Cirrus@Austlit

'...Georgina Loveridge begins a more overt dismantling of our understanding of White in the wake of his own late re-envisioning of his work. The chapter, then, zeroes in on the potential for critical collapse threatened (or perhaps promised) in the preoccupation with jitters, tremblings, contradictory times, ambivalence, madnesses, revisions and disconcerting revelations in nearly all our chapters. She reads Flaws as a treatise on the nature of truth with White extending a continuous dismantling of his own symbolic apparatus and offering a blueprint for re-reading hes entire work.' (Introduction 8)