Cirrus@Austlit

'I have often spoken of trying to write in some meaningful way about what it means to belong to all times in this place that we call our traditional homeland. Aboriginal people know that we have been here since time immemorial. We have never lost track of the wisdom and knowledge that generations of our ancestors had developed over thousands of years about the powerful nature of this country. It was their knowledge that ensured the survival of our culture to this day.' (Introduction)

'Walking into Sydney’s iconic Abbey’s Bookshop, I noticed a prominent display of books devoted to the campaign to recognise Indigenous peoples in the Australian Constitution. Some of the books were new to me; all were written with great care and doubtless published for the moment. Marcia Langton’s The Welcome to Country Handbook: A guide to Indigenous Australia wasn’t among them, perhaps because of its newness, perhaps because it transcends the moment, its title signposting a broader remit. Langton’s wide-ranging knowledge, irrepressible curiosity, and longstanding engagement with culture, education, and politics bring a breadth to the work that few others could offer.' (Introduction)

'It can take an enormous intellectual effort for non-Indigenous people (such as this reviewer) to grasp Indigenous concepts of time. This is partially due to what Aileen Moreton-Robinson has described as the incommensurability of Indigenous and Western epistemological approaches. In settler-colonial terms, land is a resource to be appropriated, surveyed, and exploited. Temporality is generally used to situate the colonisation event, the before and after, from a perspective where time is linear and forward-looking. By contrast, in Indigenous cosmological approaches, land, culture, and time are co-dependent and in perpetual conversation. Country and time are indivisible.' (Introduction)

'The vibrant state of Aboriginal intellectual life is immediately evident upon reading Melissa Lucashenko’s foreword and Daniel Browning’s introduction to his Close to the Subject: Selected works. Lucashenko combines insight with an engaging, colloquial style; Browning, without apology or artifice, weighs up the successes, failures, and resentments of almost three decades as a journalist.' (Introduction)

'In his 1968 Boyer Lectures, After the Dreaming, anthropologist W.E.H. Stanner lamented that Aboriginal and Torres Strait Islander Peoples had been omitted from narratives of the nation’s past. Contending that this omission was ‘a structural matter’, he likened Australian history to ‘a view from a window which has been carefully placed to exclude a whole quadrant of the landscape’. He proposed that the kinds of stories which could bring Indigenous history into view for Australian readers would focus on the lives of individuals.' (Introduction)

'Anita Heiss is the author of non-fiction, historical fiction, commercial women’s fiction, poetry, social commentary, and travel articles. She is a Lifetime Ambassador of the Indigenous Literacy Foundation and a proud member of the Wiradyuri nation of central New South Wales.' (Introduction)

'Family photographs add so much to Aboriginal autobiography. Aboriginal people will scan them to see who they know and what the buildings, clothes, and area looked like then. Photographs are an open invitation to connect with your people, no matter where they are from.' (Introduction)

'Kado Muir – a Ngalia man – will never be able to have another conversation in his mother tongue. He tells the story of witnessing each of his elders dying and, in the process, his language. Successively, he had fewer and fewer people to communicate with. In the case of his language community, younger contemporaries shifted to English as the language exerted its colonial power – until at last Kado Muir became the last speaker of Ngalia.' (Introduction)

'Reaching Through Time: Finding my family’s stories is the epitome of Indigenous family life writing. Predominantly set in New South Wales, on the east coast of Australia, Reaching Through Time is a journey through more than 200 years of Australian history, from early invasion and colonisation to the present day, through the lens of Indigenous family lived experience. This collection of life stories – skilfully located in the archives, family memory, and secondary sources – traces five generations of the authors’ family. Reaching Through Time is a rich, engaging contribution to Australian history. Bostock is writing against Australian historiography, which has excluded the voices of Indigenous families. As Shauna Bostock says: ‘This book is written for people who want to know our history from an Aboriginal perspective.’' (Introduction)

'Just to north of Darwin is the country of the Tiwi people, spread over Bathurst and Melville Islands. These two new books give voice to Tiwi oral traditions and to the power and resonance within that tradition of orality that encompasses song, narrative, and the ways in which they sustain family and relationships to ancestors and to kin.' (Introduction)

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'There is no denying the power of poetry as thoughtful story-telling, a form of expression free from rules, conventions. It allows a safe environment for experimentation, free from the confines of traditionalism. Portraits in words, detailing the ride of life and thoughts of the mind are painted onto the canvas, where the placement of verses on a page can matter as much as the choices of words themselves.' (Introduction)

'Yasmin Smith is an editor, writer and poet of South Sea Islander, Kabi Kabi, Northern Cheyenne, and English heritage. She has worked across literary fiction, non-fiction, children’s books, and poetry, with a focus on supporting First Nations creatives and their stories. She is currently an editor at University of Queensland Press, where her work includes overseeing its groundbreaking First Nations Classics series.' (Publication summary)

'Ali Cobby Eckermann is an award-winning Yankunytjatjara/Kokatha poet and artist. In the words of Yugambeh writer Arlie Alizzi: ‘She Is the Earth is hypnotic, healing and transcendental.’' (Introduction) 

'When the first season of Aaron Sorkin’s Newsroom premièred in Australia in 2012, Foxtel had its own onscreen news talent cut a series of promos. A bevy of ageless news anchors – all dense hairdos and blazing white teeth – talked admiringly of how the series portrayed their profession. Journalism, in their telling, was fast-paced, often self-righteous, occasionally fallible, but ultimately always a noble occupation that served the public’s interest. Leigh Sales’s new book, Storytellers, follows a similar line, with the content and even the cover art – a black and white photo of Sales at her news desk, shot from behind, à la Will McAvoy – evincing the same reverence for journalism. Implicitly, too, there is the same nostalgia for the days when everything was just a bit more straightforward.' (Introduction)

'Alot can change in a few years. In March 2020, on the eve of the Covid-19 pandemic, I wrote a review essay for ABR about the proliferation of trans and gender diverse (TGD) life writing. Back then, the most notable examples came from overseas, and – with the exception of established names like ABC’s Eddie Ayres (now Ed Le Broq), author of the 2017 memoir Danger Music – major Australian publishers had yet to take a chance on local trans voices.' (Introduction)

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