Cherie Allan Cherie Allan i(A138704 works by)
Gender: Female
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1 The Roles of Women in War Cherie Allan , website bibliography The saying "Keep the Home fires burning" has been chosen for this Trail as this expresses the expectations of the roles women would have traditionally fulfilled during times of conflict. Any discussion of the roles of women in war arising from an examination of the CLDR texts and in conjunction with contemporary texts and resources could consider the questions: How have the roles women play in war changed? How have they stayed the same?
1 The Conscription Debate Cherie Allan , website bibliography Upon the outbreak of conflict in World War I men were initially eager to volunteer for overseas service. However, as the war dragged on the number of new volunteers signing up declined. Several campaigns appealing for more volunteers failed to produce sufficient numbers to cover losses already sustained, so the then Prime Minister, W. M. (Billy) Hughes, decided to have a referendum on the issue of conscription. The issue caused deep divisions within Australia with large meetings held both for and against the idea of conscription. Many people thought positively of conscription as a sign of loyalty to Britain and believed that it would also support the men at the front. However, trade unions feared that their members might be replaced by foreign or female labour and opposed conscription. Yet others opposed it on moral or religious grounds. The women's vote was seen as important and campaign information from both sides targeted women voters. The first referendum (1916) was narrowly lost which caused further divisions and resulted in a split in the Australian Labor Party. Another vote in 1917 was also lost.The conscription debate was raised again in 1943 during World War II. However, rather than risk a referendum on the issue Prime Minister Curtin allowed the Labor Party to debate the decision to allow Australian troops to fight beyond the current areas where Australian troops could be sent on active service. The Act was changed with little opposition expressed which thus avoided the divisiveness and bitterness of the 1916/1917 referenda. During the Vietnam War the National Services Act (1964) introduced compulsory National Service for 20-year-old males, with the selection process based on a ballot related to date of birth. Widespread opposition to conscription escalated during the late 1960s including campaigns by various womens groups such as the Save our Sons (SOS) organisation. Following the election of the Australian Labor Party to Federal Government on December 2nd 1972 conscription was ended on December 5th, 1972. To date there has not been any further conflicts in which Australian conscripts have been forcibly recruited.
1 The ANZAC Tradition Cherie Allan , website bibliography The legend of The ANZAC spirit is a topic which has generated a great deal of discussion and debate over the years since 1915. General Sir Ian Hamilton’s introduction to Bud the Monkey, and Other Tales of Soldiers’ Pets (1932) demonstrates the high esteem in which the ANZACs were held: “But the chief distinction of an Anzac is that he was the first, the biggest, and the finest of all the war exports of Australia and New Zealand”. Gradually, through Australia’s involvement in subsequent wars, these sentiments led to the development of an ‘ANZAC spirit’ which epitomises courage and endurance in the face of adversity rather than refer specifically to those who fought at Gallipoli. While fervour surrounding the ANZAC Tradition has waxed and waned in the intervening years it is currently enjoying a period of popularity. Attending the commemoration ceremonies at Gallipoli on ANZAC Day is undertaken as a pilgrimage by tens of thousands of Australians each year. The Australians at War website (see below) suggests: “The Anzac spirit will only remain relevant in the future if the Gallipoli tradition can be re-interpreted”. In engaging with both the CLDR texts and the contemporary texts and resources listed on this Trail the following question could be considered: "How do the contemporary texts under study reinterpret the ANZAC tradition as it is represented in the CLDR texts?"
1 Lanterns, Kites, Masks and Fireworks Cherie Allan , single work bibliography
1 Digital Curation, AustLit, and Australian Children's Literature Amy Cross , Cherie Allan , Kerry Kilner , 2019 single work criticism
— Appears in: International Research in Children's Literature , July vol. 12 no. 1 2019; (p. 1-17)

'This paper examines the effects of curatorial processes used to develop children's literature digital research projects in the bibliographic database AustLit. Through AustLit's emphasis on contextualising individual works within cultural, biographical, and critical spaces, Australia's literary history is comprehensively represented in a unique digital humanities space. Within AustLit is BlackWords, a project dedicated to recording Australia's Aboriginal and Torres Strait Islander storytelling, publishing, and literary cultural history, including children's and young adult texts. Children's literature has received significant attention in AustLit (and BlackWords) over the last decade through three projects that are documented in this paper. The curation of this data highlights the challenges in presenting ‘national’ literatures in countries where minority voices were (and perhaps continue to be) repressed and unseen. This paper employs a ‘resourceful reading’ approach – both close and distant reading methods – to trace the complex and ever-evolving definition of ‘Australian children's literature’.'

Source: EUP.

