NLA image of person
C. Haddon Chambers C. Haddon Chambers i(A10825 works by) (a.k.a. Charles Haddon Spurgeon Chambers)
Born: Established: 22 Apr 1860 Petersham, Marrickville - Camperdown area, Sydney Southern Suburbs, Sydney, New South Wales, ; Died: Ceased: 28 Mar 1921 London,
c
England,
c
c
United Kingdom (UK),
c
Western Europe, Europe,

Gender: Male
Heritage: Irish
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 y separately published work icon The Saving Grace : A Comedy in Three Acts C. Haddon Chambers , London : Heinemann , 1918 Z858727 1918 single work drama
1 y separately published work icon Tante The Impossible Woman C. Haddon Chambers , 1914 6434327 1914 single work drama

C. Haddon Chambers's play is based on the novel Tante, published in 1912, by American-born British novelist Anne Douglas Sedgwick.

When a film version was released in 1919, the Times said of the original play that:

'Playgoers may remember Mr Haddon Chambers's comedy which was produced at the Haymarket a month after the outbreak of war. It did not enjoy any undue share of prosperity, doubtless because the world was to much perturbed with soul-stirring events at the time to worry about the tantrums of a spoilt and bad-tempered pianist, who flew into fits of temper whenever her will was thwarted or her path crossed. We can still see Miss Lillah McCarthy in Oriental robes and hair awry flinging herself at the keyboard of her piano and revelling in the complexity of the part.'

Source:

'The Film World', The Times, 13 October 1919, p.10.

1 1 y separately published work icon Passers-By : A Play in Four Acts C. Haddon Chambers , London : Duckworth , 1913 Z808102 1913 single work drama

A sentimental comedy of contemporary London life.

For a detailed review, see 'Wyndham's Theatre', The Times, 30 March 1911, p.10.

1 y separately published work icon Sir Anthony : A Comedy of the Outskirts in Three Acts C. Haddon Chambers , London : Samuel French , 1909 Z808099 1909 single work drama
1 y separately published work icon The Awakening : A Play in Four Acts C. Haddon Chambers , London : Heinemann , 1902 Z859102 1902 single work drama
1 y separately published work icon The Open Gate : An Original Domestic Drama in One Act C. Haddon Chambers , London : Samuel French , 1902 Z858756 1902 single work drama
1 y separately published work icon A Modern Magdalen C. Haddon Chambers , 1902 6434494 1902 single work drama

A contemporary review in the New York Times offers the following synopsis:

'Hiram Jenkins, a shiftless insurance broker, has lost his position through drink and is deeply in debt to one Brinker, a wealthy money lender. His family consists of a daughter, Katinka, who is the offspring of a former wife; her half-sister Olivia, a rather frail girl, for whom Katinka has an unselfish regard, and the second wife, Emily, a commonplace, rather vulgar, and shrewish woman. Boarding with the family is a poor young student, Eric Hargreaves, a patient and noble-hearted young fellow, who has followed the decadent fortunes of this family solely because of his love for Katinka.The latter has endeavoured in many ways to secure honest employment, but on account of her beauty finds herself subjected to constant annoyance and has returned to her humble home in despair.

'She has been followed by Albert Lindsey, a clubman, who has conceived an infatuation for her. He offers his love and friendship to Katinka, tells her he is unhappily married, but is spurned by her. Before leaving the room, however, he gives her his card and beseeches her if she ever needs help to call upon him. Humiliated over this adventure, yet impatient with her condition and surroundings, she is interrupted at this juncture by Eric, to whom she relates this incident, and he then offers her his hand in marriage. She gently refuses him by saying he is too poor and she is too selfish and unworthy, and the arrival of her father, who is radiant with a plan for the betterment of the family fortunes, puts a quietus to Katinka's fears. At table he reveals his scheme, which is to marry the heroine to Brinker, whom she despises. The latter's appearance and proposal, his rejection by Katinka, the sudden illness and apparent wants of her sister, Olivia, her desire to aid her, and her sudden resolution to seek out Albert Lindsey and her departure, in the face of Eric's reproaches, to the clubman's apartments, furnish the incidents to the first act.

