas Cynster rides up to Aisby Grange determined to secure the stallion known as The Barbarian for his family’s Thoroughbred breeding stable, only to be turned away by the owner’s daughter. Nicholas retreats, but is not about to be denied by any lady, no matter how startlingly beautiful and distracting.

'Lady Adriana Sommerville knows Nicholas will be back and resigns herself to having to manage his interaction with her aging father. She successfully negotiates that potential quagmire only, at the very last moment, to discover the horse is missing.
Stunned, Addie insists on setting out in pursuit and is not so silly as to refuse Nicholas’s support.

'But as they follow on the heels of The Barbarian, their adventures and encounters open both their eyes to the prospect of a more enduring partnership. Yet before they can follow that trail farther and before they can lay hands on the horse, through shock after shock, their pursuit uncovers a complicated plot that strips away masks and rescripts everything Addie and her siblings thought they knew about the Sommerville family.' (Publication summary)

'Martin Cynster arrives at Carmichael Steelworks set on acquiring the business as the jewel in his industrialist’s crown, only to discover that the lady owner is not at all what he expected.

'Miss Sophia Carmichael learned about steelmaking at her father’s knee and, having inherited the major shareholding, sees no reason not to continue exactly as she is—running the steelworks and steadily becoming an expert in steel alloys. When Martin Cynster tracks her down, she has no option but to listen to his offer—until impending disaster on the steelworks floor interrupts.

'Consequently, she tries to dismiss Martin, but he’s persistent, and as he has now saved her life, gratitude compels her to hear him out. And day by day, as his understanding of her and the works grows, what he offers grows increasingly tempting, until a merger, both business-wise and personal, is very much on their cards.

'But a series of ever-escalating incidents makes it clear someone else has an eye on the steelworks. The quest to learn who and why leads Martin and Sophy into ever greater danger as, layer by layer, they uncover a diabolical scheme that, ultimately, will drain the lifeblood not just from the steelworks but from the city of Sheffield as well.' (Publication summary)

'Gregory Cynster arrives at the property willed to him by his great-aunt with the intention of converting Bellamy Hall into a quiet, comfortable, gentleman’s country residence, only to discover the Hall overrun by an eclectic collection of residents engaged in a host of business endeavors under the stewardship of a lady far too young to be managing such reins.

'With the other residents of the estate, Caitlin Fergusson has been planning just how to deal with the new owner, but coming face to face with Gregory Cynster throws her and everyone else off their stride. They’d anticipated a bored and disinterested gentleman who, once they’d revealed the income generated by the Hall’s community, would be content to leave them undisturbed.

'Instead, while Gregory appears the epitome of the London rake they’d expected him to be, they quickly learn he’s determined to embrace Bellamy Hall and all its works and claim ownership of the estate.

'While the other residents adjust their thinking, the burden of dealing daily with Gregory falls primarily on Caitlin’s slender shoulders, yet as he doggedly carves out a place for himself, Caitlin’s position as chatelaine-cum-steward seems set to grow redundant. But Caitlin has her own reasons for clinging to the refuge her position at Bellamy Hall represents.

'What follows is a dance of revelations, both of others and also of themselves, for Gregory, Caitlin, and the residents of Bellamy Hall. Yet even as they work out what their collective future might hold, a shadowy villain threatens to steal away everything they’ve created.' (Publication summary)

'Lord Devlin Cader, Earl of Alverton, married Therese Cynster five years ago. What he didn’t tell her then and has assiduously hidden ever since—for what seemed excellent reasons at the time—is that he loves her every bit as much as she loves him.

'For her own misguided reasons, Therese had decided that the adage that Cynsters always marry for love did not necessarily mean said Cynsters were loved in return. She accepted that was usually so, but being universally viewed by gentlemen as too managing, bossy, and opinionated, she believed she would never be loved for herself. Consequently, after falling irrevocably in love with Devlin, when he made it plain he didn’t love her yet wanted her to wife, she accepted the half love-match he offered, and once they were wed, set about organizing to make their marriage the very best it could be.

'Now, five years later, they are an established couple within the haut ton, have three young children, and Devlin is making a name for himself in business and political circles. There’s only one problem. Having attended numerous Cynster weddings and family gatherings and spent time with Therese’s increasingly married cousins, who with their spouses all embrace the Cynster ideal of marriage based on mutually acknowledged love, Devlin is no longer content with the half love-match he himself engineered. No fool, he sees and comprehends what the craven act of denying his love is costing both him and Therese and feels compelled to rectify his fault. He wants for them what all Therese’s married cousins enjoy—the rich and myriad benefits of marriages based on acknowledged mutual love.

