Cirrus@Austlit

'1960. The world is dancing on the edge of revolution, and nowhere more so than on the Greek island of Hydra, where a circle of poets, painters and musicians live tangled lives, ruled by the writers Charmian Clift and George Johnston, troubled king and queen of bohemia. Forming within this circle is a triangle: its points the magnetic, destructive writer Axel Jensen, his dazzling wife Marianne Ihlen, and a young Canadian poet named Leonard Cohen.

'Into their midst arrives teenage Erica, with little more than a bundle of blank notebooks and her grief for her mother. Settling on the periphery of this circle, she watches, entranced and disquieted, as a paradise unravels.

'Burning with the heat and light of Greece, A Theatre for Dreamers is a spellbinding novel about utopian dreams and innocence lost – and the wars waged between men and women on the battlegrounds of genius.'

Source: Publisher's blurb.

'Rocks in the Belly tells the story of an eight-year-old boy and the adult he becomes. When he is young his mother fosters boys, despite the jealous turmoil it arouses in her son: jealousy that reaches unmanageable proportions when she fosters Robert, a child she can't help bonding with. As the connection between them grows, the son's envy triggers an event that profoundly changes everyone. Especially Robert.

'At twenty-eight, still haunted by his childhood, the son returns to face his mother, who is now chronically ill. He hasn't forgiven her for what happened to Robert, and yet she isn't the same domineering woman anymore. Now she's the dependent one and he the dominant force - a power he can't help but abuse.

'Written in two startlingly original voices, Rocks in the Belly is about the effortless destruction we wreak on one another in the simple pursuit of our own happiness, and a reminder that we never leave our childhood behind. A fast-paced, powerful, yet often beautiful and funny novel.' (From the publisher's website.)

'When Catherine's lover dies suddenly, she has no-one to turn to - their affair had been disguised from their colleagues and his family - except her work. A middle-aged curator in a London museum, Catherine is given a very particular project by the perceptive head of her department: a box of intricate clockwork parts that appear to be the remains of a nineteenth century automaton - a beautifully made mechanical bird.

'When she discovers that the box also contains the diary of the man who commissioned the machine, she is partially rescued from one obsession by another - who were Henry Brandling and the mysterious, visionary clockmaker he hired to make a gift for his absent son? And what was the end result that now sits in pieces in her studio?

'The Chemistry of Tears is both wildly entertaining and deeply moving, a portrait of love and loss that is simultaneously delicate and anarchic. At its heart is an image only the masterful Peter Carey could breath such life into - an object made of equal parts magic, art and science, a delight that contains the seeds of our age's downfall.' (From the publisher's website.)

'Olivier is a young aristocrat, one of an endangered species born in France just after the Revolution. Parrot, the son of an itinerant English printer, wanted to be an artist but has ended up in middle age as a servant.

When Olivier sets sail for the New World - ostensibly to study its prisons, but in reality to avoid yet another revolution - Parrot is sent with him, as spy, protector, foe and foil. Through their adventures with women and money, incarceration and democracy, writing and painting, they make an unlikely pair. But where better for unlikely things to flourish than in the glorious, brand-new experiment, America?

A dazzlingly inventive reimagining of Alexis de Tocqueville's famous journey, Parrot and Olivier in America brilliantly evokes the Old World colliding with the New. Above all, it is a wildly funny, tender portrait of two men who come to form an almost impossible friendship, and a completely improbable work of art.' (From the publisher's website.)