Cirrus@Austlit

'Susan Varga was a child of five when she left Hungary for life in Australia. It was December 1948, the Communist regime was in power, the Iron Curtain was about to fall, and on the train that day, there were seven of them: her mother Heddy, her sister Jutka, her brand-new stepfather – whose name they were travelling under – his brother, his wife and their baby. As they approached Austria, the border guard came to check their documents, their passports stamped Never To Return. ‘What is your name, Miss?’ he asks the young Suszi. She punches her fist, and says, ‘I know. I know it, I know! But I’ve forgotten.’'  (Introduction)

'A new biography captures the enigmatic Australian writer'

'Richly textured, combining memoir with literary criticism, in Second Half First Drusilla Modjeska looks back on the experiences of the past thirty years which have shaped her writing, her reading and the way she has lived. From a childhood in England, growing up with a father she admired deeply but felt she never really knew, to her time as a young newly-wed, living with her husband in Papua New Guinea; arriving as a single woman in Sydney in the 1970s and building close friendships with writers such as Helen Garner, with whom she lived in the bookish ‘house on the corner', and the lovers who would – sometimes briefly – derail her, this new book by Drusilla Modjeska is an intensely personal and moving account of a truly examined life.

'In asking the candid questions that many women face: about love, marriage, the death of parents, growing older, the bonds of friendship and family, Drusilla Modjeska reassesses parts of her life, her work, her reading, the importance to her of writers such as Virginia Woolf and Simone de Beauvoir, among many others, to give us a memoir that is at once intellectually provocative and deeply personal, and the book that readers of Poppy, The Orchard and Stravinsky's Lunch have been waiting for.' (Publication summary)

'In 1968 Papua New Guinea is on the brink of independence, and everything is about to change. Amidst the turmoil filmmaker Leonard arrives from England with his Dutch wife, Rika, to study and film an isolated village high in The Mountains. The villagers' customs and art have been passed down through generations, and Rika is immediately struck by their paintings on a cloth made of bark.

'Rika and Leonard are also confronted with the new university in Moresby, where intellectual ambition and the idealism of youth are creating friction among locals such as Milton - a hot-headed young playwright - and visiting westerners, such as Martha, to whom Rika becomes close. But it is when Rika meets brothers Jacob and Aaron that all their lives are changed for ever.' (From the publisher's website.)