'Love, he’s discovered, is too powerful a force to deny, leaving him wrestling with the conundrum of finding a way to convincingly reveal to Therese that he loves her without wrecking everything—especially the mutual trust—they’ve built over the past five years.'

Source: Publisher's blurb.

'#1 New York Timesbestselling author Stephanie Laurens returns to the Cynsters’ next generation with a rollicking tale of smugglers, counterfeit banknotes, and two people falling in love.

'A gentleman hoping to avoid falling in love and a lady who believes love has passed her by are flung together in a race to unravel a plot to undermine the realm.

'Christopher Cynster has finally accepted that to have the life he wants, he needs a wife, but before he can even think of searching for the right lady, he’s drawn into an investigation into the distribution of counterfeit banknotes.

'London born and bred, Ellen Martingale is battling to preserve the fiction that her much-loved uncle, Christopher’s neighbor, still has his wits about him, but Christopher’s questions regarding nearby Goffard Hall trigger her suspicions. As her younger brother attends card parties at the Hall, she feels compelled to investigate.

'While Ellen appears to be the sort of frippery female Christopher abhors, he quickly learns that, in her case, appearances are deceiving. And through the twists and turns in an investigation that grows ever more serious and urgent, he discovers how easy it is to fall in love, while Ellen learns that love hasn’t, after all, passed her by.

'But then the villain steps from the shadows, and love’s strengths and vulnerabilities are put to the test—just as Christopher has always feared. Will he pass muster? Can they triumph? Or will they lose all they’ve so recently found?'

Source : publisher's blurb

'#1 New York Times bestselling author Stephanie Laurens immerses you in the simple joys of a long-ago country-village Christmas, featuring a grandmother, her grandchildren, her unwed son, a determined not-so-young lady, foreign diplomats, undercover guards, and agents of Napoleon! 

'At Hartington Manor in the village of Little Moseley, Therese, Lady Osbaldestone, and her household are once again enjoying the company of her intrepid grandchildren, Jamie, George, and Lottie, when they are unexpectedly joined by her ladyship’s youngest and still-unwed son, also the children’s favorite uncle, Christopher.

'As the Foreign Office’s master intelligencer, Christopher has been ordered into hiding until the department can appropriately deal with the French agent spotted following him in London. Christopher chose to seek refuge in Little Moseley because it’s such a tiny village that anyone without a reason to be there stands out. Neither he nor his office-appointed bodyguard expect to encounter any dramas.

'Then Christopher spots a lady from London he believes has been hunting him with matrimonial intent. He can’t understand how she tracked him to the village, but determined to avoid her, he enlists the children’s help. The children discover their information-gathering skills are in high demand, and while engaging with the villagers as they usually do and taking part in the village’s traditional events, they do their best to learn what Miss Marion Sewell is up to.

'But upon reflection, Christopher realizes it’s unlikely the Marion he was so attracted to years before has changed all that much, and he starts to wonder if what she wants to tell him is actually something he might want to hear. Unfortunately, he has set wheels in motion that are not easy to redirect. Although Marion tries to approach him several times, he and she fail to make contact. 

'Then just when it seems they will finally connect, a dangerous stranger lures Marion away. Fearing the worst, Christopher gives chase—trailed by his bodyguard, the children, and a small troop of helpful younger gentlemen.

'What they discover at nearby Parteger Hall is not at all what anyone expected, and as the action unfolds, the assembled company band together to protect a secret vital to the resolution of the war against Napoleon.'

Source : publisher's blurb

'#1 New York Timesbestselling author Stephanie Laurens concludes the tales of the Cavanaugh siblings with the riveting story of the youngest brother and his search for a family of his own.

'The scion of a noble house who is caught in a storm and the lady who nurses him back to health strive to unravel a web of deception that threatens her family and ensnares them both, forcing them to fight for what they hold most dear—family, each other, and love.

'Lord Godfrey Cavanaugh has no thoughts of marrying as he drives into North Yorkshire on a plum commission for the National Gallery to authenticate a Renaissance painting the gallery wishes to purchase. Then a snow storm sweeps in, and Godfrey barely manages to haul himself, his groom, and his horses to their destination. 

