Cirrus@Austlit

'As an important part of the world's literary criticism pedigree, Australian literary criticism has shown a "rational dominance" delay to the literary theory craze in Europe and the United States since its inception, and has a special liking for "practical criticism". The attitude of openness and diversity, and the appeal of "returning to tradition and literacy" are in sharp contrast to the current "abnormal noise and turmoil in theory". After a hundred years of development, Australian literary criticism has shown the characteristics of "non-orientation, non-original fusion", and the ideology of "self-centered, not following the trend, advocating pluralism" is worth learning from Chinese and even the world literary circles. The diversification of Australian literary criticism over the past century is not only the result of the transformation of its internal power mechanism, but also the result of mutual learning and globalization of Eastern and Western civilizations. This book adopts the methods of macro-narrative chronological social and cultural context, meso-level discussion of literary events, micro-analysis of individual critics’ thoughts, and comparative study of the differences between Australian and British and American literary criticisms, effectively achieving a comprehensive balance between theoretical criticism and practical criticism. Combine point and surface.
'"One Hundred Years of Australian Literary Criticism" aims to systematically comb, analyze and interpret the works of important writers and critics in Australia over the past century on literary creation and literary research, and comprehensively discuss the social consciousness and thoughts contained in Australian literary theory and practical criticism. Viewpoints and aesthetic standards, reveal the nature and characteristics of literary criticism of "no one, no other, non-original hybridization", explore the causes of the evolution of Australian nationalization, internationalization and diversified literary criticism, and study the history of literary criticism for Chinese scholars Provide reference.' (Publication summary)

'Mo Yan and Peter Carey are internationally acclaimed writers who have written a number of historical novels. They share many similarities in their characterization and narrative skills as they subvert official narrative memories; however, they differ in their explorations of their respective national psyches. Mo Yan's Red Sorghum and Carey's True History of theKelly Gang represent memories of historical events and figures which depict their bandits, Yu Zhan'ao (Red Sorghum) and Ned Kelly (Kelly Gang), as heroes in dark and turbulent periods. This article suggests that these characters are a reflection of the cruel histories that Chinese and Australian peoples have experienced in fighting against their enemies. Through Mo Yan and Carey's literary representation of memories within the characters of Zhan'ao and Kelly, the aesthetic value of the fiction brings the histories to life.' (Publication abstract)

澳大利亚文学翻译是中国外国文学翻译不可或缺的部分。本文在文献调查的基础上,以学术史为视角,重点论述改革开放前30年澳大利亚文学翻译与研究成果的特点及其形成原因,指出这一时期的澳大利亚文学研究基本上是译介性成果,具有数量较少、质量较高、文学体裁单一的特点,这与当时中澳两国所实施的治国方略和文化政策密切相关

'The rendition of Australian literary works into Chinese has been an integral part of China’s modern-day translation of foreign literatures. As a detailed literature review shows, during the 30 years or so prior to China’s adoption of the "reform and opening up" policy, the Australian literary works translated and studied in the country were small in number, generically unvaried and yet high-quality as far as the translation is concerned. These features could be accounted for by referring to the political and culture conditions then prevailing in China and Australia.'

Source: CAOD.

'彼得·凯里的《"凯利帮"真史》描写了澳大利亚历史上一个"罗宾汉"式的故事。作者借助高超的艺术手法,一反传统,将主人公内德·凯利刻画成一个有情有义的民族英雄,而非残暴成性的盗贼和杀人犯,彻底颠覆了其在民族记忆中的传统形象,使文本充满传统与现代、柔情与残忍、真实与虚构的界面张力。本文从人物、情节和叙事三个角度入手,分别论述小说文本所蕴含的思想张力、情感张力和叙事张力及其形成动因,揭示界面张力生成机制所折射出的文学创作思想--重新审视殖民历史,建构新的澳大利亚文化身份'

Source: CAOD.

'Australian writer Peter Carey, one of the only two writers who won the Booker Prize for two times, has so far published eleven novels, two collections of short stories and five non-fiction works. He is good at digging new ideas from history, eulogizing independent national spirit through molding the images of characters image mold, and at the same time interpreting the living conditions of modern people and the meaning of life by historical figures and events. This book, by Peng Qingling, is aimed to discuss the national consciousness, post-colonial historical view, humanistic spirit, artistic innovation of novel creation, social sense of responsibility and the sense of historical mission contained in his novels and short stories, and at the same time reveal his artistic characteristic of basing on the cultural heritage and remolding the national image.' (Publication summary)