Cirrus@Austlit

'Twenty-one-year-old Olivia hears the world in colour, but her life is mottled grey. Estranged from her parents, and living with her grandfather who is drowning in sadness, Oli faces the reality of life beyond university alone. When she wakes on a boat with no recollection of how she got there, she accepts the help of two strangers who change the course of her future forever. With Mac and Maggie, Oli learns to navigate a life upon open ocean and the world flowers into colours she's never seen before.

'Four years later, Oli, fluent in the language of the sea, is the only woman among men on a yacht delivery from Noumea to Auckland. In the darkness below deck, she learns that at sea, no one can hear you scream.

'Moving to London, Oli's life at sea is buried. When she meets Hugo, the wind changes, and her memories are dust blown into shapes. Reminding her of everything. Below Deck is about the moments that haunt us, the moments that fan out like ripples through the deep. So that everything else becomes everything after.'

Source: Publisher's blurb.

'Written with the same lyrical intensity and spellbinding prose that has won Robert Drewe's fiction international acclaim, The Shark Net is set in the 1950s in a city haunted by the menace of an elusive serial killer. Drewe's youth in the middle-class seaside suburb of Perth, Australia—often described as the most isolated city in the world—takes a sinister turn when a social outcast (who turns out to be an employee of Drewe's father) embarks on a five-year murder spree. This unusual memoir brilliantly evokes the confluence of adolescent innocence and sexual awakening while a hare-lipped killer who eventually murders eight people, including one of Drewe's friends, lurks in the shadows.' (Publication summary).

'This enchanting tale is at once a beautifully rendered narrative of childhood loss and a powerfully simple fable about the necessity of imagination.

'Pobby and Dingan are Kellyanne Williamson’s best friends, maybe her only friends, and only she can see them. Kellyanne’s brother, Ashmol, can’t see them and doesn’t believe they exist anywhere but in Kellyanne’s immature imagination. Only when Pobby and Dingan disappear and Kellyanne becomes heartsick over their loss does Ashmol realize that not only must he believe in Pobby and Dingan, he must convince others to believe in them, too.' (Publication summary)

'Julia is a photographer, Chantal edits a fashion magazine, Helen is a feminist academic and Philippa is a writer. These four friends haunt the cafés of inner-city Sydney, eyeing the passing talent and swapping outlandish tales. Sexy, intelligent, predatory, they are women of their time—but can we believe their wild and wicked descriptions of their erotic exploits?' (Publication summary)