'Elinor Hinckley, eldest daughter of Hinckley Hall, stalwart defender of the family, right arm to her invalid father, and established spinster knows full well how much her family has riding on the sale of the painting and throws herself into nursing the initially delirious gentleman who holds her family’s future in his hands.

'But Godfrey proves to be a far from easy patient. Through Ellie’s and her siblings’ efforts to keep him entertained and abed, Godfrey grows to know the family, appreciating and, ultimately, being drawn into family life of a sort he’s never known.

'Eventually, to everyone’s relief, he recovers sufficiently to assess the painting—only to discover that nothing, but nothing, is as it seems.

'Someone has plans, someone other than the Hinckleys, but who is pulling the strings is a mystery that Godfrey and Ellie find near-impossible to solve. Every suspect proves to have perfectly understandable, albeit hidden reasons for their behavior, and Godfrey and Ellie remain baffled.

'Until the villain, panicked by their inquiries, strikes—directly at them—and forces them both to acknowledge what has grown to be the most important thing in their lives. Both are natural defenders of the weak and neither will give up. Together they battle to save not just themselves, not just her family, but their futures. Hers, his, and theirs.'

Source : publisher's blurb

'A notorious rakehell with a stable of rare Thoroughbreds and a lady on a quest to locate such horses must negotiate personal minefields to forge a greatly desired alliance—one someone is prepared to murder to prevent.

'Prudence Cynster has turned her back on husband hunting in favor of horse hunting. As the head of the breeding program underpinning the success of the Cynster racing stables, she's on a quest to acquire the necessary horses to refresh the stable's breeding stock. On his estranged father's death, Deaglan Fitzgerald, now Earl of Glengarah, left London and the hedonistic life of a wealthy, wellborn rake and returned to Glengarah Castle determined to rectify the harm caused by his father's neglect. Driven by guilt that he hadn't been there to protect his people during the Great Famine, Deaglan holds against the lure of his father's extensive collection of horses and, leaving the stable to the care of his brother, Felix, devotes himself to returning the estate to prosperity. Deaglan had fallen out with his father and been exiled from Glengarah over his drive to have the horses pay their way. Knowing Deaglan's wishes and that restoration of the estate is almost complete, Felix writes to the premier Thoroughbred breeding program in the British Isles to test their interest in the Glengarah horses.

'On receiving a letter describing exactly the type of horses she's seeking, Pru overrides her family's reluctance and sets out for Ireland's west coast to visit the now-reclusive wicked Earl of Glengarah. Yet her only interest is in his horses, which she cannot wait to see.

When Felix tells Deaglan that a P. H. Cynster is about to arrive to assess the horses with a view to a breeding arrangement, Deaglan can only be grateful. But then P. H. Cynster turns out to be a lady, one utterly unlike any other he's ever met.

'Yet they are who they are, and both understand their world. They battle their instincts and attempt to keep their interactions businesslike, but the sparks are incandescent and inevitably ignite a sexual blaze that consumes them both—and opens their eyes.

'But before they can find their way to their now-desired goal, first one accident, then another distracts them. Someone, it seems, doesn't want them to strike a deal. Who? Why?They need to find out before whoever it is resorts to the ultimate sanction.'

Source: Publisher's blurb.

'Therese, Lady Osbaldestone, and her household again welcome her younger daughter's children, Jamie, George, and Lottie, plus their cousins Melissa and Mandy, all of whom have insisted on spending the three weeks prior to Christmas at Therese's house, Hartington Manor, in the village of Little Moseley.

'The children are looking forward to the village's traditional events, and this year, Therese has arranged a new distraction-the plum puddings she and her staff are making for the entire village. But while cleaning the coins donated as the puddings' good-luck tokens, the children discover that three aren't coins of the realm. When consulted, Reverend Colebatch summons a friend, an archeological scholar from Oxford, who confirms the coins are Roman, raising the possibility of a Roman treasure buried somewhere near. Unfortunately, Professor Webster is facing a deadline and cannot assist in the search, but along with his niece Honor, he will stay in the village, writing, remaining available for consultation should the children and their helpers uncover more treasure.

'It soon becomes clear that discovering the source of the coins—or even which villager donated them—isn't a straightforward matter. Then the children come across a personable gentleman who knows a great deal about Roman antiquities. He introduces himself as Callum Harris, and they agree to allow him to help, and he gets their search back on track.

'But while the manor five, assisted by the gentlemen from Fulsom Hall, scour the village for who had the coins and search the countryside for signs of excavation and Harris combs through the village's country-house libraries, amassing evidence of a Roman compound somewhere near, the site from which the coins actually came remains a frustrating mystery.

