Cirrus@Austlit

'After it happened, I’d walk in slow circles outside the house looking for her, my feet hardening and my skin turning a deep red.

'So begins The Furies, the work of debut novelist Mandy Beaumont.' 

'In October 2018, the hashtag MeToo went viral.

'Since then we've watched controversy erupt around Geoffrey Rush, Germaine Greer and Junot Díaz. We've talked about tracking the movement back via Helen Garner, Rosie Batty and Hannah Gadsby. We've discussed #NotAllMen, toxic masculinity and trolls. We've seen the #MeToo movement evolve and start to accuse itself - has it gone too far? Is it enough? What does it mean in this country?

'And still, women are not safe from daily, casual sexual harassment and violence.

'In this collection thirty-five contributors share their own #MeToo stories, analysis and commentary to survey the movement in an Australian context.

'This collection resists victimhood. It resists silence. It insists on change.'   (Publication summary)

'This essay is concerned with the lack of diversity in the Australian publishing industry, especially in relation to race and ethnicity. It traces the limitations I faced in creating and administering the 2016 Stella Diversity Survey and discusses my own fraught position in this role, given my racial and ethnic background as well as my privileged position within academia. Because of the lack of statistics on the race/ethnicity of writers and others working in the Australian publishing industry, the essay will draw on work that has been done in the US around issues of diversity within their publishing industry. While there are differences between the two countries some comparisons than can be made. This essay postulates that due to a lack of racial and ethnic diversity within the decision-making bodies in the Australian literary industry, canonical ideas about ‘great’ writing continue to be aligned with the work of white male writers. This leads to a situation in which writing by writers of colour must be deemed to be suitably exotic to be considered for publication, let alone be reviewed, win literary prizes or be included in other canon-forming processes. This continues to marginalise and exoticise writers of colour in Australia and leads to a lack of diversity within the Australian literary industry.' (Publication abstract)

'This special issue of TEXT explores issues related to identity, politics and creative writing from the perspective of creative writers and creative writing academics. The question of who can speak and what stories can be told is central to any discussion of contemporary writing and writers, and to the literary industry including publishing, reviewing, awards and education.'  (Introduction)

'When are you having children?' 'Why didn't you have another child?' 'Well, I guess that's your choice, but...'

'They are questions asked of women all the time. Beneath them is the assumption that all women want to have children, and the judgement that if they don't, they'll be somehow incomplete. And that's only the beginning ... With parenthood taking centre stage in today's moral and consumer culture - and yummy-mummies and domestic goddesses the stars of the show - being a mother, or not being a mother, has never been so complicated. It seems the list of rights and wrongs gets longer daily, with guilt-ridden mothers everywhere struggling to keep on top of it all, and non-mothers struggling in a culture that defines women by their wombs. In this collection of fiction and non-fiction stories, Australia's best women writers reflect on motherhood. Their stories tackle everything from the decision not to have children to the so-called battle between working and stay-at-home mums. From infertility and IVF, to step-parenting and adoption, to miscarriage and breastfeeding, child meltdowns and marriage breakdowns, the stories explore and celebrate the full gamut of the motherhood experience, and give a much needed voice to those who won't ever be called 'Mum'.' (Publication summary)