Christine Kenneally Christine Kenneally i(A148206 works by)
Gender: Female
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Works By

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1 The Fabulist of Auschwitz : Heather Morris's Bestselling Novels and the Problem of Truth in Historical Fiction Christine Kenneally , 2020 single work essay
— Appears in: The Monthly , February no. 163 2020; (p. 36-44) 'On April 19, 2019, a gleaming, perfect day in Oakland, California, George Kovach and Julia Odegard prepared dinner in their lakeside apartment for an Australian author, Heather Morris, who was visiting that night. She was writing a book about Kovach’s stepmother and father, and, though he hadn’t heard of her before, Kovach had learnt she’d written a book called The Tattooist of Auschwitz, and that it had been immensely successful.' (Introduction)
1 The Perils of (Mostly) Fact-Based Holocaust Novels Christine Kenneally , 2018 single work review
— Appears in: The New York Times , 14 November 2018; (p. 6)
— Review of The Tattooist of Auschwitz Heather Morris , 2018 single work novel
1 Stella Prize 2015: The Shortlisted Authors on the Stories behind Their Books Emily Bitto , Christine Kenneally , Sofie Laguna , Ellen van Neerven , Maxine Beneba Clarke , Joan London , 2015 single work column
— Appears in: The Guardian Australia , 17 April 2015;
1 Every Inch a King Christine Kenneally , 2013 single work column
— Appears in: The Monthly , December 2013 - January 2014 no. 96 2013; (p. 18-19) 'The article offers the author's insights regarding the theatrical production entitled The Shadow King, directed by Michael Kantor and starring Jimi Bani performed at the Malthouse Theatre in Melbourne, Victoria. The author says that the cast of the production including Bani were indigenous who speaks Yumpla Tok, English, and Kala Lagaw Ya throughout the play. He adds that the production will tour in Sydney, New South Wales, Perth, Western Australia, and Adelaide, Southern Australia in 2014.' (Editor's abstract)
1 The Inferno Christine Kenneally , 2009 single work essay
— Appears in: The New Yorker , 26 October vol. 85 no. 34 2009; (p. 46-53) The Best Australian Essays 2010 2010; (p. 7-19)
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