'Then Therese recognizes Harris, who is more than he's pretending to be. She also notes the romance burgeoning between Harris and Honor Webster, and given the girl doesn't know Harris's full name, let alone his fraught relationship with her uncle, Therese steps in. But while she can engineer a successful resolution to one romance-of-the-season, as well as a reconciliation long overdue, another romance that strikes much closer to home is beyond her ability to manipulate.

'Meanwhile, the search for the source of the coins goes on, but time is running out. Will Therese's grandchildren and their Fulsom Hall helpers locate the Roman merchant's villa Harris is sure lies near before they all must leave the village for Christmas with their families?'

Source: Publisher's blurb.

'Stacie—Lady Eustacia Cavanaugh—is adamant marriage is not for her. Haunted by her parents' unhappy union, Stacie believes that, for her, marriage is an unacceptable risk. Wealthy and well-born, she needs for nothing, and with marriage off the table, to give her life purpose, she embarks on a plan to further the careers of emerging local musicians by introducing them to the ton via a series of musical evenings.Yet despite her noble status, Stacie requires a musical lure to tempt the haut ton to her events, and in the elevated circles she inhabits, only one musician commands sufficient cachet—the reclusive and notoriously reluctant Marquess of Albury.

'Frederick, Marquess of Albury, has fashioned a life for himself as a musical scholar, one he pursues largely out of sight of the ton. He might be renowned as a virtuoso on the pianoforte, yet he sees no reason to endure the smothering over-attentiveness of society. Then his mother inveigles him into meeting Stacie, and the challenge she lays before him is ... tempting. On a number of fronts. Enough for him not to immediately refuse her.

'A dance of subtle persuasion ensues, and step by step, Frederick finds himself convinced that Stacie's plan has real merit and that it behooves him to support her. At least for one event.

'Stacie's first musical evening, featuring Frederick as the principal performer, is a massive success—until Fate takes a hand and lands them in a situation that forces them both to reassess.Does Frederick want more than the sterile, academic life he'd thought was for him?

'Can Stacie overcome her deepest fears and own to and reach for her girlhood dreams?

'Impulsive, arrogant, and used to getting his own way, Frederick finds his answer easily enough, but his new direction puts him on a collision course with Stacie's fears. Luckily, he thrives on challenges—which is just as well, because in addition to convincing Stacie that love can, indeed, conquer all, he and she must unravel the mystery of who is behind a spate of murderous attacks before the villain succeeds in eliminating all hope of a happy ending.'

Source: Publisher's blurb.

'A Gentleman of Means

'One of the most eligible bachelors in London, Lord Christopher "Kit" Cavanaugh has discovered his true path and it doesn't include the expected society marriage. Kit is all business and has chosen the bustling port of Bristol to launch his passion - Cavanaugh Yachts.

'A Woman of Character

'Miss Sylvia Buckleberry's passion is her school for impoverished children. When a new business venture forces the school out of its building, she must act quickly. But confronting Kit Cavanaugh is a daunting task made even more difficult by their first and only previous meeting, when, believing she'd never see him again, she'd treated him dismissively. Still, Sylvia is determined to be persuasive.

'An Unstoppable Duo

'But it quickly becomes clear there are others who want the school - and Cavanaugh Yachts - closed. Working side by side, Kit and Sylvia fight to secure her school and to expose the blackguard trying to sabotage his business. Yet an even more dastardly villain lurks, one who threatens the future both discover they now hold dear.'

Source: Publisher's blurb.

'Therese, Lady Osbaldestone, and her household are quietly delighted when her younger daughter's three children, Jamie, George, and Lottie, insist on returning to Therese's house, Hartington Manor in the village Little Moseley, to spend the three weeks leading up to Christmas participating in the village's traditional events.Then out of the blue, one of Therese's older granddaughters, Melissa, arrives on the doorstep. Her mother, Therese's older daughter, begs Therese to take Melissa in until the family gathering at Christmas-otherwise, Melissa has nowhere else to go.

'Despite having no experience dealing with moody, reticent teenagers like Melissa, Therese welcomes Melissa warmly. The younger children are happy to include their cousin in their plans-and despite her initial aloofness, Melissa discovers she's not too old to enjoy the simple delights of a village Christmas.The previous year, Therese learned the trick to keeping her unexpected guests out of mischief. She casts around and discovers that the new organist, who plays superbly, has a strange failing. He requires the written music in front of him before he can play a piece, and the church's book of Christmas carols has gone missing.

