'Misreadingsand othering aside – did Π.Ο. actually read any of the poems, or did he just know they were wrong? – there are important issues raised by Π.Ο.’s review. It may be worth saying something about the most important – regarding the level of understanding that the reader brings to the poem. Poetry’s role has changed over the last century or two. Most of our stories are now told in other formats – novels, films, TV. Most of our declarations of desire or loss are now sung for us as pop songs (though not all: there are still great love poems). Most of our declarations of loyalty and tales of patriotism have, thankfully, receded into a past of bad newspaper verse, and earnest recitals. But poetry has continued to do some things better, perhaps, than any other art-form: to find clear ways of saying what is otherwise only partially understood, to weigh those articulations emotionally, and, sometimes, to make them sing. It works a frontier: not just of our understandings, but of our responses to them: a complex edge of meanings and the weight of meanings. We think Π.Ο. has completely missed the innovation, the distinctiveness and the radicalism of contemporary verse.' (Introduction)