1 Digital Fiction : 'Unruly Object' or Literary Artefact? Cherie Allan , 2017 single work criticism
— Appears in: English in Australia , June vol. 52 no. 2 2017; (p. 21-27)

'Is digital fiction worthy of serious consideration as a literary text and does it have a place in the English classroom, particularly in light of the establishment of a stand-alone Literature subject as part of the Years 11-12 English program in the Australian Curriculum? To answer these questions this paper briefly looks at the development and definitions of digital fiction, examines a number of current digital narrative formats, considers narratological analyses of two digital texts that accord with literary practice but also account for the affordances of the digital environment and finally provides a snapshot of the author's professional practice in this area.' (Publication abstract)

1 1 y separately published work icon Children's Literature and the Environment Kerry Mallan (lead researcher), Amy Cross (lead researcher), Cherie Allan (researcher), St Lucia : AustLit: The Australian Literature Resource , 2015-2018 15827524 2015 website bibliography

This Research Exhibition identifies children's literature across different forms and genres in Australia where discussions of environmental waste, climate change, species endangerment, ecocitizenship, and the effects of globalisation on the environment are major concerns.The Exhibition provides a space for researchers and students to access and engage with bibliographical data on a range of literary and critical texts that provide various environmental perspectives of contemporary Australian children’s literature.

1 Remembering the Past through Picture Books Cherie Allan , 2014 single work criticism
— Appears in: Picture Books and Beyond 2014; (p. 12-24)

In anticipation of the commemorations around the centenary of World War 1 (2014-2018) this chapter examines the ways in which war and its effects have been represented in picture books for children. It looks at the ways in which these picture books create “textual monuments” as points of reference through which younger generations can “develop a narrative of the past” and “explore different points of view”.

1 y separately published work icon Developing Intercultural Understanding through Asian-Australian Children's Literature Kerry Mallan , Deborah Henderson , Amy Cross , Cherie Allan , Marrickville : Primary English Teaching Association Australia , 2014 7259502 2014 single work criticism This PETAA paper discusses how the cross-curriculum priority concerned with developing Asia literacy, namely 'Asia and Australia's engagement with Asia', can be significantly advanced through the study of children's literature. The discussion proceeds from a brief overview of the historical development of Asia literacy to its current place with the Australian Curriculum. It then considers the potential of literature for assisting students and teachers in realising this priority through the Asian-Australian Children's Literature and Publishing dataset, a research project on AustLit. Finally, it discusses a small selection of texts - two picture books and a novel - with suggestions of prompts for raising students' intercultural understanding.
1 Towards Asia Literacy : The Australian Curriculum and Asian-Australian Children's Literature Deborah Henderson , Cherie Allan , Kerry Mallan , 2013- single work criticism
— Appears in: Curriculum Perspectives , vol. 33 no. 1 (p. 42-51)

This paper is concerned with the ways Asia literacy can be developed in response to the new Australian Curriculum. In particular, it addresses the learning possibilities of the Asian-Australian Children's Literature and Publishing Project (AACLAP) available through AustLit: the Australian Literature Resource. The paper contends that AACLAP has the potential to make a valuable contribution to teachers' efforts to incorporate this cross curriculum priority in their classroom practice whilst also developing the general capabilities of intercultural understanding and use of information and communication technologies. The paper concludes that by drawing on a broad range of texts available in the AACLAP collection as well as the Critical Anthology and Research and Learning Trails, teachers and students, particularly of English and History, will be much better positioned to develop a deeper understanding of the diversity of the Asian region and the complexities of Asian-Australian relationships.

1 How Children's Literature Shapes Attitudes to Asia Kerry Mallan , Amy Cross , Cherie Allan , 2013 single work criticism
— Appears in: The Conversation , 9 December 2013;

'Australia’s relationship with Asia has always been a focus for heated debate and, often, misunderstanding. What role do books play in moulding this relationship?'

1 Desperately Seeking Asia through China : Reading 'China' in the Australian Curriculum: History through Children's Literature Deborah Henderson , Kerry Mallan , Cherie Allan , 2013 criticism
— Appears in: Curriculum and Teaching , vol. 28 no. 1 2013; (p. 7-27)

This paper considers how Asia can be meaningfully studied and understood in the first national history curriculum to be implemented in Australia. Its focus is on how empathy might be conceptualised as part of the process of becoming ‘Asia literate’ and the ways in which an empathetic understanding can be developed in the Australian Curriculum: History by engaging students with children’s literature. We argue that stories about Chinese experiences in Australia from particular episodes in the nation’s past can be utilised for their potential to prompt historical inquiry and empathetic engagement in the classroom. This paper is informed by the Asian-Australia Children's Literature and Publishing (AACLAP) project.