'Therese immediately volunteers the services of her grandchildren, who are only too happy to fling themselves into the search to find the missing book of carols. Its disappearance threatens one of the village's most-valued Christmas traditions—the Carol Service—yet as the book has always been freely loaned within the village, no one imagines that it won't be found with a little application.

'But as Therese's intrepid four follow the trail of the book from house to house, the mystery of where the book has vanished to only deepens. Then the organist hears the children singing and invites them to form a special guest choir. The children love singing, and provided they find the book in time, they'll be able to put on an extra-special service for the village.

'While the urgency and their desire to find the missing book escalates, the children—being Therese's grandchildren—get distracted by the potential for romance that buds, burgeons, and blooms before them.

'Yet as Christmas nears, the questions remain: Will the four unravel the twisted trail of the missing book in time to save the village's Carol Service? And will they succeed in nudging the organist and the harpist they've found to play alongside him into seizing the happy-ever-after that hovers before the pair's noses?'

Source: Publisher's blurb.

'A young lady accused of theft and the gentleman who elects himself her champion enlist the aid of Stokes, Barnaby, Penelope, and friends in pursuing justice, only to find themselves tangled in a web of inter-family tensions and secrets.

'When Miss Cara Di Abaccio is accused of stealing the Carisbrook emeralds by the infamously arrogant Lady Carisbrook and marched out of her guardian’s house by Scotland Yard’s finest, Barnaby Adair’s cousin Hugo Adair takes umbrage and descends on Scotland Yard, breathing fire in Cara’s defense.

'Hugo discovers Inspector Stokes has been assigned to the case, and after surveying the evidence thus far, Stokes calls in his big guns when it comes to dealing with investigations in the ton—namely, the Honorable Barnaby Adair and his wife, Penelope.

'Soon convinced of Cara’s innocence and, given Hugo’s apparent tendre for Cara needing to clear her name, Penelope and Barnaby join Stokes and his team in pursuing the emeralds and, most importantly, who stole them.

'But the deeper our intrepid investigators delve into the Carisbrook household, the more certain they become that all is not as it should be. Lady Carisbrook is a harpy, Franklin Carisbrook is secretive, Julia Carisbrook is overly timid, and Lord Carisbrook, otherwise a genial and honorable gentleman, holds himself distant from his family. More, his lordship attempts to shut down the investigation. And Stokes, Barnaby, and Penelope are convinced the Carisbrooks’ staff are not sharing all they know.

'Meanwhile, appointed Cara’s watchdog until the mystery is resolved, Hugo, fascinated by Cara as he’s been with no other, seeks to entertain and amuse her…and, increasingly intently, to discover the way to her heart. Consequently, Penelope finds herself juggling the attractions of the investigation and the Adair family’s demands for her to actively encourage the budding romance.

'What would her mentors advise? On that, Penelope is crystal clear.

'Aided by Griselda, Violet, and Montague and calling on contacts in business, the underworld, and ton society, Penelope, Barnaby, and Stokes battle to peel back each layer of subterfuge and, step by step, eliminate the innocent and follow the emeralds’ trail…

'Yet instead of becoming clearer, the veils and shadows shrouding the Carisbrooks only grow murkier…until, abruptly, our investigators find themselves facing an inexplicable death, with a potential murderer whose conviction would shake society to its back teeth.'  (Publication summary)

'On discovering the lifeless body of an innocent ingenue, a peer attending a country house party joins forces with the lady-amazon sent to fetch the victim safely home in a race to expose the murderer before Stokes, assisted by Barnaby and Penelope, is forced to allow the guests, murderer included, to decamp.

'Well-born rakehell and head of an ancient family, Alaric, Lord Carradale, has finally acknowledged reality and is preparing to find a bride. But loyalty to his childhood friend, Percy Mandeville, necessitates attending Percy's annual house party, held at neighboring Mandeville Hall. Yet despite deploying his legendary languid charm, by the second evening of the week-long event, Alaric is bored and restless.

'Escaping from the soiree and the Hall, Alaric decides that as soon as he's free, he'll hie to London and find the mild-mannered, biddable lady he believes will ensure a peaceful life. But the following morning, on walking through the Mandeville Hall shrubbery on his way to join the other guests, he comes upon the corpse of a young lady-guest.

