Cirrus@Austlit

'A living songbook more than four years in the making, Andrew Ford’s hymnal brings together the words of sixteen contemporary Australian writers – poets, essayists and folksingers – in songs of praise, awe, grief, hope, joy, and natural splendour, dedicated not to a god, but to the land.

'The ever-daring voices of Luminescence Chamber Singers join forces with two rising stars: Hilary Geddes, 2021 Freedman Jazz Fellow and lead guitarist of Triple J favourites The Buoys, and category-defying cellist Freya Schack-Arnott. Red Dirt Hymns unfolds to the evocative imagery of Sammy Hawker, whose art is created within the fabric of country itself: saltwater, limestone and eucalypt.

'From Ellen van Neerven’s dark clouds to John Kinsella’s abundant gardens, Red Dirt Hymns does what a hymnal is meant to do: it draws us closer – to each other, and to the light and shade of our wide brown land.'

Source: Canberra International Music Festival.

'Shapeshifting, co-edited by Jeanine Leane and Ellen van Neerven, is a wide-ranging collection of nonfiction by First Nations writers that breaks new ground. These lyric essays push the boundaries of nonfiction beyond the biographical or the academic, with pieces that experiment with form and embark on carefully crafting and re-crafting interventions that both challenge and expand existing genre structures. Shapeshifting brings to the fore a whole new genre waiting to take shape, to be formed, informed and re-formed by First Nations Australian writers. Contributors include Charmaine Papertalk Green, Jim Everett, Jenni Martiniello, Natalie Harkin, Mykaela Saunders, Daniel Browning, Evelyn Araluen, Alison Whittaker, Rhianna Patrick, Melanie Saward, Timmah Ball and Hugo Comisari..' (Publication summary)

'Personal Score is a ground-breaking book that confirms, once again, van Neerven’s unrivalled talent, courage and originality.

'Award-winning writer Ellen van Neerven plays football from a young age, learning early on that sport can be a painful and exclusive world. The more they play, the more they realise about sport’s troubled relationship with race, gender and sexuality – and question what it means to play sport on stolen, sovereign land, especially in the midst of multiple environmental crises.

'With emotional honesty and searing insight, van Neerven shines a light on sport on this continent from a queer First Nations perspective, revealing how some athletes have long challenged mainstream views and used their roles to effect change not only in their own realm, but in society more broadly.' (Publication summary)