Alternative title: Work Werk Work
Issue Details: First known date: 2017... no. 30 June 2017 of Peril : An Asian-Australian Journal est. 2006 Peril : An Asian-Australian Journal
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Notes

  • Only literary material by within AustLit's scope individually indexed. Other material in this issue includes:

    • After Rana Plaza Fell by UK writer, Sadaf Saaz
    • A review of the exhibition HerPlace: Women in the West by Karen Schamberger

Contents

* Contents derived from the 2017 version. Please note that other versions/publications may contain different contents. See the Publication Details.
My Family Is One of Workers, Saba Vayani-Lai , single work essay
'My family is one of workers. Over the years, Mum has told me countless stories of her own childhood: crouching in the dirt to feed worms to the family ducks, sweeping the floor of the family grocery store in search of a glint of loose change, helping my Po Po peel enough vegetables to feed her family of seven.' (Introduction)
Don’t Give the Lazy Immigrant Flowersi"The world is full; you and I are just strangers.", Wing Yau , single work poetry
The Needle or the Knife, Victoria McGlynn , single work prose
'On a plane from Brisbane to Sydney, I read Naomi Wolf’s The Beauty Myth to convince myself getting Botox was a stupid idea. Mostly, I wanted to understand my self-critical thought patterns and compulsive behaviours surrounding “beauty labour”. There are several physical features I dislike about myself that I consistently work hard to improve or manage: body, skin, hair, just to name a few. Was the amount of time and money I poured into beauty regimes going to increase as I got older?' (Introduction)
Tidei"That morning in spring I’d thought", Eileen Chong , single work poetry
August, Pomeloi"The pomelo is not a grapefruit.", Eileen Chong , single work poetry
Kumerai"Wrap whole sweet potatoes,", Eileen Chong , single work poetry
The Way Things Work : Writing, Diversity, Australia, Natalie Kon-yu , single work essay
'Hard work is etched in my bones. I see it in my mother’s restless hands, the way she jiggles her knees or bites her fingernails when she sits down to rest. I saw it in the spotlessness of both my grandmothers’ houses – in the way that they never sat down until everything around them was pristine. As much as I long for the order of these houses, I have learned to sit in the chaos of my home and look only at the screen or book in front of me. But the restlessness has stayed with me. I check work emails both earlier and later than I should. I work early in the morning and later in the evening. Before I had a child, my ideal working hours would have been roughly 8am to 7pm. I’ve been forced to truncate my hours into more or less 9 to 5ish, squeezing in extra hours when I can.' (Introduction)
Dear Xuan, Hoa Pham , single work prose

'Dear Xuan,

'I write this letter to you my daughter in this old fashioned way on hard copy so it cannot be altered or deleted from a distance. You are now eighteen and you deserve to know the truth from your mother and your mother’s mother about the peace in our time.' (Introduction)

Work Unquietly, Mindy Gill , single work essay
'Lately, I’ve been sending work to a friend of mine. A new friend, a poet whose feedback I trust. After a while she said to me, ‘How come you keep using words ‘little’, ‘quiet’, ‘small’?’ I said I didn’t know why, that I had started and it stuck.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 8 Jun 2017 11:12:23
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