'Constance Whittaker accepts that no gentleman will ever offer for her-she's too old, too tall, too buxom, too headstrong ... too much in myriad ways. Now acting as her grandfather's agent, she arrives at Mandeville Hall to extricate her young cousin, Glynis, who unwisely accepted an invitation to the reputedly licentious house party.

'But Glynis cannot be found.

'A search is instituted. Venturing into the shrubbery, Constance discovers an outrageously handsome aristocrat crouched beside Glynis' lifeless form. Unsurprisingly, Constance leaps to the obvious conclusion.

'Luckily, once the gentleman explains that he'd only just arrived, commonsense reasserts itself. More, as matters unfold and she and Carradale have to battle to get Glynis' death properly investigated, Constance discovers Alaric to be a worthy ally.

'Yet even after Inspector Stokes of Scotland Yard arrives and takes charge of the case, along with his consultants, the Honorable Barnaby Adair and his wife, Penelope, the murderer's identity remains shrouded in mystery, and learning why Glynis was killed-all in the few days before the house party's guests will insist on leaving-tests the resolve of all concerned. Flung into each other's company, fiercely independent though Constance is, unsusceptible though Alaric is, neither can deny the connection that grows between them.

'Then Constance vanishes.

'Can Alaric unearth the one fact that will point to the murderer before the villain rips from the world the lady Alaric now craves for his own?' (Publication summary)

'Lord Randolph Cavanaugh is loyal and devoted – but only to family. To the rest of the world, he's aloof and untouchable, a respected and driven entrepreneur. But Rand yearns for more in life, and when he travels to Buckinghamshire to review a recent investment, he discovers a passionate woman who will challenge his rigid self–control…

'Felicia Throgmorton intends to keep her family afloat. For decades, her father was consumed by his inventions and now, months after his death, with their finances in ruins, her brother insists on continuing their father's tinkering. Felicia is desperate to hold together what's left of the estate. Then she discovers she must help persuade their latest investor that her father's follies are a risk worth taking…

'Rand arrives at Throgmorton Hall to discover the invention on which he's staked his reputation has exploded, the inventor is not who he expected and a fiercely intelligent woman now holds the key to his future success. But unflinching courage in the face of dismaying hurdles is a trait they share, and Rand and Felicia are forced to act together against ruthless foes to protect everything they hold dear.'

Source: Publisher's blurb.

'Three years after being widowed, Therese, Lady Osbaldestone finally settles into her dower property of Hartington Manor in the village of Little Moseley in Hampshire. She is in two minds as to whether life in the small village will generate sufficient interest to keep her amused over the months when she is not in London or visiting friends around the country. But she will see. It’s December, 1810, and Therese is looking forward to her usual Christmas with her family at Winslow Abbey, her youngest daughter, Celia’s home. But then a carriage rolls up and disgorges Celia’s three oldest children. Their father has contracted mumps, and their mother has sent the three—Jamie, George, and Lottie—to spend this Christmas with their grandmama in Little Moseley. Therese has never had to manage small children, not even her own. She assumes the children will keep themselves amused, but quickly learns that what amuses three inquisitive, curious, and confident youngsters isn’t compatible with village peace. Just when it seems she will have to set her mind to inventing something, she and the children learn that with only twelve days to go before Christmas, the village flock of geese has vanished. Every household in the village is now missing the centerpiece of their Christmas feast. But how could an entire flock go missing without the slightest trace? The children are as mystified and as curious as Therese—and she seizes on the mystery as the perfect distraction for the three children as well as herself. But while searching for the geese, she and her three helpers stumble on two locals who, it is clear, are in dire need of assistance in sorting out their lives. Never one to shy from a little matchmaking, Therese undertakes to guide Miss Eugenia Fitzgibbon into the arms of the determinedly reclusive Lord Longfellow. To her considerable surprise, she discovers that her grandchildren have inherited skills and talents from both her late husband as well as herself. And with all the customary village events held in the lead up to Christmas, she and her three helpers have opportunities galore in which to subtly nudge and steer. Yet while their matchmaking appears to be succeeding, neither they nor anyone else have found so much as a feather from the village’s geese. Larceny is ruled out; a flock of that size could not have been taken from the area without someone noticing. So where could the birds be? And with the days passing and Christmas inexorably approaching, will they find the blasted birds in time?'

Source: Publisher's blurb.

'Lord Drake Varisey receives unwelcome assistance from Lady Louisa Cynster in his efforts to foil a plot against England and the realm.' (Publication summary)