'Leaping into Waterfalls explores the rich, tumultuous life of Gillian Mears, one of Australia's most significant writers of the last forty years.
'Gillian Mears appeared to many to be a shy woman from Grafton, but her lived and imaginative lives were rich with adventure, risk and often transgressive passion. In her award-winning and acclaimed novels and short stories, Mears wrote fearlessly of the dark undercurrents of country and family life, always probing the depths and complexity of human desire.
'Mears' sensuality and sexuality were the driving forces of her life and writing. As an adult, she was plagued by ill health yet remained steadfast in her quest to be independent and free; while recovering from open-heart surgery, she traversed the country alone in a de-commissioned ambulance. By her midforties, multiple sclerosis had confined her to a wheelchair. Undaunted, she continued to write and publish until her death five years later in 2016.
'Mears amassed an extensive collection of diaries, letters, manuscripts, photographs, recordings and ephemera, and deposited it with the Mitchell Library. She was a prolific correspondent with significant figures of the cultural landscape-Gerald Murnane, David Malouf, Tim Winton, Elizabeth Jolley, Helen Garner, Drusilla Modjeska, Kate Grenville and Marr Grounds. This meticulous and moving biography reads Mears' life and work within that broader cultural community to celebrate her truly extraordinary achievements and adventures.' (Publication summary)
Bernadette Brennan in Conversation
Ramona Koval
(presenter),
2022
24383502
2022
single work
podcast
'Bernadette Brennan in conversation with Ramona Koval about her latest work Leaping into Waterfalls, which explores the rich, tumultuous life of Gillian Mears, one of Australia’s most significant writers.'
'Sometimes when we read, and never quite when we expect it, there are encounters that feel like a recognition. They lodge within us: I have friends who call these burrs in the brain, or splinters – but to me they’ve never felt like foreign bodies, stuck on or stuck in the skin. They go deeper. They become a part of who we are. Living within me like this, I know, is a single image from The Grass Sister, the first of Gillian Mears’ books that I ever read. A snapshot: it’s from a small and deeply intimate scene between the protagonist Avis and her lover Lavinia; the pair are lying in bed and one of them – I think it is Avis, but can’t be sure – admires the soft and downy line of darker hair running down the other’s lower belly, beneath her navel. Snail trail, I sometimes hear this now, although when I first read the book, just over ten years ago, I had never heard that term. I’d never seen one on another woman (though not for lack of trying) and was strangely ashamed of my own – but for Avis, it is not only beautiful and individual but electric: erotically charged, terribly and irresistibly so.' (Introduction)
'A new biography captures the enigmatic Australian writer'
Hand-to-hand Combat : A New Biography on the Porous and Passionate Life of Gillian Mears
2021
23560194
2021
single work
review
'In 2011, Bernadette Brennan convened a symposium on ‘Narrative and Healing’ at the University of Sydney, an opportunity for specialists in medicine and bereavement to meet writers with comparable interests. Helen Garner, for example, spoke about Joe Cinque’s Consolation. The day included an audiovisual piece about death as a kind of homecoming, with reference to the prodigal son, and exquisite photographs, including a picture of an elderly Irishman wheeling a bicycle with a coffin balanced on the seat and handlebars: austere and moving, a vision of austere and careful final transportation. Since 2011, Bernadette Brennan has written two literary biographies: A Writing Life: Helen Garner and her work (2017); and the wonderfully titled Leaping into Waterfalls: The enigmatic Gillian Mears. As with the Symposium, each biography is a genuine enquiry, a gathering of unexpected elements, and an invitation to later conversation. Brennan writes of Leaping into Waterfalls as an extension of a conversation she had with Mears in 2012. The Mears biography is certain to be a talking point for years to come.'(Introduction)
Hand-to-hand Combat : A New Biography on the Porous and Passionate Life of Gillian Mears
2021
23560194
2021
single work
review
'In 2011, Bernadette Brennan convened a symposium on ‘Narrative and Healing’ at the University of Sydney, an opportunity for specialists in medicine and bereavement to meet writers with comparable interests. Helen Garner, for example, spoke about Joe Cinque’s Consolation. The day included an audiovisual piece about death as a kind of homecoming, with reference to the prodigal son, and exquisite photographs, including a picture of an elderly Irishman wheeling a bicycle with a coffin balanced on the seat and handlebars: austere and moving, a vision of austere and careful final transportation. Since 2011, Bernadette Brennan has written two literary biographies: A Writing Life: Helen Garner and her work (2017); and the wonderfully titled Leaping into Waterfalls: The enigmatic Gillian Mears. As with the Symposium, each biography is a genuine enquiry, a gathering of unexpected elements, and an invitation to later conversation. Brennan writes of Leaping into Waterfalls as an extension of a conversation she had with Mears in 2012. The Mears biography is certain to be a talking point for years to come.'(Introduction)
'Sometimes when we read, and never quite when we expect it, there are encounters that feel like a recognition. They lodge within us: I have friends who call these burrs in the brain, or splinters – but to me they’ve never felt like foreign bodies, stuck on or stuck in the skin. They go deeper. They become a part of who we are. Living within me like this, I know, is a single image from The Grass Sister, the first of Gillian Mears’ books that I ever read. A snapshot: it’s from a small and deeply intimate scene between the protagonist Avis and her lover Lavinia; the pair are lying in bed and one of them – I think it is Avis, but can’t be sure – admires the soft and downy line of darker hair running down the other’s lower belly, beneath her navel. Snail trail, I sometimes hear this now, although when I first read the book, just over ten years ago, I had never heard that term. I’d never seen one on another woman (though not for lack of trying) and was strangely ashamed of my own – but for Avis, it is not only beautiful and individual but electric: erotically charged, terribly and irresistibly so.' (Introduction)
'A new biography captures the enigmatic Australian writer'
Bernadette Brennan in Conversation
Ramona Koval
(presenter),
2022
24383502
2022
single work
podcast
'Bernadette Brennan in conversation with Ramona Koval about her latest work Leaping into Waterfalls, which explores the rich, tumultuous life of Gillian Mears, one of Australia’s most significant writers.'
