Rob Weekes Rob Weekes i(A143169 works by)
Gender: Male
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 form y separately published work icon The Long Arm Ron Beck , Brian Wright , Tony Morphett , Rosamund Waring , James Workman , Andrew James , Kerry Hamilton , Andrew Coles , Ron Beck , Graham Ford , ( dir. Colin Eggleston et. al. )agent Melbourne : Channel 0 , 1970 Z1810793 1970 series - publisher film/TV crime

The Long Arm centres on an unidentified department of the Victoria Police headed by Inspector Dallas Buchanan. The cases involve all manner of crimes including those which would normally be handled by other specialist units.

Source: TV Eye Classic Australian Television

1 1 form y separately published work icon Good Morning, Mr Doubleday Ron McLean , Rosamund Waring , ( dir. Ron Way et. al. )agent Sydney : Fremantle International Production , 1969 Z1819079 1969 series - publisher film/TV humour

A sit-com set in the fictional Kannabri High School, Good Morning, Mr Doubleday focuses on bumbling science teacher Robinson Doubleday, his girlfriend (and home economics teacher) Jenny Hamilton, and his best friend (and history teacher) Wes 'Tobe' Tobin.

According to Albert Moran, in his Guide to Australian TV Series, 'This series was based directly on scripts written for the American comedy series Good Morning Mr Peepers [Mister Peepers, 1952-1955], which had starred comedian Wally Cox. Australian writer Ron McLean was employed merely to 'adapt' this school comedy about a mild-mannered schoolteacher to Australian conditions.' Don Storey also notes, in his Classic Australian Television, that the program was 'directly based on an American school comedy, Mr. Peepers, of which Fremantle International had purchased the concept' and that the scripts were 'little more than the original American Mr. Peepers scripts, with the relevant details crossed out and altered'.

Storey notes of the central character that 'Doubleday is devoted to his work, with an incessant pride in his school, and although he is a bumbler in his own life, this aspect is not exaggerated and he is actually quite an intelligent person and an excellent teacher. Gallagher showed quite a flair for the role, portraying Doubleday as an interesting and believable character.'

The program also took an unusual approach to the casting of students. Storey notes that 'Doubleday's class was made up of ten students from high schools around Melbourne, with an average age of 16, who were used as "extras." To portray a contemporary school with accuracy and credibility, the producers found the advice of the "extras" invaluable, realising that there had been many changes since their own school years.'

The program was not successful, and production was halted after 26 episodes. Among the reasons for its lack of success, Storey isolates such concerns as the low budget; the constraints in production caused by the production company remaining in Sydney while filming took place in Melbourne (including a lack of contact between the writers and the cast); the 'slow' directorial style; changes in scheduling during broadcast; and an over-reliance in early episodes on broad, stereotypical humour (a problem centred largely on the character of eccentric English teacher Beryl Garney).

1 form y separately published work icon The Magic Circle Club Peter Homewood , John-Michael Howson , Max Bartlett , Godfrey Philipp , ( dir. Rob Weekes ) Melbourne : Channel 0 , 1965-1967 Z1854449 1965-1967 series - publisher film/TV children's fantasy

Godfrey Philipps's first major television production for children, The Magic Circle Club was strongly inspired by pantomime, including not only a mixture of dialogue and song-and-dance routines but also the casting of male actors as elderly female characters, in the tradition of pantomime dames. The program also drew heavily from fairytales, featuring a number talking animals, stereotypical villains, and magical characters.

Initially, the program's storylines ran over a five-episode story arc, beginning in Monday's episode and concluding in Friday's. Later in the program's run, the story arcs were truncated to four episodes, with Friday's episode dedicated to a standalone set in a toy store stocked with anthropomorphised dolls.

The program was axed by ATV-0 in 1967 because of the high cost of production. Though the ABC immediately offered to undertake production, Reg Ansett (then owner of ATV-0) refused to relinquish ownership of the intellectual property, and the aBC instead produced similar but distinct (and equally successful) Adventure Island.

In December 1965, a specially written episode of The Magic Circle Club, 'The Stolen Smile', was performed on stage at the Tivoli Theatre, Melbourne, stage-managed by Sue Nattras, Simon Wincer, and Jim McElroy.

X