Hannah Schuerholz Hannah Schuerholz i(A127365 works by) (a.k.a. Hanna Schurholz; Hannah Schürholz)
Gender: Female
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Works By

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1 ‘Over the Cliff and into the Water’ : Love, Death and Confession in Tim Winton’s Fiction Hannah Schuerholz , 2014 single work criticism
— Appears in: Tim Winton : Critical Essays 2014; (p. 96-121)

'Tim Winton's female characters show a strong tendency towards self-threatening behaviors, transience and ferocity. This is evident in the violent deaths of Jewel in An Open Swimmer, Maureen in Shallows, Ida's murder in In the Winter Dark [...], Tegwyn's self-harm in That Eye, the Sky, Dolly's alcoholism in Cloudstreet, Eva Sanderson's Hutchence-lookalike death in Breath and, obviously, the ephemerality of mothers in Dirt Music...' (96)
1 Bodies that Speak : Mediating Female Embodiment in Tim Winton's Fiction Hannah Schuerholz , 2012 single work criticism
— Appears in: Australian Literary Studies , vol. 27 no. 2 2012; (p. 32-50)
1 Gendered Spaces : The Poetics of Domesticity in Tim Winton’s Fiction Hannah Schuerholz , 2012 single work criticism
— Appears in: Journal of the European Association of Studies on Australia, , vol. 3 no. 2 2012; (p. 59-79) 'How can the fictional representation of space and domestic interority be interpreted in fictional works like Dirt Music, The Riders or Winton's latest novel Breath? This article argues that the house as an active living space in Winton's work functions significantly in the context of describing a mythical, commercially marketable, nostalgic image of rural Australia as a place of masculine redefinition and maturation. The analysis of spatiality in this context provides a deeper engagement with the connection between space and gender, highlighting the ambiguous nature of specifically gendered spheres in the architecture of Winton's fictional dwelling places. Deviating from the original Victorian concept of "separate spheres", which set up clear definitions of male and female domestic spaces, Winton's narratives place priority on highlighting the male influence on the originally female domains in the house. It is argued that these spaces reflect the troubling binary between male presence and female absence, highlighting the desires and troubles of the male characters but also female trauma, self-harm and displacement. These are some of the issues this paper addresses, showing how the postcolonial dialectic between place, space and gender can be applied to Winton's fictional "traumascapes" (M. Tumarkin).' (Author's abstract)
1 'Mother, Where Art Thou? Absence and Motherhood in Tim Winton’s Fiction Hannah Schuerholz , 2012 single work criticism
— Appears in: Zeitschrift fur Anglistik und Amerikanistik , vol. 60 no. 2 2012; (p. 141-154) Abstract: Absent mothers are striking features in Tim Winton's novels, whether induced by death, circumstance or their own will. Motherhood is inextricably linked with trauma and suffering, either on the side of the mothers themselves, their husbands or their children. In this paper I will explain how absence and motherhood together function as metaphors for traumatic displacement and contribute to a redefinition of cultural, national and individual boundaries, while also illuminating problematic gender relations in Australia and their cultural representations. The focus is on a close-text analysis of The Riders (1994) while Winton's other novels will be used to contextualise and strengthen the points made in this paper.' (Author's abstract)
1 Shadow of the Dead : Stories of Transience in Tim Winton's Fiction Hannah Schuerholz , 2012 single work criticism
— Appears in: Westerly , July vol. 57 no. 1 2012; (p. 164-181)

Explores Tim Winton's treatment of female characters in his fiction and their linkage with images of transience and death.
1 Between the Lines i "your signature rushes over the silken façade – sterile still,", Hannah Schuerholz , 2012 single work poetry
— Appears in: Islet
1 Hostile Territory Hannah Schuerholz , 2009 single work review
— Appears in: Arena Magazine , August-September no. 101 2009; (p. 60-61)
— Review of Samson and Delilah Warwick Thornton , 2009 single work film/TV
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