Cirrus@Austlit

'In his 1968 Boyer Lectures, After the Dreaming, anthropologist W.E.H. Stanner lamented that Aboriginal and Torres Strait Islander Peoples had been omitted from narratives of the nation’s past. Contending that this omission was ‘a structural matter’, he likened Australian history to ‘a view from a window which has been carefully placed to exclude a whole quadrant of the landscape’. He proposed that the kinds of stories which could bring Indigenous history into view for Australian readers would focus on the lives of individuals.' (Introduction)

'Gurindji country is located in the southern Victoria River in the Northern Territory of Australia. Gurindji people became well known in the 1960s and 1970s due to their influence on Australian politics and the Indigenous land rights movement. They were instrumental in gaining equal wages for Aboriginal cattle station employees and they were also the first Aboriginal group to recover control of their traditional lands. In Karu, Gurindji women describe their child-rearing practices. Some have a spiritual basis, while others are highly practical in nature, such as the use of bush medicines. Many Gurindji ways of raising children contrast with non-Indigenous practices because they are deeply embedded in an understanding of country and family connections. This book celebrates children growing up Gurindji and honours those Gurindji mothers, grandmothers, assistant teachers and health workers who dedicate their lives to making that possible.  (Publication summary)

'The Gurindji people of the Northern Territory are perhaps best-known for their walk-off of Wave Hill Station in 1966, protesting against mistreatment by the station managers. The strike would become the first major victory of the Indigenous land rights movement. Many discussions of station life are focused on the harsh treatment of Aboriginal workers.

'Songs from the Stations portrays another side of life on Wave Hill Station. Amongst the harsh conditions and decades of mistreatment, an eclectic ceremonial life flourished during the first half of the 20th century. Constant travel between cattle stations by Indigenous workers across north-western and central Australia meant that Wave Hill Station became a cross-road of desert and Top End musical styles. As a result, the Gurindji people learnt songs from the Mudburra who came further east, the Bilinarra from the north, the Nyininy from the west, and the Warlpiri from the south.

'This book is the first detailed documentation of wajarra, public songs performed by the Gurindji people in response to contemporary events in their community. Featuring five song sets known as Laka, Mintiwarra, Kamul, Juntara, and Freedom Day, it is an exploration of the cultural exchange between Indigenous communities that was fostered by their involvement in the pastoral industry.' (Publication summary)

'In a time before radio or even gramophones, songs were shared between Aboriginal groups at large social gatherings. Some songs were so popular they spread enormous distances.

'One such song known as Wanji-wanji has travelled some thousands of kilometres. Incredibly, the lyrics have remained unchanged over this distance and the past 150 years it has been sung.' (Introduction)

'Sydney is a place of many histories, some acknowledged, others hidden. The multi-layered Indigenous histories of Warrang (today, Sydney) are seldom heard...'