Cirrus@Austlit

'First Nations media organisations have adapted their crisis response to the pandemic to focus on vaccination information and managing information flow about the evolving directives for travel and lockdowns on an ongoing basis. Through case study examples, this study has generated understanding about how First Nations media organisations operated during the early days of Australia’s COVID-19 pandemic. It has identified key lessons that can be learned from that experience, both for the future benefit of media organisations and for those First Nations communities continuing to struggle with the impact of Australia’s most urgent public health challenge in nearly a century.'

Source: Introduction.

'Most Australian books ever written are now out-of-print and unavailable to readers. That includes local histories and memoirs, beloved children’s titles – and even winners of our most glittering literary prizes.

'Untapped is a collaboration between authors, libraries and researchers, working together to identify Australia’s lost literary treasures and bring them back to life!

'We’re digitising culturally important out-of-print Australian novels, histories, memoirs, poetry and more. They’ll be licensed into public libraries around the country, and our library partners will promote them so everyone has an opportunity to rediscover these engaging, enlightening texts. And most of them will be made available for sale as ebooks too!

'This project will create a new income source for Australian authors, who currently have few options for getting their out-of-print titles available in libraries. And it supports arts workers affected by COVID, who we’re hiring to assist us with the proofreading necessary to get the scanned books up to library quality.

'It will also support vital research into the economic value of out-of-print rights for authors, the value of libraries’ book promotion efforts, and the relationship between library lending and sales.

'The results will be fed into public policy discussions about how we can best support Australian authors and literary culture. And we’re hopeful that this new investment and attention will cause some of these important books to get another look from commercial publishers too.' (https://untapped.org.au/)

'The book explores the lives and careers of fourteen of the first female agricultural scientists to spend a residential year at Dookie Agricultural College during the second year of their studies at the University of Melbourne.'

Source: University of Melbourne (https://fvas.unimelb.edu.au/news-and-events/news-formatted/gallery-builder-for-news). (Sighted: 28/9/2020)

'This thesis, which comprises a critical dissertation and creative manuscript, explores the representation of contemporary space in the work of Australian poet Laurie Duggan. Through comparative readings of Duggan’s poetry and that of other poets with whom he shares thematic preoccupations and aesthetic concerns, the thesis provides a range of critical approaches for illuminating the representational strategies in Duggan’s work. The thesis argues, with reference to theoretical perspectives including those of Michel de Certeau, Henri Lefebvre and Fredric Jameson, that Duggan’s poetry constructs a deceptively complex spatial dynamic, a poetic strategy grounded in specific localities, while recognising that the local, as space, is open to social and cultural associations that extend beyond the static nature of place. Situating Duggan’s work within a modernist tradition of process-based aesthetics, the thesis argues that Duggan’s poetry involves a process of spatial mapping, a strategy that constructs experiential, yet necessarily provisional, maps of contemporary space that move fluidly from the local to the global.

'The creative component of the thesis takes the form of a poetry manuscript, the poems responding to—though not attempting to explicate—the aesthetic concerns explored in relation to Duggan’s poetry and poetics. Although the poetry presented here displays shared influences and representational strategies with Duggan and the other poets considered in this study, the manuscript is not imitative, or derivative but instead deliberately charts its own conception of contemporary space. In this respect, the two components of the thesis complement one another, offering on the one hand a critical investigation of Duggan’s approach to the representation of space, while at the same time creatively exploring the possibilities of what might constitute a spatial poetics.'

Source: The University of Melbourne.

'Academic fieldwork data collections are often unique and unrepeatable records of highly significant events collected at considerable expense of researcher time, effort and resources. While fieldworkers have been quick to take advantage of digital technologies to enable them to collect and organise their data, standards and workflows are only now beginning to emerge to assist researchers to submit their data for archiving and access. This collection of refereed papers from the conference of the same name held at the University of Sydney in December 2006 provides a record of recent research practice by fieldworkers in linguistics, botany and anthropology, and by archive and repository managers.' (Publication summary)

'Planning to travel to Istanbul and want to know what adventures will await you? Already been and want to know more? Announcing the much awaited release of

'"Inside Out In Istanbul" a collection of short stories about life in Istanbul by author Lisa Morrow. The stories in this collection take you beyond the world famous sights of Istanbul to the shores of Asia, to an Istanbul that is vibrantly alive with the sounds of street vendors, wedding parties, weekly markets and more. The stories in "Inside Out In Istanbul" lead the reader behind the tourist façades deep into this sometimes chaotic, often schizophrenic but always charming city.' (Publication summary)

'Voice is the newspaper of the University of Melbourne. It is published monthly and is distributed on the University's campuses, published as a supplement to the Age on the second Monday of each month and is available on line and by free email or hard copy subscription.

'Each month Voice explores a major social issue in which University academics and researchers contribute to public debate. Voice also contains research news, informed opinion and analysis, alumni news and profiles, stories on student life and activities, Arts reviews and previews, sport, previews of multimedia programs and listings of Public Lectures and other events.'

Source: Voice website, http://voice.unimelb.edu.au/
Sighted: 15/02/2011

'In this thesis I argue that the image of a child lost in the bush became a central strand in the Australian colonial experience, creating a cultural legacy that remains to this day. I also argue that the way in which the image developed in Australia was unique among British-colonised societies. I explore the dominant themes of my thesis the nature of childhood, the effect of environment upon colonisers, and the power of memory primarily through stories. The bush-lost child is an image that developed mainly in the realms of "low" culture, in popular journals, newspapers, stories and images including films, although it has been represented in such "high" cultural forms as novels, art and opera. I have concentrated on the main forms of its representations because it is through these that the image achieves its longevity. Understandings of childhood have always been central to the power of the image of the bush-lost child. I examine the development of attitudes towards children and childhood in Australia from the earliest days of settlement to the beginning of the First World War, through several main strands of children"s experiences work, education and health. The story and image of the "Babes in the Wood" was brought to Australia with its colonial settlers. I trace its development and assimilation into the folklore culture of Britain from the late sixteenth century to the nineteenth century, and consider other European influences. It was adopted from the parent culture by European settlers to represent an Australian colonial experience and was then progressively translated into the assertively Australian image of "Bush-lost Babies". I consider other comparable settler colonies in America, Canada and New Zealand to develop my argument that the identification with the lost child image was unique to Australia, and that the other settler-colonies were dominated by the image of the captive child. This examines the power of cross-culturally transmitted attitudes towards Indigenous peoples in Britain and its colonies, including Australia. The bush search scenario, and the way in which it came to be regarded as an affirmation of community, were rapidly associated with the image of the bush-lost child. I examine this development primarily through close studies of several different lost-child incidents. Various memorialisations of bush-lost children fitted into the wider process of memorialising the past in Australia. My consideration of this involves an exploration of expressions of grief at the loss of young people before World War I, and the change in national understandings of loss after this time. The 1960 story of "Little Boy Lost", which received intense national attention, forms the core of the concluding chapter in which I argue for the continuing currency of the bush-lost child image in modern Australia. '

Source: Author's abstract, University of Melbourne ePrints Repository, http://eprints.unimelb.edu.au/archive/00000767/
Sighted: 17/08/2005