David Morton David Morton i(A140968 works by)
Gender: Male
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Most Referenced Works

Awards for Works

Laser Beak Man 2017 single work drama

'Laser Beak Man, the hyper-coloured superhero first created by Sharp at age 11, protects the most beautiful city in the world, Power City, with laser beams that turn bad things to good. Robbed of his abilities after evil genius and estranged childhood friend Peter Bartman steals his crystals, Laser Beak Man must fight to save his oldest friends and their city before they are destroyed forever.'

Source: Sydney Festival (2020).

2018 nominated Helpmann Awards for Performing Arts in Australia Best Play
2018 nominated Helpmann Awards for Performing Arts in Australia Best Original Score
2018 nominated Helpmann Awards for Performing Arts in Australia Best New Australian Work
2017 nominated Matilda Awards Best New Australian Play
The Wider Earth 2016 single work drama

The Wider Earth recounts 'in epic form a scientific voyage of discovery that would, in the end, rock the foundations of religion and revolutionise scientific thought.' Over two hours, and with the incorporation of puppetry, writer/director David Morton focuses 'unwaveringly on Darwin’s journey from dilettantish family disgrace to tormented scientific pioneer thrown headlong into conflict with God' (Buzzacott).

In his review of the 2016 premiere production Martin Buzacott writes of the production's conception:

The kicker comes with the puppetry, beautifully rendered moving incarnations of the wildlife that inspired Darwin’s theory of evolution. These gorgeous and charming creations (in part ­inspired by Handspring Puppet Company in Cape Town) not only captivate the audience’s imagination but, through theatrical ­estrangement, constantly rein­force the diversity, beauty and wonder of the natural world.

Entranced by the big picture horizons of galaxies and maps projected on to the cavernous Bille Brown Studio walls, the audience journeys with Darwin on the Beagle’s voyage in which 19th-century Bible-bashing runs headlong into evidence contradicting inherited belief (Australian 18 July 2016).

2018 shortlisted Sydney Theatre Awards Best Production for Children
2017 shortlisted Helpmann Awards for Performing Arts in Australia Best New Australian Work
2016 nominated Matilda Awards Best New Australian Play
2016 nominated Matilda Awards Best Mainstage Production
y separately published work icon Trollop 2011 Brisbane : Playlab , 2013 6485116 2011 single work drama

'Clara lives with her partner, Erik, in a clean, modern home untouched by a flood that has ravaged many parts of their town. Recently unemployed and growing fat and slovenly, her days are spent in front of the television, awash with images of disasters and destruction and programs that flaunt versions of the woman Clara could be if she tried. She is overwhelmed to the point of apathy; immobilised. Feeling so numb, she toys with Erik'’s emotions, and sends him on excursions to fetch her obscure items for a book he has obligated her to make, as if to extract some new reaction from him. She is, perhaps, trying to sabotage their comfort.

'One stormy night, Eugenie comes to the door as a Jehovah'’s Witness to speak to them about the End Days. When she is invited in to take shelter, the evening soon drips with danger, violence, and ugly truths. And Clara’'s hideous troll skin will be revealed and burst open. ' (Publisher's blurb)

2012-2013 winner Queensland Premier's Drama Award
Last amended 19 May 2017 09:55:31
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