'The sequent episodes rapidly depict the rehabilitation of the Jenkinses, and the fortunes of Katinka especially. The family is now discovered in modest yet comfortable circumstances, and the insurance broker is supposed to have re-established himself in business, but is secretly aided by Katinka. Olivia has regained her health, and is engaged to be married to John Strong, a purist and agent of the Society for the Suppression of Vice. Eric continues to live with the family in the hope of finding Katinka, who has disappeared completely, and whose name is tabooed by Mrs. Jenkins. In reality, however, she has drifted to the music hall stage, and established a certain reputation by singing risque songs. Brinker's confirmed passion and constant quest for Katinka, their accidental meeting at the home of her father, her humiliation at the exposure of her life by her steopmother before the guests, and the rejection of her sisterly love by the horrified Olivia, for whom she has sacrificed everything, and her broken-hearted departure are described in action.

'The scene is now shifted and finds Lindsey in the power of the money lender, and at a supper given in Katinka's magnificent apartments he receives a message from his wife, which tells him that his liaison with Katinka is known to her; that his defalcation of trust funds has been discovered, and that he must flee for the sake of his children. He pleads to Brinker for financial help, but is refused and is told his day is over and that he is his rival for the actress's affections. He turns to her for sympathy, but is repulsed. At this dinner is also seen John Strong, the moralist and reformer, who has requested a personal interview with this much-talked-about woman. His weakness and hypocrisy revealed by the strategic love-making of the heroine so disgust her with the world that she attempts to end the struggle, but is saved by Eric, whose patience and noble love outwit the old broker, who tempts her with jewels, a princely settlement, and marriage. The declaration of war with Spain has aroused the patriotism of the youth of the country, and Eric has enlisted. He points the better way to Katinka, and she drifts away as a nurse upon the field of battle.'

Source:

'For Play-going People', The New York Times, 23 March 1902, p.15.

1 1 y separately published work icon The Tyranny of Tears : A Comedy in Four Acts C. Haddon Chambers , London : Heinemann , 1900 Z808084 1900 single work drama
1 1 y separately published work icon The Fatal Card C. Haddon Chambers , B. C. Stephenson , 1895 (Manuscript version)x400172 Z850437 1895 single work drama

Harry Burgess is a robber who wants to change his ways, but his cronies want him to do one last job. The mark, A. K. Austin, is the father of Gerald Austin who is engaged to Margaret Marrable. One of the gang accidentally kills Austin, and while they are trying to figure out what to do, Gerald, who has overheard them, comes out of his hiding place. Burgess tries to frame Gerald for the murder but when this fails he attempts to get rid of Gerald by killing him and his fiancee with a bomb. However, just before the bomb goes off he remembers that Gerald once saved his life. He subsequently sets them free and makes his escape. Gerald throws the bomb out the window and it explodes, killing Burgess in the process.

1 y separately published work icon Thumb-Nail Sketches of Australian Life C. Haddon Chambers , New York (City) : Tait , 1891 Z808108 1891 selected work short story
1 2 y separately published work icon The Idler : A Play in Four Acts C. Haddon Chambers , 1890 London : Samuel French , 1902 Z858833 1890 single work drama
1 In a Thirsty Land C. Haddon Chambers , 1889 single work short story
— Appears in: In Australian Wilds and Other Colonial Tales and Sketches 1889; (p. 120-128)
1 The 'Ne'er-Do-Weel' : A Doctor's Story C. Haddon Chambers , 1889 single work short story
— Appears in: In Australian Wilds and Other Colonial Tales and Sketches 1889; (p. 49-66)
1 An Underground Tragedy C. Haddon Chambers , 1889 single work short story
— Appears in: In Australian Wilds and Other Colonial Tales and Sketches 1889; (p. 173)
1 The Little Gold Nugget C. Haddon Chambers , 1888 single work short story
— Appears in: Oak-Bough and Wattle-Blossom : Stories and Sketches by Australians in England 1888; (p. 144-152)
1 The Pipe of Peace C. Haddon Chambers , 1888 single work short story
— Appears in: Oak-Bough and Wattle-Blossom : Stories and Sketches by Australians in England 1888; (p. 4-51)
1 5 y separately published work icon Captain Swift : A Comedy Drama in Four Acts C. Haddon Chambers , 1888 New York (City) : Samuel French , 1902 Z859105 1888 single work drama

Contemporary reviews of Beerbohm Tree's production offer the following synopsis:

'[Its] story is mainly concerned with the proceedings of a certain lawless individual who, after a career of bush-ranging in Australia, obtains a footing in an English county family, becomes engaged to a charming girl, then, being wanted by the police, takes an unceremonious leave of his fine friends, and finally cuts short his career with a revolver.'

Source:

'Haymarket Theatre', The Times, 21 June 1888, p.7.

X