1 y separately published work icon Playing with Picturebooks : Postmodernism and the Postmodernesque Cherie Allan , Houndmills : Palgrave Macmillan , 2012 Z1909588 2012 single work criticism "Postmodernism has played a significant part in the development of playful and experimental picturebooks for children over the past 50 years. Playing with Picturebooks offers fresh insights into the continuing influence of postmodernism on picturebooks for children, covering a wide range of international picturebooks predominantly from the 1980s to the present. It represents a significant contribution to current debates centred on the decline of the effects of postmodernism on fiction and detects a shift from the postmodern to the postmodernesque. Playing with Picturebooks draws on a wide range of critical perspectives in examining postmodern approaches to narrative and illustration. Chapters discuss how metafictive devices enable different modes of representation, offer different perspectives to authorised version of history, and promote difference and ex-centricity over unity. Playing with Picturebooks is essential reading, not only for academics in the field of children's literature, but also for researchers, teachers and students." (Back cover)
1 Networked Reading: Using AustLit to Assist Reading and Understanding of Texts from the Past Cherie Allan , Roger Osborne , 2012 single work criticism
— Appears in: English in Australia , vol. 47 no. 2 2012; (p. 18-26)
In response to a focus on reading, this paper examines the notion of reading online; as such it uses the term 'networked reading' to describe any act of reading in an online or digital environment. In accordance with this notion of 'networked' reading, the paper provides a broad introduction to AustLit: the Australian Literature Resource. This is followed by an examination of a suite of services and digital tools (LORE) developed by the Aus-e-Lit project that extends the scope of AustLit records and facilitates links to external resources. The focus of the final section of the paper is on a collection of full-text resources located within the AustLit subset Children's Literature Digital Resources (CLDR). It proposes a number of ways in which these texts, and an accompanying anthology of critical articles, can be utilised in classrooms across the primary, middle and senior school spectrum (Author abstract).
1 A Token to the Future: A Digital ‘Archive’ of Early Australian Children’s Literature Kerry Mallan , Cherie Allan , Amy Cross , 2012 single work criticism
— Appears in: Papers : Explorations into Children's Literature , vol. 22 no. 1 2012; (p. 94-108)

This essay considers a specific digital ‘archive’ of early Australian children’s literature, known as the Children’s Literature Digital Resources (CLDR), which is located in AustLit: The Australian Literature Resource. Our paper discusses how early Australian children’s literature included in the CLDR collection rhetorically constructs nation and place, and in so doing constructs an Australian identity for its implied readers.

Source: Author's abstract.

1 Asian-Australian Picture Books for the Under Eights Cherie Allan , 2012 website bibliography
— Appears in: Asian-Australian Children's Literature and Publishing 2011-2014;

This Trail draws together picture books that deal with issues related to Asian-Australian themes which will appeal to younger children.

1 Kamishibai Cherie Allan , 2012 website bibliography
— Appears in: Asian-Australian Children's Literature and Publishing 2011-2014;

This Trail is a collection of works and links related to the Japanese storytelling format known as kamishibai, which translate as "paper theatre". It is often seen as a precursor to the emergence of manga and anime.

1 4 y separately published work icon Asian-Australian Children's Literature and Publishing Kerry Mallan (lead researcher), Martin Borchert (lead researcher), Deborah Henderson (lead researcher), Amy Cross (researcher), St Lucia : AustLit: The Australian Literature Resource , 2011-2014 Z1796670 2011-2012 website bibliography The Asian-Australian Children's Literature and Publishing project investigates and records details of Australian children's literature that is set in Asia and/or that represents Asian-Australian cultures and experiences, and literature that is published in selected Asian languages.
1 Mythical Creatures of Asia Cherie Allan , 2011 website bibliography
— Appears in: Asian-Australian Children's Literature and Publishing 2011-2014;
This Learning Trail brings together a number of texts from the Asian-Australian Children's Literature and Publishing (AACLAP) subset which feature mythical creatures. For instance, traditionally, the Chinese have four benevolent animals which represent the four points of the compass; they are the dragon, phoenix, tortoise, and unicorn. The dragon is considered the most powerful and important of these. Along with the mermaid, these creatures also play an important symbolic role in a number of other Asian cultures. This Trail, while focused on a mythical creatures of Asian folklore, includes reference to, and resources on, mythical creatures from other traditions such as Aboriginal and European beliefs and legends so that similarities and differences can be noted and influences traced.
1 Festivals of Asia Cherie Allan , 2011 website bibliography
— Appears in: Asian-Australian Children's Literature and Publishing 2011-2014;
Due to its rich diversity of cultures and traditions, the Asian region celebrates a vast number of festivals each year. Many of the texts in the Asian-Australian Children's Literature and Publishing (AACLAP) subset make reference to such festivals. These festivals have historical, religious, symbolic and/or local significance. Some festivals, such as the Chinese New Year and Dragon Boat Races, are celebrated throughout the continent, while others are particular to one country or one region within a country. The array of customs and rituals associated with the festivals is enormous and range from Songkran, which is the Thai New Year, through Hari Raya Aidilfitri, which celebrates the end of Ramadan in Malaysia, to Thaipusum, a Hindi festival observed by members of the Tamil community. In Japan many different matsuri (festivals or holidays) are conducted to honour local shrines or temples. While many of the traditions associated with various festivals are still observed, changes are also occurring. Often, people watch the festivals on television rather than participate in person, young people celebrate with their friends rather than their families and the use of firecrackers has declined due to the risks involved. The resources listed here (most of which are from the AACLAP subset) only cover a small sample of the festivals of Asia. However, a quick search of online resources will reveal an amazing variety of festivals held each year throughout the Asian region.
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