Luke Taylor Luke Taylor i(A121209 works by)
Gender: Male
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 y separately published work icon Old Masters : Australia's Great Bark Painters Wally Caruana , Alisa Duff , Howard Morphy , Luke Taylor , Canberra : National Museum of Australia Press , 2013 8623081 2013 selected work biography art work

'Bark painting, as practised by Aboriginal artists of Arnhem Land for millennia, is one of the great traditions of world art. Yet it was only recognised as such late in the 20th century. Old Masters: Australia’s Great Bark Artists highlights the work of 40 master painters who have carried one of the oldest continuing traditions of art into the modern era.

'Old Masters features the paintings of Narritjin Maymuru, Yirawala, Mawalan Marika and David Malangi and their contemporaries. These men of high ritual standing were not only artists, but also ceremonial and clan leaders, philosophers, advocates for land rights and human rights, ambassadors and politicians, who recognised the power of art as the most eloquent means to build bridges between Aboriginal and European society.

'The book includes essays by renowned scholars of Aboriginal art, biographies and portraits of the artists, and 122 full-colour plates of the paintings, made between 1948 and 1988, from the National Museum of Australia’s rich and extensive collection.'

1 y separately published work icon Australian Aboriginal Studies Aboriginal Art and Identity no. 1 Luke Taylor (editor), Peter Veth (editor), 2008 Z1564016 2008 periodical issue

'Cultural expression is a major topic of research interest for AIATSIS and has been since its inception. Research of Aboriginal and Torres Strait Islander visual arts are, in turn, a significant component of that work. This volume consolidates the work of several AIATSIS research grantees, staff and visitors who are working on projects that explore different aspects of Indigenous art production and how this production relates to the creation of personal and group identity. Some of the projects were presented at an AIATSIS seminar series held in the second semester of 2006 and organised by Luke Taylor and Peter Veth with the support of Patrick Sullivan.' (Editorial introduction)

X