Cirrus@Austlit

'Sometimes you need to repeat something a hundred times before a bell rings in the colony.'

'From the bestselling author Bruce Pascoe comes a deeply personal story about the consequences and responsibility of disrupting Australia's history.

'When Dark Emu was adopted by Australia like a new anthem, Bruce found himself at the centre of a national debate that often focussed on the wrong part of the story. But through all the noise came Black Duck Foods, a blueprint for traditional food growing and land management processes based on very old practices.

'Bruce Pascoe and Lyn Harwood invite us to imagine a different future for Australia, one where we can honour our relationship with nature and improve agriculture and forestry. Where we can develop a uniquely Australian cuisine that will reduce carbon emissions, preserve scarce water resources and rebuild our soil. Bruce and Lyn show us that you don't just work Country, you look, listen and care. It's not Black Duck magic, it's the result of simply treating Australia like herself.

'From the aftermath of devastating bushfires and the impact of an elder's death to rebuilding a marriage and counting the personal cost of starting a movement, Black Duck is a remarkable glimpse into a year of finding strength in Country at Yumburra.' (Publication summary)

'Yen Se has lost everything to the Khan's brutality.

'Left with one eye and one leg, he is forced out of his home village to work in the city as a horse handler. Witness to the Khan's violent crusade, their raids sweeping across Eurasia, he travels with the theatre of war, but exists outside of it; stunned every morning to find himself alive.

'Yen Se moves randomly across Europe with a loose band of survivors – men who think of survival, men who think of resistance, and women who dare to dream of peace.

'Whilst narrated by a male, women are at the forefront of this story; often the most active of the characters, both for their plight and for their guidance.

'Imperial Harvest tells the story of war, but more importantly, of hope.' (Publication summary)

'Dear Australia, My friend is scared. He's one of the most decent and intelligent people I have ever met and his courage and persistence under extreme duress can never been found wanting. He's not a coward by any means, but right now he's scared.'(Publication abstract)

'Shower your love with white flowers. Drape her shoulders in wreaths of fragrance, take care to notice if a blossom nuzzles her clavicle, a drowsy bee in the flagrant magnolia flower.' (Introduction) 

'The biggest difference between Australian Aboriginal people and non-Aboriginal people is their relation to capital. The land, the spirit and the economy were, and are, one entity for Aboriginal people. She is called Mother Earth.' (Introduction)

'When did it start? When did men begin to think of trees as adornments to their pride or fortune?' (Introduction)

'Loving Country is a powerful and essential guidebook that offers a new way to travel and discover Australia through an Indigenous narrative. In this beautifully designed and photographed edition, co-authors Bruce Pascoe and Vicky Shukuroglou, in consultation with communities and Elders across Australia, show travellers how to see the country as herself, to know her whole and old story, and to find the way to fall in love with her, our home.
 
'Featuring 18 places in detail, from the ingenious fish traps at Brewarrina and the rivers that feed the Great Barrier Reef, to the love stories of Wiluna and the whale story of Margaret River, there is so much to celebrate. This immersive book covers history, Dreaming stories, traditional cultural practices, Indigenous tours and the importance of recognition and protection of place. It offers keys to unlock the heart of this loving country for those who want to enrich their understanding of our continent, and for travellers looking for more than a whistle-stop tour of Australia.
 
'In Loving Country, Bruce and Vicky hope that all communities will be heard when they tell their stories, and that these stories and the country from which they have grown will be honoured. Readers are encouraged to discover sacred Australia by reconsidering the accepted history, and hearing diverse stories of her Indigenous peoples. It is a roadmap to communication and understanding, between all peoples and country, to encourage environmental and social change.' (Publication summary)

'This gentle story set in the rugged Australian bush is about a small calf who becomes separated from his family. The little calf is alone and simply wants his mother, sisters and brothers. He can see other animals, and after running to the river, manages to ask some horses if they are his family. The calf's family have been taken away in the back of a noisy truck. So begins the little calf's journey to find his family.

'In Found we share the calf's point of view in an evocative story, accompanied by stunning illustrations.' (Publication summary)

'I often think of the vision of the Old People in constructing our culture on such egalitarian and environmentally loving principles – but that then leads to being overwhelmed by the devastation of soul they must have experienced when the Invaders so wilfully destroyed that social design.' (Introduction)

'At school, Bruce Pascoe was taught Aboriginal people were backward wanderers. Today, the Dark Emu author argues for curiosity and doubt.'(Introduction) 

'In a story from his new book, Bruce Pascoe writes a letter to his grandson.'

'It was a great moment in Australian history when William Cooper walked to the Australian parliament to object to the treatment of Jews in Germany during World War II. At the time, the British and Australian parliaments were ambivalent about the atrocities occurring across Europe, and yet an Aboriginal man could not bear to see the government of his country sit on its hands.' (Introduction)

'Read. This is poetry. Both a praise and a lament for Country. Read. There is little like it. Australia struggles with an embrace of the past, but Louise Crisp does not flinch from the intimacy of fact. If there is regret here, there is also hope – hope and a plea to you, reader, to witness the works of those for whom the land is not their mother.' (Introduction)

'A collection of stories and essays by the award-winning author of Dark Emu, showcasing his shimmering genius across a lifetime of work.

'Bruce Pascoe has been described as a ‘living national treasure’ and his work as ‘revelatory’. This volume of his best and most celebrated stories and essays, collected here for the first time, ranges across his long career, and explores his enduring fascination with Australia’s landscape, culture, land management and history.

'Featuring new and previously unpublished fiction alongside his most revered and thought-provoking nonfiction – including extracts from his modern classic Dark Emu – this collection is perfect for Pascoe fans and new readers alike. It’s time all Australians saw the range and depth of this most marvellous of local writers.'

Source: Publisher's blurb.